Spider Baby | |
---|---|
Directed by | Jack Hill |
Screenplay by | Jack Hill [1] |
Produced by |
|
Starring | |
Cinematography | Alfred Taylor [1] |
Edited by | Elliot Fayad [1] |
Music by | Ronald Stein [1] |
Production company | Lasky-Monka Productions [1] |
Distributed by | American General Pictures [1] |
Release date |
|
Running time | 80 minutes [1] |
Country | United States |
Language | English |
Budget | $65,000 |
Spider Baby: or, the Maddest Story Ever Told is a 1967 American comedy horror film, written and directed by Jack Hill. [3] It stars Lon Chaney Jr. as Bruno, the chauffeur and caretaker of three orphaned siblings who suffer from "Merrye Syndrome", a genetic condition starting in early puberty that causes them to regress mentally, socially and physically. Jill Banner, Carol Ohmart, Quinn Redeker, Beverly Washburn, Sid Haig, Mary Mitchel, Karl Schanzer and Mantan Moreland also star.
The film was released to relative obscurity, [4] but eventually achieved cult status. [5] [6]
At the decaying Merrye House, feared by locals, the Merrye children Ralph, Virginia, and Elizabeth have lived in seclusion with the family chauffeur Bruno ever since their parents died. All three have advanced Merrye Syndrome, a genetic affliction unique to members of the family which causes them, starting in late childhood, to regress down the evolutionary ladder mentally and physically. They exhibit a playful innocence well before their years, mixed with feral madness.
Ralph is a sexually advanced, but mentally deficient simpleton who moves through the house via the dumb-waiter. Virginia is obsessed with spiders, and has more than once murdered visitors in a game of "spider", trapping them by rigging a window to snap shut on them, before hacking them to death with butcher knives. Elizabeth is regarded by Bruno as the most responsible of the three, but is also conniving and infatuated with the concept of hate. The children hold a steadfast respect and affection for Bruno, but increasingly disregard his admonitions against their darker impulses.
Virginia's latest victim is a delivery man serving notice that Peter Howe and his sister Emily, distant relatives of the Merrye family, are coming with their lawyer Schlocker and his secretary Ann, seeking to claim the property as rightful heirs. Bruno hastily coaches the children in enough social etiquette to pass muster before the visitors arrive. Schlocker is outraged that the children have been in the sole care of Bruno (who did not acquire legal guardianship) and have never attended school. Bruno tells him the children are mentally retarded and resists the suggestion to put them in an institution, having sworn to their father to protect them for life. Emily and Schlocker insist on staying overnight to examine the situation, but with only two rooms available, Peter takes Ann into town to stay at an inn.
Schlocker investigates the house, going down to the basement, where he finds the Merrye patriarch's siblings are kept in a pit. Virginia and Elizabeth murder Schlocker to prevent him from reporting this discovery. Bruno realizes it will be impossible to keep this latest murder covered up, and leaves to fetch dynamite from a nearby construction site, planning to blow up the entire Merrye family rather than allow them to be confined. In his absence, Emily finds Schlocker's body as Virginia and Elizabeth are trying to dispose of it. The girls chase Emily out into the woods, where she is captured and raped by Ralph.
Finding no rooms available in town, Peter and Ann return to the mansion. Elizabeth, fearing the consequences if their crimes are discovered, escorts Ann to her room, leading her into the clutches of Ralph, while Virginia starts a game of "spider" with Peter, tying him to a chair and preparing to "sting" him with her knives. Elizabeth intervenes to ask for help with Ann, who is struggling against her and Ralph.
In the woods, Emily awakes traumatised and delirious. Sexually aggressive and murderous, she returns to the house and attacks Ralph while his sisters defend him. Meanwhile, Peter escapes his confinement and frees Ann. Bruno arrives with the dynamite and urges Peter to flee. Peter escorts Ann to safety as the house explodes behind them, killing Bruno and the Merrye family.
Peter, as the sole remaining heir, inherits the vast Merrye family fortune, marries Ann, and writes a book on the Merrye Syndrome phenomenon. His branch of the family, being rather distant, has never been afflicted by the syndrome. However, ten years later, while wandering outside, Peter and Ann's young daughter is fascinated by a spider.
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While working as a private investigator, Karl Schanzer mentioned to two of his clients, Gil Lasky and Paul Monka, that he was an out-of-work actor. Struck by the coincidence, they in turn told him that they were interested in producing a movie, and Schanzer pointed them towards director/screenwriter Jack Hill, who he had met while working on Blood Bath . [7] At the time Hill had not even the beginnings of a script for the film he wanted to make, but Lasky and Monka were impressed enough with his rough outline to green light the project. [7]
Hill wrote the script with Lon Chaney Jr. in mind for the part of Bruno, but though Chaney read and liked the script, his agent said that the maximum fee the producers could offer for the film's lead role - $2,500 - was far too little for an actor of Chaney's prestige, especially since horror films were what he was most renowned for. However, when the producers later sent an inquiry as to whether John Carradine (who was represented by the same agent as Chaney) would be interested in the role, the agent wrote back saying that Chaney would accept the part for the offered $2,500. [7]
Hill wanted Mantan Moreland for the part of the messenger because he believed that in light of Moreland being known for comedic roles, his character being brutally murdered would be a good opening shock to audiences. [7]
The location chosen was the (now historic) Smith Estate in the Highland Park neighborhood of Los Angeles. [8]
The film was shot between August and September 1964. However, due to the original producers' bankruptcy, the film was not released until December 24, 1967. [9] Spider Baby suffered from poor marketing as well as a series of title changes, being billed alternatively as The Liver Eaters, Attack of the Liver Eaters, Cannibal Orgy, and The Maddest Story Ever Told. Although these alternate titles have little or no relation to the plot, the latter two appear in the opening narration by Chaney: "This cannibal orgy is strange to behold in the maddest story ever told." The opening titles of the film also dub it Spider Baby or, The Maddest Story Ever Told.[ citation needed ] Hill conceived the title The Maddest Story Ever Told as a play on the title of the then-recent film The Greatest Story Ever Told . [7]
The cinematographer was Alfred Taylor, who had previously worked on the film The Atomic Brain . There was no power available in the Smith Estate when the opening scene was filmed, so Taylor arranged a series of reflectors to guide sunlight into the house and thereby provide lighting for the interior shots. [7] The entire production cost about $65,000, and took only 12 days to shoot in black and white. [10] The film was released as a double bill with Hell's Chosen Few.
Hill recalled those financing the film had a real estate business that went bankrupt with the film was locked up in a vault for three years. A friend of his, David L. Hewitt had seen the film and kept track of it through all the litigation. Hewitt re-edited the film that Hill thought improved the film. [11] Spider Baby first opened theatrically in Fremont, Ohio, as a double feature with Hewitt's The Wizard of Mars on December 8, 1967. [2] It opened in Shreveport, Louisiana, the following week, on December 13, 1967. [12]
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On Rotten Tomatoes, the film holds an approval rating of 94% based on 17 reviews, with a weighted average rating of 7.16/10. [13] Author and film critic Leonard Maltin awarded the film two and a half out of a possible four stars, saying, "At its best it's both scary and funny." [14] Bruce G. Hallenbeck commented in his book Comedy-Horror Films: A Chronological History, 1914-2008 that "Spider Baby has a diseased, sickly atmosphere that anticipates that of David Lynch's Eraserhead (1976), with Alfred Taylor's black and white cinematography contributing images of death and decay that are still disturbing today." He particularly noted Lon Chaney, Jr.'s performance as being among the actor's best, portraying Bruno as a likable but misguided "enabler" for his wards. [15]
In 1999, a DVD of the film's original laserdisc transfer was released, including a cast and crew reunion and a commentary track by Hill.[ citation needed ] In 2007, Dark Sky Films released a version featuring Hill's director's cut, a new commentary with co-star Haig and multiple documentaries on the making of the film.[ citation needed ] In 2015, British home video distributor Arrow Films released a director-approved Blu-ray/DVD combo special edition of the film.[ citation needed ]
In 2009, Spider Baby writer/director Hill and END Films launched the "official Spider Baby website", featuring historical information about the film, director/cast biographies, video clips and photo galleries. [16]
This section needs additional citations for verification .(April 2023) |
A rock and roll [17] musical stage version of Spider Baby, directed by Helen Acosta, featured libretto and music by Enrique Acosta with lyrics by Enrique Acosta, Lorien Patton, and Helen Acosta. [18] It was originally developed at Empty Space Theatre in Bakersfield in 2004 and had gone through several other developmental workshops. [19] It played small community theaters, looking for a wider audience. It opened at the Empty Space theater in Bakersfield, California, on Halloween 2004. In October 2007, it opened in Brookings, Oregon, at the local Grange Hall, and in Orlando, Florida, at the Black Orchid Theater.
In 2009, the musical toured with stops in Fresno, Los Angeles, Bakersfield, Tehachapi and San Francisco. A 2010 multi-city tour had stops in Las Vegas, Toronto, and Los Angeles.
The musical played from October 15 to December 5, 2010 at The Lyric Hyperion Theatre Cafe in Silver Lake, Los Angeles. [19]
In 2012, it played in San Diego, California, at the 10th Avenue Arts Centre as part of Gamercon and Terror at the 10th, respectively.
The soundtrack for the musical version was the final project at Buck Owens' recording studio in Bakersfield.
The film's theme song has been covered at least three times: By the band Fantômas on their film-score covers album The Director's Cut , by crossover thrash band The Accüsed on 1988's Martha Splatterhead's Maddest Stories Ever Told as "The Maddest Story Ever Told", and by Kid Congo Powers. [20]
In 2023, Waxwork Records released the soundtrack as part of the Rob Zombie Presents series. It was pressed on coloured vinyl and housed in special packaging featuring artwork by Graham Humphreys. [21]
In 2007, independent film producer Tony DiDio began preparing a remake of the film, featuring original director Hill as executive producer, and Jeff Broadstreet as director. [22]
Broadstreet stated in an interview, "We're going to stick very closely to the basic story of the original film, and at the same time dig deeper into the backstory of the inbred Merrye family." The new script by Robert Valding "expands on the themes of unconditional love, and also the story elements of cannibalism and the mutant relatives in the basement". [22]
It was announced in 2023 that filmmaker Dustin Ferguson acquired the rights to Spider Baby and planned to produce a remake. [23] The remake premiered at the Frida Cinema in Santa Ana, CA on October 31, 2023. [24] [25]
In 2012, the film was preserved by the Academy Film Archive, using the original camera negative. A new fine grain master positive, new duplicate negative and new prints were created, as well as analog and digital soundtrack masters.[ citation needed ]
Creighton Tull Chaney, known by his stage name Lon Chaney Jr., was an American actor known for playing Larry Talbot in the film The Wolf Man (1941) and its various crossovers, Count Alucard in Son of Dracula, Frankenstein's monster in The Ghost of Frankenstein (1942), the Mummy in three pictures, and various other roles in many Universal horror films, including six films in their 1940s Inner Sanctum series, making him a horror icon. He also portrayed Lennie Small in Of Mice and Men (1939) and played supporting parts in dozens of mainstream movies, including High Noon (1952), The Defiant Ones (1958), and numerous Westerns, musicals, comedies and dramas.
Leonidas Frank "Lon" Chaney was an American actor and makeup artist. He is regarded as one of the most versatile and powerful actors of cinema, renowned for his characterizations of tortured, often grotesque and afflicted, characters and for his groundbreaking artistry with makeup. Chaney was known for his starring roles in such silent horror films as The Hunchback of Notre Dame (1923) and The Phantom of the Opera (1925). His ability to transform himself using makeup techniques that he developed earned him the nickname "The Man of a Thousand Faces".
Jack Hill is an American film director in the exploitation film genre. Several of Hill's later films have been characterized as feminist works.
Jill Banner was an American film actress. She played Virginia, the "spider baby" in the 1968 cult horror-comedy film Spider Baby. She also had roles as James Coburn's flower child friend in The President's Analyst (1967), and appearances in Jack Webb's television series, Dragnet.
Erik is the titular antagonist of Gaston Leroux's novel Le Fantôme de l'Opéra, best known to English speakers as The Phantom of the Opera. The character has been adapted to alternative media several times, including in the 1925 film adaptation starring Lon Chaney, the 1943 remake starring Claude Rains, the 1962 remake starring Herbert Lom and Andrew Lloyd Webber's 1986 musical.
The Haunted Palace is a 1963 gothic fantasy horror film released by American International Pictures, starring Vincent Price, Lon Chaney Jr. and Debra Paget, in a story about a village held in the grip of a dead necromancer. Directed by Roger Corman, it is one of his series of eight films based largely on the works of American author Edgar Allan Poe.
Laugh, Clown, Laugh is a 1928 American silent drama film starring Lon Chaney and Loretta Young. The movie was directed by Herbert Brenon and produced by Irving G. Thalberg for MGM Pictures. A sound version of this film was released in the second half of 1928 and featured a synchronized musical score with sound effects. The film was written by Elizabeth Meehan, based on the 1923 Broadway stage production Laugh, Clown, Laugh by David Belasco and Tom Cushing, which in turn was based on the 1919 play Ridi, Pagliaccio by Fausto Maria Martini.
Man-Made Monster is a 1941 American science-fiction horror film directed by George Waggner and produced by Jack Bernhard for Universal Pictures. Filmed in black-and-white, it stars Lon Chaney Jr. and Lionel Atwill. Man-Made Monster was re-released under various titles including Electric Man and The Mysterious Dr. R. Realart Pictures re-released the film in 1953 under the title The Atomic Monster as a double feature with The Flying Saucer (1950). On the film's original main title, there is no hyphen; it's simply Man Made Monster.
West of Zanzibar is a 1928 American synchronized sound film directed by Tod Browning. While the film has no audible dialog, it was released with a synchronized musical score with sound effects using both the sound-on-disc and sound-on-film process. The screenplay concerns a vengeful stage magician named Phroso who becomes paralyzed in a brawl with a rival. The supporting cast includes Mary Nolan and Warner Baxter. The screenplay was written by Elliott J. Clawson, based on the 1926 play Kongo by Charles de Vonde and Kilbourn Gordon. Walter Huston starred in the stage play and later played Phroso again in the 1932 sound film remake of the same story which was also called Kongo.
Weird Woman is a 1944 noir-mystery horror film, and the second installment in The Inner Sanctum Mysteries anthological film series, which was based on the popular radio series of the same name. Directed by Reginald Le Borg and starring Lon Chaney Jr., Anne Gwynne, and Evelyn Ankers. The movie is one of several films based on the novel Conjure Wife by Fritz Leiber. Co-star Evelyn Ankers had previously worked with Chaney in Ghost of Frankenstein, where Chaney played the Frankenstein monster, and The Wolf Man, where Chaney played the title role.
The Unholy Three is a 1925 American silent crime melodrama film involving a trio of circus conmen, directed by Tod Browning and starring Lon Chaney. The supporting cast features Mae Busch, Matt Moore, Victor McLaglen, and Harry Earles. The Unholy Three marks the establishment of the notable artistic alliance between director Browning and actor Chaney that would deliver eight films to M-G-M studios during the late silent film era.
Outside the Law is a 1920 American pre-Code crime film produced, directed and co-written by Tod Browning and starring Priscilla Dean, Lon Chaney and Wheeler Oakman.
Where the Forest Ends is a 1915 American silent drama film directed by Joe De Grasse and featuring Lon Chaney and Pauline Bush. De Grasse also acted in this film as well, playing "Silent Jordan". The film was written by Ida May Park, based on a story by Olga Printzlau. The film is today considered to be lost. A still from the film can be seen online.
The Price of Silence is a 1916 American silent drama film directed by Joe De Grasse and starring Lon Chaney. The screenplay was written by Ida May Park, based on the short story by W. Carey Wonderly. A print is housed at the French archive Centre national du cinéma et de l'image animée in Fort de Bois-d'Arcy. A still also exists showing Chaney in his role of the blackmailing Dr. Stafford. There were four other silent films entitled The Price of Silence, but this was the only one released in 1916.
The False Faces is a 1919 American silent action film written and directed by Irvin Willat, based on the novel by Louis Joseph Vance, and starring Henry B. Walthall as Michael Lanyard, the "Lone Wolf," and Lon Chaney as Karl Ekstrom, the villain. A complete print of the film survives at the George Eastman House and at the Turner Film Library. It was thought to be lost for years, but was later found and somewhat restored. Director Willat was originally to have shared co-directing chores with Jerome Storm, but when the film's production was moved back from August to October, he ended up being the sole director.
Treasure Island is a 1920 silent film adaptation of the 1883 novel by Robert Louis Stevenson, directed by Maurice Tourneur, and released by Paramount Pictures. Lon Chaney played two different pirate roles in this production, "Blind Pew" and "Merry", and stills exist showing him in both makeups. Charles Ogle, who had played Frankenstein's Monster in the first filmed version of Frankenstein a decade earlier at Edison Studios, portrayed Long John Silver. Wallace Beery was supposed to play Israel Hands, but that role went to Joseph Singleton instead. The film was chosen as one of the Top Forty Pictures of the Year by the National Board of Review.
Gouverneur Morris Jr. was an American railroad executive and the son of a founding father of the United States, Gouverneur Morris.
Flesh and Blood is a 1922 American silent drama film directed by Irving Cummings and starring Lon Chaney, Noah Beery, Edith Roberts and De Witt Jennings. The film originally had a color flashback scene with Chinese actors, but the color footage is no longer in any of the available prints. The film's working titles were Prison and Fires of Vengeance. Interior scenes were shot at Universal Studios.
Mockery (1927) is an American silent film about the Russian Revolution starring Lon Chaney. The movie was the second film made in Hollywood by Danish director Benjamin Christensen and stars Chaney as a Siberian peasant who aids a countess who is threatened by the encroaching insurgency. The screenplay was written by Bradley King, based on a story by Benjamin Christensen, which in turn was adapted from a short story by Stig Esbern. The sets were designed by Cedric Gibbons and Alexander Toluboff.
Passion is a 1954 American Western film directed by Allan Dwan and written by Howard Estabrook, Beatrice A. Dresher and Joseph Lejtes. The film stars Cornel Wilde, Yvonne De Carlo, Raymond Burr, Lon Chaney Jr., Rodolfo Acosta and John Qualen. The film was released on October 6, 1954, by RKO Pictures.