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Author | William Hope Hodgson |
---|---|
Language | English |
Genre | Horror novel |
Publisher | Chapman and Hall |
Publication date | JAN 01 1908 |
Publication place | United Kingdom |
Media type | Print (hardcover) |
Pages | 300 pp (1st edition) |
The House on the Borderland (1908) is a supernatural horror novel by British fantasist William Hope Hodgson. The novel is a hallucinatory account of a recluse's stay at a remote house, and his experiences of supernatural creatures and otherworldly dimensions.
On encountering Hodgson's novels in 1934, American horror writer H. P. Lovecraft praised The House on the Borderland and other works by Hodgson at length. [1] Terry Pratchett has called the novel "the Big Bang in my private universe as a science fiction and fantasy reader and, later, writer". [2]
Two men on a two-week fishing holiday in remote western Ireland are surprised to discover a strange abyss. On a rock spur above this pit they find ruins and buried in them a journal, which they read.
The author of the journal introduces himself as an old man who has lived for years in an ancient house accompanied only by his sister, who serves as housekeeper, and his dog, Pepper. He has no contact with the local inhabitants, who say he is mad. The house is circular in form and its weird appearance includes peculiar decorations that suggest leaping flames. It has had an evil reputation for centuries and had been empty for many years when he purchased it. The diary will record his strange experiences and thoughts.
Late one night, as he was reading in his study, the light suddenly turned green and then red. Pepper hid under his chair and he sat still, frightened. The red light went low, and he was no longer afraid. The far side of the room became a vision of a vast empty plain. He floated like a bubble into space, leaving the earth and sun behind as he travelled into utter darkness and despair. He reached the world of the vast plain, whose sun is a wreath of red flame. He was brought to an arena: an immense green jade copy of his own house, at the centre of a circle miles across, circled by mountains containing hundreds of huge idols of Beast-gods and Horrors. As he nears the huge building, a humanoid creature with the repellent head and face of a huge swine is trying to get into the House. The Swine-creature suddenly and horribly moves toward him, but he is borne upward, then reverses his travel through space to return to his study.
Several months later, horrible man-sized creatures with dead-white skin emerge from a nearby Pit and assault the House. The Swine-Things are strong and intelligent but are unable to break in; after a night and day in which the Recluse kills some of them they disappear. He is terrified by the violent creatures and he waits several days before leaving the House with Pepper to search the former gardens outside.
A week later, he and Pepper explore the Pit that appears to be the source of the Swine-Things. A tunnel leads to an immensely deep abyss. Water flows down the tunnel and the struggle of wading against it to get back out is exhausting. Two weeks afterwards the Pit has become a lake. He revisits a trap door in the Cellar, realizing that it opens to the bottomless abyss.
Asleep in his study, the Recluse awakens into a place like a mist of light and meets his lost love. She calls the place the Sea of Sleep, and implores him to leave the evil House, but admits that they would never have met again had he been anywhere else.
The journal starts again, with the passage of time increasing in speed. Days and nights pass more and more quickly, the sun and moon become flickers and years blur. Pepper's body, then his own, crumble into dust. The House falls, the world fades, time slowly grinds to a halt and the solar system ends with his perception of an immense green star, celestial globes, and another timeless meeting in the Sea of Sleep with the lost love. He is brought again to the Arena and into the great House. He is again in his own study, with time running normally.
The malicious Swine-creature from the Arena inflicts a luminous fungal growth on a dog and the Recluse is barely able to stop himself from letting it into the House. He has also contracted the disease, and the manuscript ends with the man in his study as the creature comes through the trap door in the Cellar.
The two men recover from reading the journal and return to fishing, making no attempt to revisit the horrible pit. Their driver interviews an old man in the local village who remembers the evil house that everyone avoided had once been occupied by an unsociable old man and his elderly sister. Once a month, a man who told the villagers nothing took supplies to the house; years went by until suddenly that man excitedly reported that the house had disappeared and there was now a chasm where it had been.
The book was a milestone that signalled a radical departure from the typical Gothic fiction of the late 19th century. Hodgson created a newer more realistic/scientific cosmic horror that left a marked impression on those who would become the great writers of the weird tales of the middle of the 20th century, particularly Clark Ashton Smith, and H. P. Lovecraft. [3] David Pringle rated The House on the Borderland three stars out of four and called the novel a "frightening tale". [4] Reviewing the book, Neil Barron called it "An imaginative tour de force whose power transcends its patchwork construction; the cosmic vision sequence makes it equally interesting as a scientific romance, but it definitely strikes what its admirer H. P. Lovecraft sought to define as "the true note of cosmic horror"." [5]
This novel was first published in Britain by Chapman and Hall, Ltd., London in 1908. Its most popular version was by Arkham House Press, Sauk City, Wisconsin, in 1946 as part of The House on the Borderland and Other Novels , the same publishers that brought out many books by other authors of weird fiction, such as H. P. Lovecraft.
In 2000, DC Comics’ mature reader imprint Vertigo published a 96-page color graphic-novel adaptation The House on the Borderland, with story by Simon Revelstroke and art by Richard Corben. The book is available in soft and hardcover and contains an introduction by British comic writer Alan Moore. Revelstroke updated Hodgson's initial "manuscript discovery" frame to 1952 Ireland, and while he made an effort to retain most of the original plot and dialogue, excepting the very last page, the climax is purely Revelstroke's invention. In the credits, Revelstroke listed himself as a "Carnacki Fellow" currently "teaching at the Glen Carrig School of Nautical Horticulture", both direct (and fictional) references to Hodgson's other literary works. The adaptation was nominated for an International Horror Guild Award for Best Illustrated Narrative. [6]
The English Doom metal band Electric Wizard featured the song "The House on the Borderland" on their Electric Wizard/Reverend Bizarre (2008) split EP.
The American Rock band Into Another featured the song "William" on their Ignaurus (1994) album. The song expresses a feeling of camaraderie with "William" and includes the lyric: "truth lives in a house on the borderland".
As part of their debut LP Escándalo en Bohemia, the Spanish pop band, Los Wattsons, offered "La casa más allá del confín de la tierra", the lyrics and music of which strive to recreate the spirit of the Hodgson tale. [7]
In 2007, BBC Radio released a two-hour-long, four-episode dramatization of the novel. [8]
In 2020, a solitaire board game adaptation of The House on the Borderland was included in issue #2 of Lurker Magazine and co-published by the Emperors of Eternal Evil. [9] In 2023, the novel was adapted in a Dungeons and Dragons adventure by Doug Strain, called "Ruins on the Borderlands". [10]
The Cthulhu Mythos is a mythopoeia and a shared fictional universe, originating in the works of Anglo-American horror writer H. P. Lovecraft. The term was coined by August Derleth, a contemporary correspondent and protégé of Lovecraft, to identify the settings, tropes, and lore that were employed by Lovecraft and his literary successors. The name "Cthulhu" derives from the central creature in Lovecraft's seminal short story "The Call of Cthulhu", first published in the pulp magazine Weird Tales in 1928.
William Hope Hodgson was an English author. He produced a large body of work, consisting of essays, short fiction, and novels, spanning several overlapping genres including horror, fantastic fiction, and science fiction. Hodgson used his experiences at sea to lend authentic detail to his short horror stories, many of which are set on the ocean, including his series of linked tales forming the "Sargasso Sea Stories". His novels, such as The House on the Borderland (1908) and The Night Land (1912), feature more cosmic themes, but several of his novels also focus on horrors associated with the sea. Early in his writing career Hodgson dedicated effort to poetry, although few of his poems were published during his lifetime. He also attracted some notice as a photographer and achieved renown as a bodybuilder. He died in World War I at age 40.
Ramsey Campbell is an English horror fiction writer, editor and critic who has been writing for well over fifty years. He is the author of over 30 novels and hundreds of short stories, many of them winners of literary awards. Three of his novels have been adapted into films.
Arkham House was an American publishing house specializing in weird fiction. It was founded in Sauk City, Wisconsin, in 1939 by August Derleth and Donald Wandrei to publish hardcover collections of H. P. Lovecraft's best works, which had previously been published only in pulp magazines. The company's name is derived from Lovecraft's fictional New England city, Arkham, Massachusetts. Arkham House editions are noted for the quality of their printing and binding. The colophon for Arkham House was designed by Frank Utpatel.
Algernon Henry Blackwood, CBE was an English broadcasting narrator, journalist, novelist and short story writer, and among the most prolific ghost story writers in the history of the genre. The literary critic S. T. Joshi stated, "His work is more consistently meritorious than any weird writer's except Dunsany's" and that his short story collection Incredible Adventures (1914) "may be the premier weird collection of this or any other century".
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Weird fiction is a subgenre of speculative fiction originating in the late 19th and early 20th centuries. Weird fiction either eschews or radically reinterprets traditional antagonists of supernatural horror fiction, such as ghosts, vampires, and werewolves. Writers on the subject of weird fiction, such as China Miéville, sometimes use "the tentacle" to represent this type of writing. The tentacle is a limb-type absent from most of the monsters of European gothic fiction, but often attached to the monstrous creatures created by weird fiction writers, such as William Hope Hodgson, M. R. James, Clark Ashton Smith, and H. P. Lovecraft.
Frank Belknap Long Jr. was an American writer of horror fiction, fantasy, science fiction, poetry, gothic romance, comic books, and non-fiction. Though his writing career spanned seven decades, he is best known for his horror and science fiction short stories, including contributions to the Cthulhu Mythos alongside his friend, H. P. Lovecraft. During his life, Long received the World Fantasy Award for Life Achievement, the Bram Stoker Award for Lifetime Achievement, and the First Fandom Hall of Fame Award (1977).
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Donald Albert Wandrei was an American science fiction, fantasy and weird fiction writer, poet and editor. He was the older brother of science fiction writer and artist Howard Wandrei. He had fourteen stories in Weird Tales, another sixteen in Astounding Stories, plus a few in other magazines including Esquire. Wandrei was the co-founder of the prestigious fantasy/horror publishing house Arkham House.
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David Henry Keller was an American writer who worked for pulp magazines in the mid-twentieth century, in the science fiction, fantasy, and horror genres. He was also a psychiatrist and physician to shell-shocked soldiers during World War I and World War II, and his experience treating mentally ill people is evident in some of his writing, which contains references to mental disorders. He initially wrote short stories as a hobby and published his first science fiction story in Amazing Stories in 1928. He continued to work as a psychiatrist while publishing over sixty short stories in science fiction and horror genres. Technically, his stories were not well-written, but focused on the emotional aspects of imaginative situations, which was unusual for stories at the time.
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"The Horror at Red Hook" is a short story by American writer H. P. Lovecraft, written on August 1–2, 1925. "Red Hook" is a transitional tale, situated between the author's earlier work and the later Cthulhu Mythos. Although the story depicts a sinister cult, this cult offers a conventionally occult devil-worshipping threat, rather than the cosmic threat depicted in his later work. Living in poverty in the slum of Red Hook at the time of writing, Lovecraft was at this time urgently attempting to widen his markets in the pulp magazines. By having an unusually proactive Irish New York police detective as his protagonist, he hoped for a swift sale to a detective pulp, which would have opened up a new market other than his usual Weird Tales magazine. He did not get such a sale, and had to fall back on Weird Tales. "Red Hook" was thus first published in the January 1927 issue of Weird Tales.
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