The Dying Earth (1950) The Eyes of the Overworld (1966) Cugel's Saga (1983) Rhialto the Marvellous (1984) | |
Author | Jack Vance |
---|---|
Cover artist | various Gerald Brom, depicted [1] |
Country | United States |
Language | English |
Genre | Speculative fiction, Dying Earth subgenre |
Published | 1950–1984 |
Media type | |
No. of books | 4 by Vance (see sequels) |
Dying Earth is a speculative fiction series by the American author Jack Vance, comprising four books originally published from 1950 to 1984. [2] Some have been called picaresque. They vary from short story collections to a fix-up (novel created from older short stories), perhaps all the way to novel. [2]
The first book in the series, The Dying Earth, was ranked number 16 of 33 "All Time Best Fantasy Novels" by Locus in 1987, based on a poll of subscribers, [3] although it was marketed as a collection and the Internet Speculative Fiction Database (ISFDB) calls it a "loosely connected series of stories". [4]
The Dying Earth series has been described as a "sword and sorcery" series, as the plots of the various stories often revolve around picaresque exploits, swordplay, and magic. [5] [6]
The stories of the Dying Earth series are set in the distant future, at a point when the sun is almost exhausted and magic has asserted itself as a dominant force. The Moon has disappeared and the Sun is in danger of burning out at any time, often flickering as if about to go out, before shining again. The various civilizations of Earth have collapsed for the most part into decadence or religious fanaticism and its inhabitants overcome with a fatalistic outlook. The Earth is mostly barren and cold, and has become infested with various predatory monsters (possibly created by a magician in a former age).
Magic in the Dying Earth is performed by memorizing syllables, and the human brain can only accommodate a certain number at once. When a spell is used, the syllables vanish from the caster's mind. Creatures called sandestins can be summoned and used to perform more complex actions, but are considered dangerous to rely upon. Magic has loose links to the science of old, and advanced mathematics is treated like arcane lore.
The Dying Earth exists alongside several Overworlds and Underworlds. These help add a sense of profound longing and entrapment to the series. While humans can, with relative ease, physically travel to the horrific Underworlds (as Cugel does on several occasions, to his dismay) the vast majority of the population are only capable of mentally visiting the wondrous Overworlds through rare artifacts (e.g. through the "Eyes of the Overworld") or dangerous magic phenomena (such as the ship Cugel encounters in the deserts). Though they can look at the wonders and pretend they are really there, humans can never truly inhabit or escape to these utopias as their physical bodies remain stuck on the Dying Earth and will die with the sun regardless. These siren-like visions of paradise lead to the deaths, insanity, and suffering of many, especially during Cugel's journeys.
While most remaining civilizations on the Dying Earth are utterly unique in their customs and cultures, there are some common threads. Because the moon is gone and wind is often weak (the sun no longer heats the earth as much) the oceans are largely placid bodies of water with no tide and tiny waves. To cross them, boats are propelled by giant sea-worms. These worms are cared for and controlled by "Wormingers". In addition, the manses of magicians, protected by walls and spells and monsters, are relatively common sights in inhabited lands.
Vance wrote the stories of the first book while he served in the United States Merchant Marine during World War II. [7] In the late 1940s several of his other stories were published in magazines.
Science fiction historian Brian Stableford has noted the influence of Clark Ashton Smith and his "Zothique" stories on the "Dying Earth" series. [8]
According to pulp editor Sam Merwin, Vance's earliest magazine submissions in the 1940s were heavily influenced by the style of James Branch Cabell. [9] Fantasy historian Lin Carter has noted several probable lasting influences of Cabell on Vance's work, and suggests that the early "pseudo-Cabell" experiments bore fruit in The Dying Earth (1950). [10]
The series comprises four books by Vance and some sequels by other authors that may be or may not have been canonical.
One 741-page omnibus edition has been issued as The Compleat Dying Earth (SF Book Club, 1999) and in both the US and UK as Tales of the Dying Earth (2000). [11]
All four books were published with Tables of Contents, the first and fourth as collections. The second and third contained mostly material previously published in short story form but were marketed as novels, the second as a fix-up and the third without acknowledging any previous publication.
Some sequels have been written by other authors, either with Vance's authorization or as tributes to his work.
Michael Shea's first publication, the novel A Quest for Simbilis (DAW Books, 1974, OCLC 2128177), was an authorized sequel to Eyes. However, "When Vance returned to the milieu, his Cugel's Saga continued the events of The Eyes of the Overworld in a different direction." [15]
The tribute anthology Songs of the Dying Earth (2009) contains short fiction set in the world of the Dying Earth by numerous writers alongside tributes to Vance's work and influence.
In 2010 Shea wrote another authorized story belonging to the Dying Earth series and featuring Cugel as one of characters: "Hew the Tintmaster", published in the anthology Swords & Dark Magic: The New Sword and Sorcery, ed. Jonathan Strahan and Lou Anders (Eos, 2010, pp. 323–362). [16]
WorldCat contributing libraries report holding all four books in French, Spanish, and (in omnibus edition) Hebrew translations; and report holding The Dying Earth in five other languages: Finnish, German, Japanese, Polish, and Russian. [lower-alpha 1]
The whole first volume (of six stories) has been translated also into Esperanto together with two Cugel stories and made available on-line as e-books by a long-time fan and Vance Integral Edition co-worker. Permission to translate and distribute (only into Esperanto) was obtained informally direct from the author and, since his death in 2013, continues with ongoing permission from the author's estate. To date these are three: Mazirian the Magician, The Sorcerer Pharesm, and The Bagful of Dreams available for free download as EPub, Mobi and PDF. [17]
The entire series has seen several Italian translations, and in Italy Vance remains one of the US scifi authors most often translated and published [18]
The Dying Earth subgenre of science fiction is named in recognition of Vance's role in standardizing a setting, the entropically dying earth and sun.[ clarification needed ] Its importance was recognized with the publication of Songs of the Dying Earth , a tribute anthology edited by George R. R. Martin and Gardner Dozois (Subterranean, 2009). Each short story in the anthology is set on the Dying Earth, and concludes with a short acknowledgement by the author of Vance's influence on them.
Gene Wolfe's The Book of the New Sun (1980–83) is set in a slightly similar world, and was written under Vance's influence. Wolfe suggested in The Castle of the Otter , a collection of essays, that he inserted the book The Dying Earth into his fictional world under the title The Book of Gold (specifically, Wolfe wrote that the "Book of Gold" mentioned in The Book of the New Sun is different for each reader, but for him it was "The Dying Earth").[ page needed ] Wolfe has extended the series. [19]
Michael Shea's novel Nifft the Lean (1982), his second book eight years after A Quest for Simbilis, also owes much debt to Vance's creation, since the protagonist of the story is a petty thief (not unlike Cugel the Clever), who travels and struggles in an exotic world. Shea returned to Nifft with 1997 and 2000 sequels. [20]
The Archonate stories by Matthew Hughes — the 1994 novel Fools Errant and numerous works in this millennium [21] — take place in "the penultimate age of Old Earth," a period of science and technology that is on the verge of transforming into the magical era of the time of the Dying Earth.[ citation needed ] Booklist has called him Vance's "heir apparent." (Review by Carl Hays of The Gist Hunter and Other Stories, Booklist, August 2005)
The original creators of the Dungeons & Dragons games were fans of Jack Vance and incorporated many aspects of the Dying Earth series into the game. The magic system, in which a wizard is limited in the number of spells that can be simultaneously remembered and forgets them once they are cast, was based on the magic of Dying Earth. In role-playing game circles, this sort of magic system is called "Vancian" or "Vancean". [22] Some of the spells from Dungeons & Dragons are based on spells mentioned in the Dying Earth series, such as the prismatic spray. Magic items from the Dying Earth stories such as ioun stones also made their way into Dungeons & Dragons. One of the deities of magic in Dungeons & Dragons is named Vecna, an anagram of "Vance". [23]
The Talislanta role-playing game designed by Stephan Michael Sechi and originally published in 1987 by Bard Games was inspired by the works of Jack Vance so much so that the first release, The Chronicles of Talislanta , is dedicated to the author.
There is an official Dying Earth role-playing game published by Pelgrane Press with an occasional magazine The Excellent Prismatic Spray (named after a magic spell). The game situates players in Vance's world populated by desperately extravagant people. Many other role-playing settings pay homage to the series by including fantasy elements he invented such as the darkness-dwelling Grues.
Monte Cook identifies The Dying Earth as an inspiration for his game Numenera . [24]
Goodman Games have announced the publication of the setting using their Dungeon Crawl Classics roleplaying game system, running a successful Kickstarter campaign for it. The game was released in 2023.
John Holbrook Vance was an American mystery, fantasy, and science fiction writer. Though most of his work has been published under the name Jack Vance, he also wrote several mystery novels under pen names, including Ellery Queen.
Michael Shea was an American fantasy, horror, and science fiction author. His novel Nifft the Lean won the World Fantasy Award, as did his novella Growlimb.
Matthew Hughes is a Canadian author who writes science fiction under the name Matthew Hughes, crime fiction as Matt Hughes and media tie-ins as Hugh Matthews. Prior to his work in fiction, he was a freelance speechwriter. Hughes has written over twenty novels and he is also a prolific author of short fiction whose work has appeared in The Magazine of Fantasy & Science Fiction, Asimov's Science Fiction, Alfred Hitchcock's Mystery Magazine, Lightspeed, Postscripts, Interzone and original anthologies edited by George R. R. Martin and Gardner Dozois. In 2020 he was inducted into the Canadian SF and Fantasy Association Hall of Fame.
Flashing Swords! is a series of fantasy anthologies published by Dell Books from 1973 to 1981 under the editorship of Lin Carter, and revived under the editorship of Robert M. Price in 2020. It originally showcased the heroic fantasy work of the members of the Swordsmen and Sorcerers' Guild of America (SAGA), a somewhat informal literary group active from the 1960s to the 1980s, of which Carter was the guiding force. Most of the important sword and sorcery writers at the time of the group’s founding were members; later, membership was extended to other fantasy authors.
The Swordsmen and Sorcerers' Guild of America or SAGA was an informal group of American fantasy authors active from the 1960s through the 1980s, noted for their contributions to the "Sword and Sorcery" kind of heroic fantasy, itself a subgenre of fantasy. When it developed a serious purpose that was to promote the popularity and respectability of Sword and Sorcery fiction.
The Dying Earth is a collection of science fantasy/fantasy short fiction by American writer Jack Vance, published by Hillman in 1950. Vance returned to the setting in 1965 and thereafter, making it the first book in the Dying Earth series. It was retitled Mazirian the Magician in the Vance Integral Edition (2005), according to Jack Vance's expressed preference.
The Eyes of the Overworld is a picaresque fantasy fix-up novel by American writer Jack Vance, published by Ace in 1966, the second book in the Dying Earth series that Vance inaugurated in 1950. Retitled Cugel the Clever in its Vance Integral Edition (2005), the story takes place in Vance's Dying Earth setting, where the Sun is dying and magic and technology coexist. It features the self-proclaimed Cugel the Clever in linked episodic stories. Cugel is an anti-hero character; while he is typically a crafty scoundrel who seeks to turn a profit from a situation, he retains some good values at times. In the novel, Cugel is caught stealing from a wizard, who forces Cugel to travel to a faraway realm to find a rare magical jewel.
The Spell of Seven is an anthology of fantasy short stories in the sword and sorcery subgenre, edited by L. Sprague de Camp and illustrated by Virgil Finlay. It was first published in paperback by Pyramid Books in June 1965, and reprinted in December 1969. It was the second such anthology assembled by de Camp, following his Swords and Sorcery (1963).
Cugel's Saga is a picaresque fantasy novel by American writer Jack Vance, published by Timescape in 1983, the third book in the Dying Earth series, the first volume of which appeared in 1950. The narrative of Cugel's Saga continues from the point at which it left off at the end of The Eyes of the Overworld (1966).
"Mazirian the Magician" is a sword and sorcery short story by American writer Jack Vance. It was first published in 1950 as part of The Dying Earth, a collection of loosely linked tales. It has been reissued in numerous anthologies since 1965, including The Spell of Seven, edited by L. Sprague de Camp.
Flashing Swords! #4: Barbarians and Black Magicians is an anthology of fantasy stories, edited by Lin Carter. It was first published in hardcover by Nelson Doubleday in May 1977 as a selection in its Science Fiction Book Club, and in paperback by Dell Books in November 1977.
Return to Quag Keep, a 2006 fantasy novel by Andre Norton and Jean Rabe, is a sequel to the fantasy novel Quag Keep written by Norton in 1978. Although Norton and Rabe began their collaboration in the early 2000s, Norton's death in 2005 meant that Rabe had to complete the novel on her own. Many critics were not impressed with the finished work.
Timescape Books was a science fiction line from Pocket Books operating from 1981 to 1985. Pocket Books is an imprint of Simon & Schuster.
Songs of the Dying Earth: Stories in Honor of Jack Vance is a collection of short fiction and shorter essays composed in appreciation of the science fiction and fantasy author Jack Vance, especially his Dying Earth series. Edited by George R. R. Martin and Gardner Dozois, it was published in 2009 by Subterranean Press.
The Warrior of World's End is a 1974 fantasy novel by American writer Lin Carter, set on a decadent far-future Earth in which all the world's land masses have supposedly drifted back together to form a last supercontinent called Gondwane. The book is chronologically the first in Carter's Gondwane Epic. It was first published in paperback by DAW Books, then reprinted twice through November 1978. A trade paperback edition was published by Wildside Press in January 2001. The book includes a map by the author of the portion of Gondwane in which its story is set.
This is a complete list of works by American science fiction and fantasy author Jack Vance.
The Enchantress of World's End is a fantasy by American writer Lin Carter, set on a decadent far-future Earth in which all the world's land masses have supposedly drifted back together to form a last supercontinent called Gondwane. The book is chronologically the second in Carter's Gondwane Epic. It was first published in paperback by DAW Books in May 1975, and reprinted in May 1977. A trade paperback edition was published by Wildside Press in January 2001 and an ebook edition by Thunderchild Publishing in January 2019. The book includes a map by the author of the portion of Gondwane in which its story is set and "A Glossary of Unfamiliar Names and Terms" by the author.
The Immortal of World's End is a fantasy by American writer Lin Carter, set on a decadent far-future Earth in which all the world's land masses have supposedly drifted back together to form a last supercontinent called Gondwane. The book is chronologically the third in Carter's Gondwane Epic. It was first published in paperback by DAW Books in September 1976, and reprinted in May 1977. A trade paperback edition was published by Wildside Press in January 2001 and an ebook edition by Thunderchild Publishing in February 2019. The book includes a map of the portion of Gondwane in which its story is set and "A Glossary of Places Mentioned in the Text" by the author.
The Barbarian of World's End is a fantasy by American writer Lin Carter, set on a decadent far-future Earth in which all the world's landmasses have supposedly drifted back together to form a last supercontinent called Gondwane. The book is chronologically the fourth in Carter's Gondwane Epic. It was first published in paperback by DAW Books in May 1977. A trade paperback edition was published by Wildside Press in January 2001 and an ebook edition by Thunderchild Publishing in May 2019. The book includes a map of the portion of Gondwane in which its story is set and "A Glossary of Places Mentioned in the Text" by the author.
Howard Andrew Jones is an American speculative fiction and fantasy author and editor, known for The Chronicles of Hanuvar series, The Chronicles of Sword and Sand series and The Ring-Sworn trilogy. He has also written Pathfinder Tales, tie-in fiction novels in the world of the Pathfinder Roleplaying Game, published by Paizo. He is the editor of Tales from the Magician's Skull and has served as a Managing Editor at Black Gate since 2004. He assembled and edited a series of eight volumes of the short fiction of Harold Lamb for publication by Bison Books.