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Drawing down the Moon (also known as drawing down the Goddess) is a central ritual in many contemporary Wiccan traditions. During the ritual, a coven's High Priestess enters a trance and requests that the Goddess or Triple Goddess, symbolized by the Moon, enter her body and speak through her. The High Priestess may be aided by the High Priest, who invokes the spirit of the Goddess. During her trance, the Goddess is supposed to speak through the High Priestess.
The name most likely comes from a depiction of two women and the moon on an ancient Greek vase, believed to date from the second century BCE. [1]
It could also come from line 145 of Claudian’s First Book Against Rufinus. Megaera, one of the Erinyes, in the guise of an old man, speaks to Rufinus:
Despise not an old man’s feeble limbs: I have the gift of magic and the fire of prophecy is within me. I have learned the incantations wherewith Thessalian witches pull down the bright moon, I know the meaning of the wise Egyptians’ runes, the art whereby the Chaldeans impose their will upon the subject gods, the various saps that flow within trees and the power of deadly herbs; all those that grow on Caucasus rich in poisonous plants, or, to man’s bane, clothe the crags of Scythia; herbs such as cruel Medea gathered and curious Circe.
In classical times, the Greek astronomer Aglaonice of Thessaly and ancient Thessalian witches [2] [3] were believed to control the moon, according to the tract: "If I command the moon, it will come down; and if I wish to withhold the day, night will linger over my head; and again, if I wish to embark on the sea, I need no ship, and if I wish to fly through the air, I am free from my weight." [4]
The drawing down of the moon derives from the Vangelo. In this a poem defining the drawing down of the moon is written and this has been used as the basis for the drawing down of the moon by various Wiccan groups. The practice forms part of both Gardnerian and Cochranian rites. The practice is also reference in Reginald Scot's "The Discoverie of Witchcraft".
Though a number of Wiccan traditions may practice a variation of the ritual, the modern form likely originated in Gardnerian Wicca, and is considered a central element of Gardnerian and Alexandrian Wiccan ceremonies. During the modern rite, the High Priestess may recite the Charge of the Goddess, a text based in a mixture of writings by Gerald Gardner and Aleister Crowley, though now often used in its recension by Doreen Valiente, High Priestess in the Gardnerian tradition.
Mel D. Faber explains the ritual in psychoanalytical terms of attempting to re-unite with the protective-mother archetype. [5]
In modern traditions, some solitary Wiccans also perform the ritual, usually within a circle and performed under the light of a full Moon. The solitary will stand in the Goddess Pose (both arms held high, palms up, body and arms forming a 'Y') and recite a charge, or chant.[ citation needed ]
"Drawing Down the Moon" is also the title of a book by National Public Radio reporter, Margot Adler— Drawing Down the Moon: Witches, Druids, Goddess-Worshippers, and Other Pagans in America Today —originally published in 1979. Adler writes:
...in this ritual, one of the most serious and beautiful in the modern Craft, the priest invokes into the priestess (or, depending on your point of view, she evokes from within herself) the Goddess or Triple Goddess, symbolized by the phases of the moon. She is known by a thousand names, and among them were those I had used as a child. In some Craft rituals the priestess goes into a trance and speaks; in other traditions the ritual is a more formal dramatic dialogue, often of intense beauty, in which, again, the priestess speaks, taking the role of the Goddess. In both instances, the priestess functions as the Goddess incarnate, within the circle.
Dianic Wicca, also known as Dianic Witchcraft, is a modern pagan goddess tradition focused on female experience and empowerment. Leadership is by women, who may be ordained as priestesses, or in less formal groups that function as collectives. While some adherents identify as Wiccan, it differs from most traditions of Wicca in that only goddesses are honored.
Gardnerian Wicca, or Gardnerian witchcraft, is a tradition in the neopagan religion of Wicca, whose members can trace initiatory descent from Gerald Gardner. The tradition is itself named after Gardner (1884–1964), a British civil servant and amateur scholar of magic. The term "Gardnerian" was probably coined by the founder of Cochranian Witchcraft, Robert Cochrane in the 1950s or 60s, who himself left that tradition to found his own.
Wicca is a modern pagan syncretic religion. Scholars of religion categorize it as both a new religious movement and as part of the occultist stream of Western esotericism. It was developed in England during the first half of the 20th century and was introduced to the public in 1954 by Gerald Gardner, a retired British civil servant. Wicca draws upon a diverse set of ancient pagan and 20th-century hermetic motifs for its theological structure and ritual practices.
A coven is a group or gathering of witches. The word "coven" remained largely unused in English until 1921 when Margaret Murray promoted the idea that all witches across Europe met in groups of thirteen which they called "covens".
Alexandrian Wicca or Alexandrian Witchcraft is a tradition of the Neopagan religion of Wicca, founded by Alex Sanders who, with his wife Maxine Sanders, established the tradition in the United Kingdom in the 1960s. Alexandrian Wicca is similar in many ways to Gardnerian Wicca, and receives regular mention in books on Wicca as one of the religion's most widely recognized traditions.
Margot Susanna Adler was an American author, journalist, lecturer, Wiccan priestess, and New York correspondent for National Public Radio (NPR).
Drawing Down the Moon: Witches, Druids, Goddess-Worshippers, and Other Pagans in America Today is a sociological study of contemporary Paganism in the United States written by the American Wiccan and journalist Margot Adler. First published in 1979 by Viking Press, it was later republished in a revised and expanded edition by Beacon Press in 1986, with third and fourth revised editions being brought out by Penguin Books in 1996 and then 2006 respectively.
The Covenant of the Goddess (CoG) is a cross-traditional Wiccan group of solitary Wiccan practitioners and over one hundred affiliated covens. It was founded in 1975 in order to increase co-operation among witches and to secure for witches and covens the legal protection enjoyed by members of other religions. Member covens generally focus theology and ritual around the worship of the Goddess and the Old Gods, which is general practice within Wicca. The Covenant of the Goddess operates largely by consensus and maintains strict autonomy for all members.
Janet Farrar is a British teacher and author of books on Wicca and Neopaganism. Along with her two husbands, Stewart Farrar and Gavin Bone, she has published "some of the most influential books on modern Witchcraft to date". According to George Knowles, "some seventy five percent of Wiccans both in the Republic and Northern Ireland can trace their roots back to the Farrars."
Reclaiming is a modern witchcraft tradition, aiming to combine the Goddess movement with feminism and political activism. Reclaiming was founded in 1979, in the context of the Reclaiming Collective (1978–1997), by two Neopagan women of Jewish descent, Starhawk and Diane Baker, in order to explore and develop feminist Neopagan emancipatory rituals.
The Fivefold Kiss is an element of Wiccan ritual which involves blessing five sacred parts of the body. With each bestowed blessing the area of the body is sealed with a kiss. Wiccan tradition practises differ, but the Five-Fold Kiss is first and foremost a blessing bestowed upon the High Priestess by the High Priest or by the High Priestess upon the High Priest. The ritual symbolises the act of honoring the person as a vessel of the female or male version of Deity.
Aglaonice or Aganice of Thessaly was a Greek astronomer and thaumaturge of the 2nd or 1st century BC. She is mentioned in the writings of Plutarch and in the scholia to Apollonius of Rhodes as a female astronomer and as the daughter of Hegetor of Thessaly. She was regarded as a sorceress for her (self-proclaimed) ability to 'make the moon disappear from the sky' which has been taken – first by Plutarch and subsequently by modern astronomers – to mean that she could predict the time and general area where a lunar eclipse would occur.
The history of Wicca documents the rise of the Neopagan religion of Wicca and related witchcraft-based Neopagan religions. Wicca originated in the early twentieth century, when it developed amongst secretive covens in England who were basing their religious beliefs and practices upon what they read of the historical Witch-Cult in the works of such writers as Margaret Murray. It also is based on the beliefs from the magic that Gerald Gardner saw when he was in India. It was subsequently Founded in the 1950's by Gardner, who claimed to have been initiated into the Craft – as Wicca is often known – by the New Forest coven in 1939. Gardner's form of Wicca, the Gardnerian tradition, was spread by both him and his followers like the High Priestesses Doreen Valiente, Patricia Crowther and Eleanor Bone into other parts of the British Isles, and also into other, predominantly English-speaking, countries across the world. In the 1960s, new figures arose in Britain who popularized their own forms of the religion, including Robert Cochrane, Sybil Leek and Alex Sanders, and organizations began to be formed to propagate it, such as the Witchcraft Research Association. It was during this decade that the faith was transported to the United States, where it was further adapted into new traditions such as Feri, 1734 and Dianic Wicca in the ensuing decades, and where organizations such as the Covenant of the Goddess were formed.
Wiccan views of divinity are generally theistic, and revolve around a Goddess and a Horned God, thereby being generally dualistic. In traditional Wicca, as expressed in the writings of Gerald Gardner and Doreen Valiente, the emphasis is on the theme of divine gender polarity, and the God and Goddess are regarded as equal and opposite divine cosmic forces. In some newer forms of Wicca, such as feminist or Dianic Wicca, the Goddess is given primacy or even exclusivity. In some forms of traditional witchcraft that share a similar duotheistic theology, the Horned God is given precedence over the Goddess.
In the neopagan religion of Wicca a range of magical tools are used in ritual practice. Each of these tools has different uses and associations and are commonly used at an altar, inside a magic circle.
Edward Fitch is an occult author and a High Priest of the Gardnerian Wicca tradition, and was a leading figure in the rise of contemporary Wicca and Neo-Paganism in America. He presently lives in Austin, Texas.
Witching Culture: Folklore and Neo-Paganism in America is a folkloric and anthropological study of the Wiccan and wider Pagan community in the United States. It was written by the American anthropologist and folklorist Sabina Magliocco of California State University, Northridge and first published in 2004 by the University of Pennsylvania Press. It was released as a part of a series of academic books titled 'Contemporary Ethnography', edited by the anthropologists Kirin Narayan of the University of Wisconsin and Paul Stoller of West Chester University.
Enchanted Feminism: The Reclaiming Witches of San Francisco is an anthropological study of the Reclaiming Wiccan community of San Francisco. It was written by the Scandinavian theologian Jone Salomonsen of the California State University, Northridge and first published in 2002 by the Routledge.
Never Again the Burning Times: Paganism Revisited is an anthropological study of the Wiccan and wider Pagan community in the United States. It was written by the American anthropologist Loretta Orion and published by Waveland Press in 1995.
Living Witchcraft: A Contemporary American Coven is a sociological study of an American coven of Wiccans who operated in Atlanta, Georgia during the early 1990s. It was co-written by the sociologist Allen Scarboro, psychologist Nancy Campbell and literary critic Shirley Stave and first published by Praeger in 1994. Although largely sociological, the study was interdisciplinary, and included both insider and outsider perspectives into the coven; Stave was an initiate and a practicing Wiccan while Scarboro and Campbell remained non-initiates throughout the course of their research.
