Magical tools in Wicca

Last updated
The Magician from the Waite-Smith tarot, who is depicted using the same tools that modern Wiccans use. RWS Tarot 01 Magician.jpg
The Magician from the Waite–Smith tarot, who is depicted using the same tools that modern Wiccans use.

In the neopagan religion of Wicca a range of magical tools are used in ritual practice. [1] Each of these tools has different uses and associations and are commonly used at an altar, inside a magic circle.

Contents

In the traditional system of Gardnerian magic, there was as an established idea of covens which were groups composed of initiated members that conducted rituals involving magical tools and secret books (Book of Shadows). These tools were predominately kept within a specific coven because they were considered sacred. These items were owned and used by individual Wiccans, but could also be used collectively by the coven.

This practice may derive partly from Masonic traditions (such as the use of the Square and Compasses), from which Wicca draws some material, [2] and partly from the rituals of the Hermetic Order of the Golden Dawn. The latter made much use of material from medieval grimoires such as the Key of Solomon, which has many illustrations of magical tools and instructions for their preparation. [3]

Usage

In Wicca, magical tools are used during rituals which both honour the deities and work magic. The general idea is that the tool directs psychic energies to perform a certain action.

In modern-day Wicca, there is an encouragement of solitary practice of rituals and study. Covens are still a part of Wicca and related doctrines but there is now insistence that solitary practice is permissible. The allowance of solitary practice is clearly an important factor in terms of the growth of adherents, as the requirement to join a coven would involve transaction costs of locating fellow members and/or being initiated.

In Gardnerian Wicca as laid down by Gerald Gardner, someone who had been initiated in the first degree had to create (or, alternately purchase and then engrave) their own ritual tools. One of the requirements for being initiated into the second degree is that adherents had to name all of the ritual tools and explain what their purpose and associations were. [4]

Consecrating tools

Before tools are used in ritual they first are consecrated. In the Gardnerian Book of Shadows, there is a section based entirely on consecrating ritual items. [5] [6] The Book of Shadows states items must be consecrated within a magic circle, at the centre of which lies a pentacle (or paten). Each item that is to be consecrated is placed upon the pentacle, sprinkled with salt and water and then passed through some incense. This is followed by the declaration,

Aradia and Cernunnos, deign to bless and to consecrate this [tool], that it may obtain necessary virtue through thee for all acts of love and beauty. Aradia and Cernunnos, bless this instrument prepared in thine honour. [5] [7]

Principal tools

Various different tools are used in Wiccan ritual. Chief amongst them in importance are the pentacle (or paten), Athame (or sword), wand, and chalice, each of which represents one of the four elements of earth, air, fire and water.

Pentacle, or paten

The Pentacle, or paten, is a disc-shaped altar consecration tool with a sigil or magical symbol engraved or inscribed upon it. The most common symbol is a pentagram within a circle, specifically a pentacle, although some other symbols may be used such as the triquetra. The disc is symbolic of the element of earth. It is typically used during evocation as a symbol which blesses items, as well as magically energizing that which is placed upon it. [8] [9] [10]

Sword, or knife

A sword or a ritual knife, commonly known as Athame, is often used in Wiccan ritual. In Gardnerian Wicca these are symbolic of the element of fire. [4] Athame is elemental in nature while the sword is planetary in nature. [11]

Athame is traditionally black-handled and usually inscribed (sometimes in the Theban alphabet). It is used to direct energy for the casting of magic circles, controlling of spirits and other ritual purposes. Gerald Gardner described it as "the true Witch's weapon" in the Bricket Wood Book of Shadows, [12] something which he has been criticized for, by Frederic Lamond believing there should be no "weapons" in Wicca. [13] [ page needed ] In some traditions, it is never used under any circumstances to draw blood, becoming tainted and requiring destruction if it does. [14]

The term "Athame" in its modern spelling first appears in Wicca, but it originates from words found in two historical copies of the Key of Solomon . The version currently held in the Bibliothèque de l'Arsenal, Paris, uses the term "arthame" to describe a black-handled knife. This was adopted by C.J.S. Thompson in his 1927 book The Mysteries and Secrets of Magic and by Grillot de Givry in his 1931 book Witchcraft, Magic and Alchemy. The historian Ronald Hutton theorized that Gardner got it either directly or indirectly from one of these sources, although with a modified spelling. [12]

Wand

In Gardnerian Wicca, the wand is symbolic of the element of air, though in some traditions it instead symbolizes fire. [15] It can be made from any material, including wood, metal and rock, and Wiccan wands are sometimes set with gemstones or crystals. [9]

In his Book of Shadows, Gerald Gardner stated the wand is "used to summon certain spirits with whom it would not be meet to use the athame". Frederic Lamond states this referred to elemental spirits, who were traditionally believed to be scared of iron and steel. [4]

Chalice, or goblet

The chalice, or goblet, is symbolic of the element of water. Many Wiccans do not consider it to be a tool, but instead to be a symbol of the Goddess, particularly her womb. [4] The chalice bears many similarities with the Holy Grail, except for its symbolism used in witchcraft. Rather than being the blood of Christ, it is symbolic of the Goddess' womb. The chalice is traditionally used to hold wine.

Other tools

Besom

The besom or broom, is often associated with witches and witchcraft. The stories of witches flying on brooms originated from the besom.[ citation needed ] In Wicca, it is used in handfasting ceremonies wherein a couple jumps over it. The besom is also used in seasonal fertility dances as a representation of a phallus.

Boline

The boline is a knife, traditionally with a curved blade like that of a crescent moon. It is used for harvesting and cutting herbs. A Kirfane which is a white handled knife is used for inscribing candles with symbols or sigils, or cutting ritual cords and often mistaken for the Boline. Unlike the Athame, the Kirfane is used in the physical process of magical works such as ritual cutting; the Kirfane serves for the physical plane what Athame serves for work in the spiritual/astral planes.[ citation needed ]

Cauldron

A cauldron is often associated with witches and witchcraft in western culture. In Wicca, it is sometimes used to represent the womb of the Goddess, like the chalice.[ citation needed ] It is often used for making brews (such as oils), incense-burning, and can be used to hold large, wide pillar candles depending on how small it is. A fire is often lit within the vessel and the flames are leaped over as a simple fertility rite, or at the end of a handfasting. If filled with water, a cauldron can be used for scrying. It plays a large role in Celtic magic in a similar fashion to that of Cerridwen's cauldron.

Censer

The censer is used to dispense incense.

Cingulum

In the various forms of British Traditional Wicca, cords, known as cingulum, or singulum (which literally translates as "girdle" or "belt"), are worn about the waist by adherents. These are often given to a Wiccan upon their initiation, and worn at each subsequent ritual. [16] Traditionally they are nine feet in length (nine being three times three, the magical number), and are used to measure the circumference of the magic circle so that it can be set up correctly. [16]

In many traditions of Wicca, the colour of a person's cingulum indicates what rank of initiate they are; in several Australian covens for instance, green denotes a novice, white denotes an initiate of the first degree, blue for the second and a plaited red, white and blue for the third, with the High Priest wearing a gold cingulum (symbolising the sun), and the High Priestess wearing silver (symbolising the moon). [16]

Wiccan High Priest Raymond Buckland stated the cingulum should not be worn, but kept especially for spellcraft.

Scourge

The scourge is a type of religious whip. It is used in Gardnerian Wicca to flagellate members of the coven, primarily in initiation rites. Frederic Lamond said that whilst Gardner never told his Bricket Wood coven which element this was associated with, he believed that as an "instrument for exercising power over others" then it should be Fire. [4] The scourge stands in contrast to "the Kiss" in Gardnerian and other forms of Wicca. Being representative of the "gifts of the Goddess," the scourge standing for sacrifice and suffering one is willing to endure to learn, the kiss being the blessings of abundance in all life's aspects.

Spear

In the tradition of Seax-Wica, the spear is used as a ritual tool symbolizing the god Woden, who, in Seax-Wicca tradition, is viewed as an emanation of God in place of the Horned God. According to Norse mythology, the god Odin who is the Norse equivalent to the Anglo-Saxon Woden carried the spear Gungnir. For the purpose of comparison it is notable Seax-Wica is not a part of traditional initiatory Wicca, nor is it substantially linked to the Gardnerian or Alexandrian traditions.

Stang

The stang is usually a pronged wooden staff, [17] topped either with a naturally occurring fork or with antlers affixed. [18] The stang was among the ritual items used by Robert Cochrane, [19] while the term itself was likely popularized by his influence. [20] The stang can be used for representing the Horned God, directing energy, or helping with spirit journeying. [20]

Other

Ritual

Ritual tools from the Key of Solomon. Ritual implements.gif
Ritual tools from the Key of Solomon.

There are elaborate rituals prescribed for the creation and consecration of magical tools. [21] These often include the ritual passing of the tool through representations of the four elements. Some tools are ascribed correspondences to a particular element, one commonly cited correspondence being: [22] [ page needed ]

These four tools may be seen in the occult tarot deck designed by Golden Dawn members A.E.Waite and Pamela Colman Smith, most obviously in the card known as The Magician. Some practitioners distinguish high magic and low magic. The former includes ceremonial magic and theurgy, and may be more commonly practiced in Alexandrian covens. The latter is more typical of the hedgewitch, who would be more likely to use everyday tools and utensils, rather than fabricating specially made magical tools. [23] [ page needed ]

Related Research Articles

The Charge of the Goddess is an inspirational text often used in the neopagan religion of Wicca. The Charge of the Goddess is recited during most rituals in which the Wiccan priest/priestess is expected to represent, and/or embody, the Goddess within the sacred circle, and is often spoken by the High Priest/Priestess after the ritual of Drawing Down the Moon.

<span class="mw-page-title-main">Gardnerian Wicca</span> Tradition in Wiccan religion

Gardnerian Wicca, or Gardnerian witchcraft, is a tradition in the neopagan religion of Wicca, whose members can trace initiatory descent from Gerald Gardner. The tradition is itself named after Gardner (1884–1964), a British civil servant and amateur scholar of magic. The term "Gardnerian" was probably coined by the founder of Cochranian Witchcraft, Robert Cochrane in the 1950s or 1960s, who himself left that tradition to found his own.

<span class="mw-page-title-main">Wicca</span> Modern syncretic pagan religion based on white magic, occultism and paganism

Wicca, also known as "The Craft", is a modern pagan, syncretic, earth-centered religion. Considered a new religious movement by scholars of religion, the path evolved from Western esotericism, developed in England during the first half of the 20th century, and was introduced to the public in 1954 by Gerald Gardner, a retired British civil servant. Wicca draws upon ancient pagan and 20th-century Hermetic motifs for theological and ritual purposes. Doreen Valiente joined Gardner in the 1950s, further building Wicca's liturgical tradition of beliefs, principles, and practices, disseminated through published books.

<span class="mw-page-title-main">Athame</span> Ceremonial blade, generally with a black handle

An athame or athamé is a ceremonial blade, generally with a black handle. It is the main ritual implement or magical tool among several used in ceremonial magic traditions, and by other neopagans, witchcraft, as well as satanic traditions. A black-handled knife called an arthame appears in certain versions of the Key of Solomon, a grimoire dating to the Renaissance.

<span class="mw-page-title-main">Book of Shadows</span> Type of book or text found in Neopagan religions

A Book of Shadows is a book containing religious text and instructions for magical rituals found within the Neopagan religion of Wicca. Since its conception, it has made its way into many pagan practices and paths. The most famous Book of Shadows was created by the pioneering Wiccan Gerald Gardner sometime in the late 1940s or early 1950s, and which he utilised first in his Bricket Wood coven and then in other covens which he founded in following decades. The Book of Shadows is also used by other Wiccan traditions, such as Alexandrian Wicca and Mohsianism, and with the rise of books teaching people how to begin following non-initiatory Wicca in the 1970s onward, the idea of the Book of Shadows was then further propagated amongst solitary practitioners unconnected to earlier, initiatory traditions.

Alexandrian Wicca or Alexandrian Witchcraft is a tradition of the Neopagan religion of Wicca, founded by Alex Sanders who, with his wife Maxine Sanders, established the tradition in the United Kingdom in the 1960s. Alexandrian Wicca is similar in many ways to Gardnerian Wicca, and receives regular mention in books on Wicca as one of the religion's most widely recognised traditions.

<span class="mw-page-title-main">Seax-Wica</span> Tradition of the neopagan religion of Wicca

Seax-Wica, or sometimes Seax Witchcraft, is a tradition of neopagan practice blending aspects of Wicca with the iconography of Anglo-Saxon paganism, while not seeking to reconstruct the early mediaeval religion itself.

<span class="mw-page-title-main">Doreen Valiente</span> English writer (1922–1999)

Doreen Edith Dominy Valiente was an English Wiccan who was responsible for writing much of the early religious liturgy within the tradition of Gardnerian Wicca. An author and poet, she also published five books dealing with Wicca and related esoteric subjects.

Raymond Buckland, whose craft name was Robat, was an English writer on the subject of Wicca and the occult, and a significant figure in the history of Wicca, of which he was a high priest in both the Gardnerian and Seax-Wica traditions.

<span class="mw-page-title-main">Craft name</span> Fairies

A craft name, also referred to as a magical name, is a secondary religious name often adopted by practitioners of Wicca and other forms of Neopagan witchcraft or magic. Craft names may be adopted as a means of protecting one's privacy, as an expression of religious devotion, or as a part of an initiation ritual. It may also be used as a protective method, as it is believed by some that one's "true name" can be used to identify that person for the purpose of magical activities.

A watchtower or guardian in ceremonial magical tradition is a tutelary spirit of one of the four cardinal points or quarters. In many magical traditions, they are understood to be Enochian angels or the Archangels Uriel, Raphael, Michael, and Gabriel. They are also variously associated in other traditions with each of the four classical elements or stars. Originating with the Enochian tradition of John Dee, a version of it was popularized by the Hermetic Order of the Golden Dawn, which became hugely influential in modern Western Esotericism, including Wicca. The watchtowers are invoked during the ritual of casting a magic circle.

<span class="mw-page-title-main">Philip Heselton</span> British author

Philip Heselton is a retired British conservation officer, a Wiccan initiate, and a writer on the subjects of Wicca, Paganism, and Earth mysteries. He is best known for two books, Wiccan Roots: Gerald Gardner and the Modern Witchcraft Revival and Gerald Gardner and the Cauldron of Inspiration, which gather historical evidence surrounding the New Forest coven and the origins of Gardnerian Wicca.

The history of Wicca documents the rise of the Neopagan religion of Wicca and related witchcraft-based Neopagan religions. Wicca originated in the early 20th century, when it developed amongst secretive covens in England who were basing their religious beliefs and practices upon what they read of the historical witch-cult in the works of such writers as Margaret Murray. It was subsequently founded in the 1950s by Gardner, who claimed to have been initiated into the Craft – as Wicca is often known – by the New Forest coven in 1939. Gardner's form of Wicca, the Gardnerian tradition, was spread by both him and his followers like the High Priestesses Doreen Valiente, Patricia Crowther and Eleanor Bone into other parts of the British Isles, and also into other, predominantly English-speaking, countries across the world. In the 1960s, new figures arose in Britain who popularized their own forms of the religion, including Robert Cochrane, Sybil Leek and Alex Sanders, and organizations began to be formed to propagate it, such as the Witchcraft Research Association. It was during this decade that the faith was transported to the United States, where it was further adapted into new traditions such as Feri, 1734 and Dianic Wicca in the ensuing decades, and where organizations such as the Covenant of the Goddess were formed.

<span class="mw-page-title-main">Neopagan witchcraft</span> Group of neopagan traditions

Neopagan witchcraft, sometimes referred to as The Craft, is an umbrella term for some neo-pagan traditions that include the practice of magic. These traditions began in the mid-20th century, and many were influenced by the witch-cult hypothesis; a now-rejected theory that persecuted witches in Europe had actually been followers of a surviving pagan religion. The largest and most influential of these movements was Wicca. Some other groups and movements describe themselves as "Traditional Witchcraft" to distinguish themselves from Wicca.

Cochrane's Craft, also known as Cochranianism and The Clan of Tubal Cain, is a religious movement similar to Wicca that considers itself a form of Traditional Witchcraft. It was founded in 1951 by the English witch Robert Cochrane, who himself claimed to have been taught in the tradition by some of his elderly family members, a claim that is disputed by historians such as Ronald Hutton and Leo Ruickbie.

<span class="mw-page-title-main">Bricket Wood coven</span> Historical witches coven

The Bricket Wood coven, or Hertfordshire coven is a coven of Gardnerian witches founded in the 1940s by Gerald Gardner. It is notable for being the first coven in the Gardnerian line, though having its supposed origins in the pre-Gardnerian New Forest coven. The coven formed after Gardner bought a plot at the Fiveacres Country Club, a naturist club in the village of Bricket Wood, Hertfordshire, southern England, and met within the club's grounds. It played a significant part in the history of the neopagan religion of Wicca.

In Modern English, the term Wicca refers to Wicca, the religion of contemporary Pagan witchcraft. It is used within the Pagan community under competing definitions. One refers to the entirety of the Pagan Witchcraft movement, while the other refers explicitly to traditions included in what is now called British Traditional Wicca.

Rhiannon Ryall is the pseudonym of an English-born Australian Wiccan who achieved notoriety for her controversial claims regarding the existence of a group of Wiccans living in England's West Country during the 1940s. These claims were first publicised in 1993 when the English company Capall Bann published Ryall's West Country Wicca: A Journal of the Old Religion, in which she made the claims that when growing up along the borders between the English counties of Devon and Somerset, she was initiated into a local Wiccan tradition that many of the people in the surrounding villages were members of. Claiming that they were "pre-Gardnerian", she asserted that her family had not been Wiccan, and as such she was not a hereditary witch, but that aged sixteen, she, like many other boys and girls who were the same age, were taken to the female "Elders of the village" who taught them about the Craft.

<i>Enchanted Feminism</i> Anthropological study of the Reclaiming Wiccan community of San Francisco

Enchanted Feminism: The Reclaiming Witches of San Francisco is an anthropological study of the Reclaiming Wiccan community of San Francisco. It was written by the Scandinavian theologian Jone Salomonsen of the California State University, Northridge and first published in 2002 by the Routledge.

Coven Celeste was the first official Gardnerian Wiccan coven in Canada, founded in the late 1960s by Heather Botting, then wife of the grandson of Gerald Gardner's London-based High Priestess Lysbeth Turner, Gary Botting. Following Heather's initiation by Turner in 1966, she became a founding priestess of Aquarian Tabernacle Church and later, as a professor of anthropology, became the first Wiccan chaplain to be recognized by an accredited university.

References

  1. Valiente, Doreen. Witchcraft for Tomorrow (1993) London: Robert Hale. ISBN   978-0-7090-5244-9 (paperback edition) ISBN   978-0-312-88452-9 (first hardback edition 1978). Chapter 6: Witch Tools (pp 78-85.)
  2. Hutton, Ronald The Triumph of the Moon: A History of Modern Pagan Witchcraft (1999). Oxford: Oxford University Press. ISBN   0-19-285449-6 (pp52-61).
  3. MacGregor Mathers, S. Liddell (ed.) The Key of Solomon (Clavicula Salomonis) Revised by Peterson, Joseph H. (1999, 2004, 2005). Available here
  4. 1 2 3 4 5 Lamond, Frederic (2004). Fifty Years of Wicca. Green Magic. pp. 125–126.
  5. 1 2 "Gardnerian Book of Shadows: Consecrating Tools".
  6. Gardner, Gerald. The Gardnerian Book of Shadows. Forgotten Books. ISBN   978-1605069333.
  7. "Gardnerian Book of Shadows Index". www.sacred-texts.com. Retrieved 2020-12-07.
  8. Farrar, Janet; Farrar, Stewart (1984). The Witches' Way: Principles, Rituals and Beliefs of Modern Witchcraft. Phoenix Publishing. pp. 259–260. ISBN   978-0-919345-71-3.
  9. 1 2 Gallagher, Anne-Marie (2005). The Wicca Bible. Godsfield. Page 201
  10. Wren (2000). The Tools of Witchcraft by Wren. Witchvox. Page 1
  11. Regardie, Israel (1990). The Complete Golden Dawn System of Magic vol. Four (Fourth ed.). Scottsdale, Arizona: New Falcon Publications (Falcon Press). p. 33. ISBN   978-0-941404-12-9.
  12. 1 2 Hutton, Ronald (1999). Triumph of the Moon: A History of Modern Pagan Witchcraft . Oxford University Press. pp.  229–230. ISBN   978-0-19-820744-3.
  13. Lamond, Frederic (2004). Fifty Years of Wicca. Green Magic.
  14. Sabin, Thea (2010). Wicca for Beginners: Fundamentals of Philosophy & Practice. Llewellyn Worldwide. pp. 138–139. ISBN   9780738717753.
  15. Gallagher, Ann-Marie (2005). The Wicca Bible. Godsfield. Page 201
  16. 1 2 3 Cingulum, an article in Pentacle Magazine , issue 22, Autumn 2007, by an anonymous author
  17. The Witches' Stang
  18. Sarah Ann Lawless, How to Use a Stang
  19. Ronald Hutton, The Triumph of the Moon
  20. 1 2 Kelden, The Stang
  21. Gardner, Gerald. Witchcraft and the Book of Shadows (2004) Edited by A. R. Naylor. Thame, Oxfordshire: I-H-O Books. ISBN   1-872189-52-0 (pp170-200)
  22. Crowley, Vivianne. Wicca: The Old Religion in the New Age (1989) London: The Aquarian Press. ISBN   0-85030-737-6
  23. Beth, Rae Hedge Witch: A Guide to Solitary Witchcraft, (1992) London: Robert Hale.