Nuit

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Nuit
  • Queen of Heaven
  • Queen of Space
Stelae of Ankh-af-na-khonsu.jpg
The Stele of Revealing (Bulaq 666), depicting Nuit arched over the whole, Hadit as the winged solar disk, Ra-Hoor-Khuit seated on his throne, and the stele's owner, Ankh-af-na-Khonsu
Symbol Sky, Stars
GenderFemale
Consort Hadit
Offspring Ra-Hoor-Khuit
Equivalents
Egyptian equivalent Nut

Nuit (alternatively Nu, Nut, or Nuith) is a goddess in Thelema, the speaker in the first chapter of The Book of the Law , the sacred text written or received in 1904 by Aleister Crowley. Nuit is based on the Ancient Egyptian sky goddess Nut, who in Egyptian mythology arches over her husband/brother, Geb (Earth god). She is usually depicted as a naked woman who is covered with stars. [1]

Contents

In The Book of the Law

Within this system, Nuit is one part of a triadic cosmology, along with Hadit (her masculine counterpart), and Ra-Hoor-Khuit, the Crowned and Conquering Child, which are depicted on the Stele of Revealing. She has several titles, including "Our Lady of the Stars", and "Lady of the Starry Heaven". In The Book of the Law she says of herself: "I am Infinite Space, and the Infinite Stars thereof", [2] and in other verses she is called "Queen of Heaven", [3] and "Queen of Space". [4] Nuit is symbolized by a sphere whose circumference is nowhere and whose center is everywhere. [lower-alpha 1] Hadit is the infinitely small point at the center of the sphere of Nuit. [1]

Some quotes from the first two chapters of The Book of the Law (Liber AL vel Legis): [7]

The following are quotes from Crowley's commentaries to The Book of the Law. [8]

In Thelemic theology

Manon Hedenborg-White writes that "[...] Nuit and Hadit are constructed as gendered opposites in ritual and literature, and their divine functions and attributes are linked to their sex." [9] She observes that

Claiming that Nuit is female and receptive and Hadit is male and active is thus not a mere description, but a performative utterance that creates these deities as gendered in the minds of those who experience them, and reproduces assumptions about what femininity and masculinity is. By disregarding other physical aspects that might otherwise define the deities and linking their sex to the human sexes of male and female in ritual, gender is established as a crucially important category in relating to the divine. [10]

She goes on to note the practitioners of Thelema may subvert this view through polytheism, incorporating deities such as Kali from Hinduism as well as the Greek god Pan to represent different forms of femininity and masculinity. [10] She also notes that one of her Thelemic informants questions the gendering of Nuit, calling it "merely a convenient metaphor". Another called the model "overly simplistic" and has devised their own more complex gender formulation. Hedenborg-White goes on to note that "studying contemporary Thelema requires sensitivity to the fact that Thelemites are not passively bound to orthodoxy in their religious practice." [11]

See also

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References

Notes

  1. This idea is nearly identical to the definition of God attributed to Hermes Trismegistus and later Alain de Lille in the 12th century). [5] [6]

Citations

Works cited

Further reading