Machinal | |
---|---|
Written by | Sophie Treadwell |
Date premiered | September 7, 1928 |
Place premiered | Plymouth Theatre |
Original language | English |
Genre | Expressionism |
Setting | An office; a flat; a hotel; a hospital; a speakeasy; a furnished room; a drawing room; a court room; a prison; in the dark |
Machinal is a 1928 play by American playwright and journalist Sophie Treadwell, inspired by the real-life case of convicted and executed murderer Ruth Snyder. Its Broadway premiere, directed by Arthur Hopkins, is considered one of the highpoints of Expressionist theatre in history of the American stage.
Machinal has appeared on a variety of lists of the greatest plays. [1] [2] [3]
A young woman works as a low-level stenographer and lives with her mother. She follows the rituals that society expects of a woman, however resistant she may feel about them. She subsequently marries her boss, whom she finds repulsive. After having a baby with him, she has an affair with a younger man who fuels her lust for life. Driven to murder her husband, she is convicted of the crime and is executed in the electric chair.
Produced and directed by Arthur Hopkins, Machinal opened on Broadway at the Plymouth Theatre on September 7, 1928, and closed on November 24, 1928, after 91 performances. The scenic design was by Robert Edmond Jones, [4] who used an open stage with a permanent background and made scene changes primarily with lighting. [5] The play is presented in two parts, with ten scenes in the first and four in the second. [6] The production is notable for featuring Clark Gable in his Broadway debut.
In Britain, the play was first performed under the title The Life Machine in 1931. [7]
"It was unfortunate that word was sent broadcast before the first performance of Machinal that its theme and characters grew out of the notorious Snyder-Gray murder case," wrote Perriton Maxwell, editor of Theatre Magazine. "The play bears no likeness to the sordid facts of that cheap tragedy...Machinal transcends the drab drama of the police court; it has a quality one finds it difficult to define, a beauty that cannot be conveyed in words, an aliveness and reality tinctured with poetic pathos which lift it to the realm of great art, greatly conceived and greatly presented." Calling Machinal "the most enthralling play of the year," Maxwell attributed the play's success to "three remarkable persons: Sophie Treadwell, Arthur Hopkins and Zita Johann." [6]
"From the sordid mess of a brutal murder the author, actors and producer of Machinal … have with great skill managed to retrieve a frail and sombre beauty of character," wrote theatre critic Brooks Atkinson of The New York Times. "Subdued, monotonous, episodic, occasionally eccentric in its style, Machinal is fraught with a beauty unfamiliar to the stage." Atkinson describes the play as "the tragedy of one who lacks strength; she is not adaptable; she submits...Being the exposition of a character, stark and austere in style, Machinal makes no excuses for the tragedy it unfolds." [8]
The play has been revived many times since its original run.
Adapted for television by Irving Gaynor Neiman, Machinal was presented January 18, 1954, on NBC-TV's Robert Montgomery Presents . Reviewing the starring performance of Joan Lorring, Jack Gould of The New York Times wrote that "her interpretation of the mentally tortured young woman in Machinal, Sophie Treadwell's expressionistic and bitter poem for the theatre, must rank among the video season's finest accomplishments." The cast also included Malcolm Lee Beggs as the husband. [9]
An adaptation of Machinal aired August 14, 1960, [10] on ITV the United Kingdom in the ABC Armchair Theatre series. Joanna Dunham starred, with Donald Pleasence portraying the husband. [11]
Machinal was produced Off-Broadway at the Gate Theatre, opening in April 1960, with direction by Gene Frankel, and featuring Delores Sutton, Vincent Gardenia, and Gerald O'Loughlin. [12] In his review in The New York Times, Brooks Atkinson wrote "Gene Frankel has added modernistic details that visualize the inhumanity of the background... Ballou's cold settings, Lee Watson's macabre lighting complete the design of one of Off-Broadway's most vibrant performances." [13]
The play was produced Off-Broadway by the New York Shakespeare Festival at the Public Theatre, running from September 25, 1990 to November 25, 1990. Directed by Michael Greif, the cast featured Jodie Markell (Young Woman), John Seitz (Husband), and Marge Redmond (Mother). The production won three Obie Awards: for Performance (Jodie Markell), Direction, and Design (John Gromada). [14]
Machinal was revived by the Royal National Theatre in London in a production directed by Stephen Daldry. [15] It opened on 15 October 1993 with Fiona Shaw as the Young Woman, Ciarán Hinds as the Man, and John Woodvine as the Husband. [16] [17] The scenic design, which included a large metal grid that moved into different positions for the play's different scenes, was by Ian MacNeil, costumes were by Clare Mitchell, lighting design was by Rick Fisher, with music by Stephen Warbeck. [15]
A revival opened on Broadway in a Roundabout Theatre production at the American Airlines Theatre on January 16, 2014, directed by Lyndsey Turner, featuring Rebecca Hall, Michael Cumpsty, Suzanne Bertish and Morgan Spector. [18]
A new production opened at the Almeida Theatre in London on June 4, 2018, directed by Natalie Abrahami. [19]
In 2024, Machinal underwent a revival by the Ustinov Studio of the Theatre Royal Bath. [20] It ran periodically throughout the year in both London and Bath, its most prestigious venue at the 1,000 seat Old Vic Theatre in London, from 11th April-1st June 2024. [21] The production garnered widespread praise, and was considered by some to be one of the best shows of the past several years. [22] The main performance by actress Rosie Sheehy, as Young Woman, was a highlight of the show. [23] The direction by Richard Jones, CBE, also attracted much admiration. [22] The set by Hyemi Shin included harsh yellow backgrounds, and a large speaker which sat suspended above the stage. [21] The episode Intimate was well-liked for its beginning in darkness, then a diegetic light growing slowly. [24] Costume designs were by Nicky Gillibrand, lighting by Adam Silverman, sound by Benjamin Grant and casting by Ginny Schiller. [21] The show was created in partnership with the Royal Bank of Canada, with support from the Arts Council England. [21]
Machinal was included in Burns Mantle's The Best Plays of 1928–29. [25]
In 2013, Machinal was included on Entertainment Weekly's list of the "50 Greatest Plays of the Past 100 Years". [2]
In 2015, theatre critic Michael Billington included the play in his list of the "101 greatest plays" ever written in any western language. [3]
In 2019, Machinal was named as one of the "40 best plays of all time" by The Independent. [1]
In 2020, Machinal was included on BroadwayWorld's list of the "101 GREATEST PLAYS of the Past 100 Years". [26]
Accolades
The Royal National Theatre production won three 1994 Laurence Olivier Awards, for Best Revival of a Play or Comedy, for Fiona Shaw as Best Actress and Stephen Daldry as Best Director of a Play. Ian MacNeil was nominated as Best Set Designer. [27]
The 2014 Broadway production received four 2014 Tony Award nominations: Best Scenic Design of a Play (Es Devlin), Best Costume Design of a Play (Michael Krass), Best in Lighting Design of a Play (Jane Cox) and Best Sound Design of a Play (Matt Tierney). [28]
A Streetcar Named Desire is a play written by Tennessee Williams and first performed on Broadway on December 3, 1947. The play dramatizes the experiences of Blanche DuBois, a former Southern belle who, after encountering a series of personal losses, leaves her once-prosperous situation to move into a shabby apartment in New Orleans rented by her younger sister Stella and brother-in-law Stanley.
Gas Light is a 1938 thriller play, set in 1880s London, written by the British novelist and playwright Patrick Hamilton. Hamilton's play is a dark tale of a marriage based on deceit and trickery, and a husband committed to driving his wife insane in order to steal from her.
Sophie Okonedo is a British actress and narrator. The recipient of a Tony Award, she has been nominated for an Academy Award, three BAFTA TV Awards, an Emmy Award, two Laurence Olivier Awards, and a Golden Globe Award. She was appointed Officer of the Order of the British Empire (OBE) in the 2010 and Commander of the Order of the British Empire (CBE) in 2019, both for services to drama.
Jennifer Tipton is an American lighting designer. She has designed for dance, theater, and opera. She is known for working on many productions of American Ballet Theatre.
Sophie Anita Treadwell was an American playwright and journalist of the first half of the 20th century. She is best known for her play Machinal which is often included in drama anthologies as an example of an expressionist or modernist play. Treadwell wrote dozens of plays, several novels, as well as serial stories and countless articles that appeared in newspapers. In addition to writing plays for the theatre, Treadwell also produced, directed and acted in some of her productions. The styles and subjects of Treadwell's writings are vast, but many present women's issues of her time, subjects of current media coverage, or aspects of Treadwell's Mexican heritage.
Joan Lorring was an American actress and singer known for her work in film and theatre. For her role as Bessy Watty in The Corn Is Green (1945), Lorring was nominated for the Academy Award for Best Supporting Actress. Lorring also originated the role of Marie Buckholder in Come Back, Little Sheba on Broadway in 1950, for which she won a Donaldson Award.
Can-Can is a musical with music and lyrics by Cole Porter, and a book by Abe Burrows. The story concerns the showgirls of the Montmartre dance halls during the 1890s.
John Gromada is a prolific, award-winning composer and sound designer. He is best known for his many scores for theatrical productions in New York on and off-Broadway and in regional theatres. Broadway plays he has scored include the 2014 production of The Elephant Man, starring Bradley Cooper, The Trip to Bountiful with Cicely Tyson, Gore Vidal's The Best Man, Seminar by Theresa Rebeck, Next Fall, Chazz Palminteri's A Bronx Tale, David Auburn's The Columnist and Proof, Lisa Kron's Well, Rabbit Hole, and A Few Good Men; revivals of Prelude to a Kiss, Summer and Smoke, Twelve Angry Men, Torch Song, and A Streetcar Named Desire. His score for the nine-hour production of Horton Foote's The Orphans' Home Cycle was featured at the Hartford Stage Company and Signature Theatre in New York. Gromada also designed the sound for the Broadway production of Bruce Norris' Tony award-winning play, Clybourne Park.
Michael Cumpsty is a British actor. He made his Broadway debut in the Tom Stoppard play Artist Descending a Staircase (1989). He has acted in plays such as David Hare's Racing Demon (1995), Michael Frayn's Copenhagen (2000), and Democracy (2004), and Sophie Treadwell's Machinal (2014) as well in musicals such as 1776 (1997), 42nd Street (2001), and Sunday in the Park with George (2008). He received a Tony Award for Best Featured Actor in a Musical nomination for his role in End of the Rainbow (2012).
Rebecca Maria Hall is an English actress and director. She made her first onscreen appearance at the age of 10 in the 1992 television adaptation of The Camomile Lawn, directed by her father, Peter Hall. Her professional stage debut came in her father's 2002 production of Mrs. Warren's Profession, which earned her the Ian Charleson Award. In 2006, following her film debut in Starter for 10, Hall got her breakthrough role in Christopher Nolan's thriller film The Prestige. In 2008, she starred in Woody Allen's romantic comedy Vicky Cristina Barcelona, for which she received a Golden Globe nomination for Best Actress.
A Moon for the Misbegotten is a play in four acts by Eugene O'Neill. The play is a sequel to O'Neill's Long Day's Journey into Night, with the Jim Tyrone character as an older version of Jamie Tyrone. He began drafting the play late in 1941, set it aside after a few months and returned to it a year later, completing the text in 1943 – his final work, as his failing health made it physically impossible for him to write. The play premiered on Broadway in 1957 and has had four Broadway revivals, plus a West End engagement.
La Bête is a 1991 comedy play by American playwright David Hirson. Written in rhymed couplets of iambic pentameter, the Molière-inspired story, set in 17th-century France, pits dignified, stuffy Elomire, the head of the royal court-sponsored theatre troupe, against the foppish, frivolous street entertainer Valere, whom the troupe's patron, Prince Conti, wishes them to bring aboard. Despite Elomire's violent objections, the company is forced to perform one of Valere's own plays, which results in dramatic changes to the future of Elomire, Valere, and the company itself.
Fanny is a musical with a book by S. N. Behrman and Joshua Logan and music and lyrics by Harold Rome. A tale of love, secrets, and passion set in and around the old French port of Marseille, it is based on Marcel Pagnol's trilogy of works titled Marius (1929), Fanny (1931), and César (1936).
The Life and Adventures of Nicholas Nickleby is an 8½ hour-long adaptation of Charles Dickens’ 1839 novel, performed in two parts. Part 1 was 4 hours in length with one interval of 15 minutes. Part 2 was 4½ hours in length with two intervals of 12 minutes. It was originally presented onstage over two evenings, or in its entirety from early afternoon with a dinner break. Later it was presented on television over four evenings.
Artist Descending a Staircase is a radio play by Tom Stoppard, first broadcast by the BBC in 1972, and later adapted for live theatre. The play centres on a murder mystery involving an artist who dies from falling down a set of stairs. The play is a humorous exploration of the meaning and purpose of art. The title alludes to Marcel Duchamp's 1912 painting Nude Descending a Staircase, No. 2.
Of Mice and Men is a play adapted from John Steinbeck's 1937 novel of the same name. The play, which predates the Tony Awards and the Drama Desk Awards, earned the 1938 New York Drama Critics' Circle Best Play.
Holiday is a 1928 play by Philip Barry which was twice adapted to film. The original play opened in New York on November 26, 1928, at the Plymouth Theatre and closed in June 1929, after 229 performances. It was directed by Arthur Hopkins, set design by Robert Edmond Jones, and costume design by Margaret Pemberton.
Play On! is a musical adaptation of Shakespeare's Twelfth Night, featuring the music of Duke Ellington, conceived by Sheldon Epps, with a book by Cheryl L. West. The musical resets the story from Illyria to 1940s Swing-era Harlem.
Amy Herzog is an American playwright. She is known for her poignant and character-driven plays that explore themes of family dynamics, personal relationships, and the complexities of human experience. She has received a Drama Desk Award as well as a nomination for a Tony Award.
The Trip to Bountiful is a play by American playwright Horton Foote. The play premiered March 1, 1953, on NBC-TV, before being produced on the Broadway stage from November 3, 1953, to December 5, 1953.