Rick Fisher | |
---|---|
Born | |
Nationality | American |
Known for | Lighting design |
Awards | Tony Award for Best Lighting Design; Drama Desk Award for Outstanding Lighting Design |
Rick Fisher is an American lighting designer, known for his work with Stephen Daldry on Billy Elliot the Musical and An Inspector Calls . He is from Philadelphia, Pennsylvania and attended Dickinson College, but has been based in the UK for the last 30 years. [1]
He has done the lighting design for many opera companies, including Covent Garden and New York City Opera. [1] He has been designing for the Santa Fe Opera for seven seasons; for the 2007 season he did three productions. [2]
Fisher received the Live Design Outstanding Designer of The Year in 2008. [1] He is the chairman of the British Association of Lighting Designers. [3]
Stephen David Daldry CBE is an English director and producer of film, theatre, and television. He has won three Tony Awards for his work on Broadway and an Olivier Award for his work in the West End. He has received three Academy Awards nominations for Best Director, for the films Billy Elliot (2000), The Hours (2002), and The Reader (2008).
Lee Hall is an English playwright, television writer, screenwriter, and lyricist. He is best known for writing the screenplay for the film Billy Elliot (2000) and the book and lyrics for its adaptation as a stage musical of the same name. In addition, he wrote the play The Pitmen Painters (2007), and the screenplay for the film Rocketman (2019).
Valentine Ruth Henshall, known professionally as Ruthie Henshall, is an English actress, singer and dancer, known for her work in musical theatre. She began her professional stage career in 1986, before making her West End debut in Cats in 1987. A five-time Olivier Award nominee, she won the 1995 Olivier Award for Best Actress in a Musical for her role as Amalia Balash in the London revival of She Loves Me (1994).
David Hersey is a lighting designer who has designed the lighting for over 250 plays, musicals, operas, and ballets. His work has been seen in most corners of the globe and his awards include the Tony Award for Best Lighting Design for Evita, Cats, and Les Misérables, the Drama Desk Award for Outstanding Lighting Design for Cats, Miss Saigon, and Equus, and the 1996 Laurence Olivier Award for Lighting Design.
Maria Friedman is a British actress and director of stage and screen, best known for her work in musical theatre.
Billy Elliot: The Musical is a coming-of-age stage musical based on the 2000 film of the same name. The music is by Elton John, and the book and lyrics are by Lee Hall, who wrote the film's screenplay. The plot revolves around Billy, a motherless British boy who begins taking ballet lessons. The story of his personal struggle and fulfilment are balanced against a counter-story of family and community strife caused by the 1984–85 UK miners' strike in County Durham, in North East England. Hall's screenplay was inspired in part by A. J. Cronin's 1935 novel about a miners' strike, The Stars Look Down, to which the musical's opening song pays homage.
Jules Fisher is an American lighting designer and producer. He is credited with lighting designs for more than 300 productions over the course of his 50-year career of Broadway and off-Broadway shows, as well extensive work in film, ballet, opera, television, and rock and roll concert tours. He has been nominated 20 times for Tony Awards and won nine Tony awards for Lighting Design, more than any other lighting designer.
Kevin Adams is an American theatrical lighting designer. He has earned four Tony Awards for lighting design.
Hugh Vanstone is one of the UK’s foremost lighting designers. He has lit more than 160 productions, working in all spheres of live performance lighting, as well as exhibitions and architectural projects. His career has taken him all over the world and his work has been recognised with many awards, including a Tony Award for his lighting of Matilda the Musical, and the Laurence Olivier Award for Best Lighting Design in 1999, 2001 and 2004.
The Laurence Olivier Awards, or simply the Olivier Awards, are presented annually by the Society of London Theatre to recognise excellence in professional theatre in London. The awards were originally known as the Society of West End Theatre Awards, but they were renamed in honour of the British actor of the same name in 1984.
Richard Pilbrow is a stage lighting designer, author, theatre design consultant, and theatrical producer, film producer and television producer. He was the first British lighting designer to light a Broadway musical on the Broadway stage with the musical Zorba.
Paul Arditti is a British sound designer, working mainly in the UK and the US. He specialises in designing sound systems and sound scores for theatre. He has won awards for his work on both musicals and plays, including a Tony Award, an Olivier Award, a Drama Desk Award and a BroadwayWorld.com Fans' Choice Award for Billy Elliot the Musical.
Anthony Ward is a British theatre designer specializing in set and costume design. He studied theatre design at Wimbledon School of Art.
Ian MacNeil is a British scenic designer. He won the 1994 Drama Desk Award for Outstanding Set Design for An Inspector Calls and the 2009 Tony Award for Best Scenic Design of a Musical for Billy Elliot The Musical.
Paul Pyant is a British lighting designer, whose designs have been featured in the West End, on Broadway and in opera houses around the world. He has been nominated for several Olivier Awards and Tony Awards, winning the Olivier in 2014 for his design for Charlie and the Chocolate Factory.
Bunny Christie is a Scottish theatre set designer.
Robert Stuart Howell is a British costume and set designer. He is primarily known for his work on the London stage. Howell won the Olivier Award for his set design for the musical Matilda the Musical in 2012. He has also designed both scenery and costumes for several Broadway shows, and won the Drama Desk Award for Outstanding Set Design for Ghost the Musical in 2012.
Jonathan Richard Driscoll is an English Olivier Award-winning and Tony-nominated theatre projection designer and lighting designer working in the West End and on Broadway. He is a Technical Associate of the National Theatre in London.
Live Design is a monthly digital trade magazine, owned by Questex, that covers the latest projects and gear in live entertainment, including theatre, film, concerts, opera, ballet, architainment, and more. Columbia College Chicago's Theatre Department cites it for providing "comprehensive coverage for professionals in the fields of lighting, sound, staging, and projection." It originated as Lighting Dimensions, which combined with Theatre Crafts and Entertainment Design (1999-2005). Until December 2013, it was a print magazine, but has since converted to a free app with monthly issues for Apple and Android devices. Live Design is geared towards aspiring and established designers in the disciplines of lighting, audio, projection, and scenery. The magazine also manages its own website. Live Design is affiliated with the LDI trade show, and hosts the Live Design Master Classes and Envision Symposium. In her undergraduate textbook on stage management, Lawrence Stern recommends subscribing to the magazine and attending LDI as way for professional stage managers to keep current on theater technology. Live Design also presents awards and scholarships to younger designers, including the Pat MacKay Diversity In Design Scholarships for undergraduates and the Rising Star Award to early career professional designers.
Neil Austin is an English lighting designer. He has won two Olivier Awards and three Tony Awards and is the lighting designer for Harry Potter and the Cursed Child, for which he has won an Olivier, Tony, Drama Desk, Helpmann, Outer Critics Circle and WhatsOnStage Award.