William Hamilton RA (1751–1801) was an English painter and illustrator.
Hamilton was born in Chelsea, London, but travelled and worked in Italy with Antonio Zucchi for several years. He trained first as an architectural draftsman, but soon moved to theatrical portraits and scenes from plays.
Hamilton became an associate member of the Royal Academy from 1784, and was made a full member in 1789.
Hamilton became very well known for his paintings depicting episodes from the plays of Shakespeare and for his illustrations of poems. He was commissioned to create works for John Boydell's Shakespeare Gallery, Thomas Macklin's Bible and Robert Bowyer's English History. [1] These were widely reproduced in popular prints. Francesco Bartolozzi engraved a number of Hamilton's best known works. [2]
He also painted modern events, such as the execution of Marie Antoinette, in the manner of epic historical drama. Several battle scenes were also exhibited including The destruction of the Spanish battery ships before Gibraltar in the night of the 13th of Sept. last (1783) and Defence of the Breach at Jean d'Acre by Sir Sidney Smith (1800).
Hamilton's style shows the influence of the cult of sentiment typical of the period, resembling the work of Angelica Kauffman. He also sometimes adopts aspects of Fuseli's dramatic distortions in composition and figure drawing.
Élisabeth Louise Vigée Le Brun, also known as Madame Le Brun, was a French portrait painter, especially of women, in the late 18th and early 19th centuries.
Joseph Mallord William Turner, known in his time as William Turner, was an English Romantic painter, printmaker and watercolourist. He is known for his expressive colouring, imaginative landscapes and turbulent, often violent marine paintings. He left behind more than 550 oil paintings, 2,000 watercolours, and 30,000 works on paper. He was championed by the leading English art critic John Ruskin from 1840, and is today regarded as having elevated landscape painting to an eminence rivalling history painting.
William Hogarth was an English painter, engraver, pictorial satirist, social critic, editorial cartoonist and occasional writer on art. His work ranges from realistic portraiture to comic strip-like series of pictures called "modern moral subjects", and he is perhaps best known for his series A Harlot's Progress, A Rake's Progress and Marriage A-la-Mode. Knowledge of his work is so pervasive that satirical political illustrations in this style are often referred to as "Hogarthian".
Thomas Banks was an important 18th-century English sculptor.
Henry Fuseli was a Swiss painter, draughtsman and writer on art who spent much of his life in Britain. Many of his works, such as The Nightmare, deal with supernatural subject matter. He painted works for John Boydell's Shakespeare Gallery, and created his own "Milton Gallery". He held the posts of Professor of Painting and Keeper at the Royal Academy. His style had a considerable influence on many younger British artists, including William Blake.
John Boydell was a British publisher noted for his reproductions of engravings. He helped alter the trade imbalance between Britain and France in engravings and initiated a British tradition in the art form. A former engraver himself, Boydell promoted the interests of artists as well as patrons and as a result his business prospered.
Richard Westall was an English painter and illustrator of portraits, historical and literary events, best known for his portraits of Byron. He was also Queen Victoria's drawing master.
Events from the year 1863 in art.
The Art of the United Kingdom refers to all forms of visual art in or associated with the United Kingdom since the formation of the Kingdom of Great Britain in 1707 and encompasses English art, Scottish art, Welsh art and Irish art, and forms part of Western art history. During the 18th century, Britain began to reclaim the leading place England had previously played in European art during the Middle Ages, being especially strong in portraiture and landscape art.
William Hodges RA was an English painter. He was a member of James Cook's second voyage to the Pacific Ocean, and is best known for the sketches and paintings of locations he visited on that voyage, including Table Bay, Tahiti, Easter Island, New Zealand, Dusky Sound and the Antarctic.
Francis Wheatley RA was an English portrait and landscape painter.
Joseph Collyer, also called Joseph Collyer the Younger, was a British engraver. He was an associate of the Royal Academy and portrait engraver to the British Queen Consort, Queen Charlotte.
William Alexander was an English painter, illustrator and engraver. The hallmarks of his work, usually executed in watercolours, were clearness and harmony of colour, simplicity and taste in composition, grace of outline, and delicacy of execution. He accompanied the Macartney Embassy to China in 1792. Prints of his work were reproduced from engravings. One of his works was used to illustrate Cadell & Davies' Britannia depicta.
John Hamilton Mortimer was a British figure and landscape painter and printmaker, known for romantic paintings set in Italy, works depicting conversations, and works drawn in the 1770s portraying war scenes, similar to those of Salvator Rosa.
Arthur William Devis was an English painter of history paintings and portraits. He painted portraits and historical subjects, sixty-five of which he exhibited (1779–1821) at the Royal Academy. Among his more famous works are a depiction of the Death of Nelson and a posthumous portrait of Nelson.
Samuel Ireland, English author and engraver, is best remembered today as the chief victim of the Ireland Shakespeare forgeries created by his son, William Henry Ireland.
Adolf Ulrik Wertmüller was a Swedish painter whose notable works include Danaë receiving Jupiter in a Shower of Gold.
The Boydell Shakespeare Gallery in London, England, was the first stage of a three-part project initiated in November 1786 by engraver and publisher John Boydell in an effort to foster a school of British history painting. In addition to the establishment of the gallery, Boydell planned to produce an illustrated edition of William Shakespeare's plays and a folio of prints based upon a series of paintings by different contemporary painters. During the 1790s the London gallery that showed the original paintings emerged as the project's most popular element.
Ludwig Guttenbrunn was an Austrian artist who worked in the latter part of the 18th century and early 19th century. He specialized in portraiture and history painting.
Benjamin Smith (1754–1833) was a British engraver, printseller and publisher, active from 1786 to 1833. He was born c. 1754 in London. He worked mainly in dot or stipple engraving, producing portraits, illustrations, and allegorical and biblical subjects after prominent artists of the day.