Love in a Forest | |
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Written by | Charles Johnson |
Date premiered | 9 January 1723 [1] |
Place premiered | Theatre Royal, Drury Lane |
Original language | English |
Genre | Comedy |
Love in a Forest is a 1723 comedy play by Charles Johnson. [2] It is a substantial reworking of Shakespeare's As You Like It cutting out characters and passages, while borrowing from other Shakespeare plays amongst other things. [3]
The original Drury Lane cast included Charles Williams as Duke Frederick, Barton Booth as Alberto, Colley Cibber as Jacques, John Corey as Amiens, John Thurmond as Oliver, Robert Wilks as Orlando, John Roberts as Roberto, John Mills as Adam, Theophilus Cibber as Le Beau, William Mills as Charles, Hester Santlow as Rosalind, Sarah Thurmond as Celia, William Penkethman as Pyramus, Henry Norris as Wall and Joe Miller as Thisbe.
The Drummer is a 1716 comedy play by the British writer Joseph Addison, also known as The Drummer, or, The Haunted House.
The Fair Example, or the Modish Citizen is a 1703 comedy play by the English writer Richard Estcourt, originally staged at the Drury Lane Theatre. It was part of a growing trend of plays to feature a plot of an honest wife reforming her rakish husband along with Sir Harry Wildair, As You Find It, The Wife's Relief and The Modish Couple. It is a reworking of the 1693 French play Les Bourgeoises à la Mode by Florent Carton Dancourt. In 1705 a separate English adaptation of the French work John Vanbrugh's The Confederacy appeared at the rival Queen's Theatre in the Haymarket.
Humphrey, Duke of Gloucester is a 1723 tragedy by the British writer Ambrose Philips. It is based on the life of Humphrey, Duke of Gloucester, youngest brother of Henry V.
Caesar in Egypt is a 1724 tragedy by the British writer Colley Cibber. It is inspired by Pierre Corneille's 1642 French play The Death of Pompey about Julius Caesar's intervention in the Egyptian Civil War between Cleopatra and her brother. Cibber also incorporated elements of Plutarch and John Fletcher's The False One. The Drury Lane company invested lots of resources to make it a particularly extravagant production in the traditional style of a Restoration heroic drama.
Busiris, King of Egypt is a 1719 tragedy by the British writer Edward Young. It is set in Ancient Egypt during the reign of Busiris. It was considered a success, enjoying a good run and was subsequently published by Jacob Tonson. The work was dedicated to the Duke of Newcastle who as Lord Chamberlain oversaw the theatres.
The Revenge is a 1721 tragedy by the British writer Edward Young. Although initially it did not enjoy the same success as his previous play Busiris, King of Egypt, it later became a much-revived work during the eighteenth century particularly popular because of the Othello-like role of the Moorish character Zanga. John Philip Kemble revived the work briefly in 1798 before Edmund Kean in 1815 did so with great success and it became part of his repertoire.
The Modish Couple is a 1732 comedy play by the British writer James Miller, under the pen name Charles Boaden. A virtuous wife reforms her rakish husband.
The Universal Gallant, or The Different Husbands is a 1735 comedy play by the British writer Henry Fielding.
The Man of Taste is a 1735 comedy play by the British writer James Miller. It was a success and was performed numerous times during the theatre season. It is also known by the longer title The Man Of Taste or, The Guardians.
The Provoked Husband is a 1728 comedy play by the British writer and actor Colley Cibber, based on a fragment of play written by John Vanbrugh. It is also known by the longer title The Provok'd Husband: or, a Journey to London.
The Masquerade is a 1719 comedy play by the British writer Charles Johnson.
The Universal Passion is a 1737 comedy play by the British writer James Miller. It is a reworking of Shakespeare's Much Ado About Nothing.
The Humours of Oxford is a 1730 comedy play by the British writer James Miller. It was Miller's debut play, inspired by his time at Wadham College, and proved popular. The plot is set around Oxford University and portrays the academics as overindulging in port wine. William Hogarth designed the frontispiece of the published version of the play.
Love in a Riddle is a 1729 ballad opera by the British actor-manager Colley Cibber. It was part of a boom in ballad operas inspired by the enormous success of John Gay's The Beggar's Opera the previous year.
Timoleon is a 1730 tragedy by the British writer Benjamin Martyn. It is based on the life of the Greek statesman Timoleon, leader of Syracuse during the Sicilian Wars against Carthage.
The Rival Modes is a 1727 comedy play by the British writer James Moore Smythe.
Hecuba is a 1726 tragedy by the British writer Richard West. It is named after Hecuba a figure in Greek Mythology from the time of the Trojan War.
The Man's Bewitched is a 1709 comedy play by the British writer Susanna Centlivre. It is known by the longer title The Man's Bewitch'd; or, The Devil to do about Her.
The Fine Lady's Airs is a 1708 comedy play by the British writer Thomas Baker.
The Non-Juror is a 1717 comedy play by the British writer Colley Cibber. It is inspired by Molière's 1664 work Tartuffe.