Elmer Roy Raguse | |
---|---|
Born | Springfield, Massachusetts, United States | May 9, 1901
Died | March 2, 1972 70) Palm Beach, Florida, United States | (aged
Occupation | Sound engineer |
Years active | 1929-1966 |
Elmer R. Raguse (May 9, 1901 – March 2, 1972) was an American sound engineer mostly associated with the Hal Roach Studios. He was nominated for eight Academy Awards in the categories Best Sound Recording and Best Effects.
Editor Richard Currier said, "In pictures, if you can't get an effect one way, you figure out another way of getting it. But with Raguse, there was only one line you could follow, and that was that." He wanted to record a gunshot on a project Raguse was involved in, but he refused on the grounds that it would break the light valve. Currier questioned him on it, imagining the valve couldn't be prohibitively expensive. Raguse confirmed it would be twenty cents, so Currier fired the gun in defiance. [1]
Douglas Graham Shearer was a Canadian American pioneering sound designer and recording director who played a key role in the advancement of sound technology for motion pictures. The elder brother of actress Norma Shearer, he won seven Academy Awards for his work. In 2008, he was inducted into Canada's Walk of Fame.
Topper is a 1937 American supernatural comedy film directed by Norman Z. McLeod, starring Constance Bennett and Cary Grant and featuring Roland Young. It tells the story of a stuffy, stuck-in-his-ways man who is haunted by the ghosts of a fun-loving married couple.
John O. Aalberg was a Hollywood sound technician who worked on films including Citizen Kane and It's a Wonderful Life. He was a ten-time Oscar nominee, and received three technical awards from the Academy.
Topper Returns is a 1941 American supernatural comedy thriller film directed by Roy Del Ruth and starring Joan Blondell, Roland Young, Carole Landis and Billie Burke. The third and final installment in the initial series of supernatural comedy films inspired by the novels of Thorne Smith, it succeeds Topper (1937) and Topper Takes a Trip (1938).
Topper Takes a Trip is a 1938 supernatural film directed by Norman Z. McLeod. It is a sequel to the 1937 film Topper. Constance Bennett, Roland Young, Billie Burke, and Alan Mowbray reprised their roles from the earlier film; only Cary Grant was missing. A ghost tries to reunite a couple who she had a hand in splitting up in the prior film. It was followed by another sequel, Topper Returns (1941). The movie is in the public domain.
Eric John Bryan Pratt, known professionally as John Bryan, was a British art director and film producer.
Robert Lord was an American screenwriter and film producer. He wrote for more than 70 films from 1925 to 1940. He won an Academy Award in 1933 in the category Best Writing, Original Story for the film One Way Passage. He was nominated in the same category in 1938 for the film Black Legion. He was born in Chicago, Illinois and died in Los Angeles from a heart attack.
John (Jack) Edward Otterson was an American art director. He was nominated for eight Academy Awards in the category Best Art Direction. He worked on 300 films between the years of 1934 and 1953.
John Victor Mackay was an American art director. He was nominated for three Academy Awards in the category Best Art Direction. He worked on 97 films between 1937 and 1943.
Vincent Korda was a Hungarian-born artist and art director, born in Túrkeve in what was then the Austro-Hungarian Empire. From 1918 to 1921 he lived and worked in the Nagybánya artists' colony, which was then a town in eastern Hungary. He continued to work as an artist in Paris and Cagnes-sur-Mer from 1923 to 1933. He become an art director in 1931, settling in Britain in 1933. He was the younger brother of Alexander and Zoltan Korda. He was nominated for four Academy Awards, winning once. He died in London, England. He is the father of four children, including writer and editor Michael Korda, and the grandfather of Chris Korda.
Gordon Jennings, A.S.C. was an American special effects artist. He received seven Academy Awards and was nominated for eight more in the same category. After starting 1919 in Hollywood as camera assistant he worked from 1932 until 1953 on the visual and special effects of more than 180 films. His older brother was cinematographer Devereaux Jennings (1884-1952), who filmed, for instance, Buster Keaton's monumental The General in 1926.
Nathan Levinson was an American sound engineer. He won an Oscar in the category Sound Recording for the film Yankee Doodle Dandy and was nominated for 16 more in the same category. He was also nominated seven times in the category Best Special Effects.
Thomas T. Moulton was an American sound engineer. He won five Academy Awards in the category Sound Recording and was nominated for eleven more in the same category. He was also nominated four times in the category Best Visual Effects.
Edmund H. Hansen was an American sound engineer. He won two Academy Awards; one for Best Sound Recording and the other Best Visual Effects. He was nominated for another 12 films across the two categories.
Loren L. Ryder was an American sound engineer. He won five Academy Awards and was nominated for twelve more in the categories Best Sound Recording and Best Effects.
Charles L. Lootens was an American sound engineer. He was nominated for four Academy Awards in the category Best Sound Recording.
Bernard B. Brown was an American sound engineer and composer. Mostly known for Working for the Looney Tunes. He wrote the scores for many early animated cartoons produced by Leon Schlesinger Productions for distribution by Warner Bros. Pictures. He won an Academy Award in the category Sound Recording and was nominated for seven more in the same category. He was also nominated three times in the category Best Visual Effects. He worked on more than 520 films between 1930 and 1958.
Jack Whitney was an American sound engineer. He won two Academy Awards, one for Best Sound Recording and the other for Best Visual Effects. He was nominated six more times in the category Best Sound.
Farciot Edouart, ASC was a film special-effects artist and innovator perhaps best known for his work with process photography, also known as rear projection.
James E. Newcom was an American film editor who had over 40 films during his long career.