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The Academy Award for Best Film Editing is one of the annual awards of the Academy of Motion Picture Arts and Sciences (AMPAS). Nominations for this award are closely correlated with the Academy Award for Best Picture. For 33 consecutive years, 1981 to 2013, every Best Picture winner had also been nominated for the Film Editing Oscar, and about two thirds of the Best Picture winners have also won for Film Editing. Only the principal, "above the line" editor(s) as listed in the film's credits are named on the award; additional editors, supervising editors, etc. are not currently eligible. The nominations for this Academy Award are determined by a ballot of the voting members of the Editing Branch of the Academy; there were 220 members of the Editing Branch in 2012. The members may vote for up to five of the eligible films in the order of their preference; the five films with the largest vote totals are selected as nominees. The Academy Award itself is selected from the nominated films by a subsequent ballot of all active and life members of the Academy. This process is essentially the reverse of that of the British Academy of Film and Television Arts (BAFTA); nominations for the BAFTA Award for Best Editing are done by a general ballot of Academy voters, and the winner is selected by members of the editing chapter.
Michael Minkler is a motion picture sound re-recording mixer. He has received Academy Awards for his work on Dreamgirls, Chicago and Black Hawk Down. His varied career has also included films like Inglourious Basterds, JFK and Star Wars, as well as television programs like The Pacific and John Adams. Minkler works at Todd-AO Hollywood. He is also the Managing Director of Moving Pictures Media Group, a company that specializes in film development, packaging projects for production funding acquisition.
Dan Lemmon is a New Zealand visual effects supervisor. In 2012, he was nominated for an Academy Award for the movie Rise of the Planet of the Apes. This was in the category of Academy Award for Best Visual Effects, his nomination was shared with Daniel Barrett, Joe Letteri and R. Christopher White.
Richard L. Anderson is an American sound effects editor, best known for Raiders of the Lost Ark. He has been nominated twice for sound editing, and received a Special Achievement Academy Award in 1981. He has nearly 140 film credits since his start in 1972.
War for the Planet of the Apes is a 2017 American science fiction action film directed by Matt Reeves from a screenplay by Reeves and Mark Bomback, and produced by Peter Chernin, Dylan Clark, Rick Jaffa and Amanda Silver. It is the sequel to Rise of the Planet of the Apes (2011) and Dawn of the Planet of the Apes (2014), and the third installment in the Planet of the Apes reboot franchise. It stars Andy Serkis as Caesar, alongside Woody Harrelson and Steve Zahn. In the film, conflict between apes and humans has resulted in full war, and Caesar sets out to avenge those he has lost.
Ai-Ling Lee is a Singaporean sound editor, re-recording mixer and audio engineer working in Los Angeles, California. Her works on films, Bruce Almighty (2003), Spider-Man 2 (2004), Mr. & Mrs. Smith (2005), The Twilight Saga: New Moon (2009), Tangled (2010), Transformers: Dark of the Moon (2011), 300: Rise of an Empire (2014), X-Men: Days of Future Past (2014), Wild (2014), The Maze Runner (2014–15), Deadpool (2016), and critically acclaimed musical-drama La La Land, for which she received two Academy Award nominations. With her nomination for the Academy Award for Best Sound Editing, she and her sound editing partner for the film Mildred Iatrou Morgan became the first female team to be nominated in the category.
Andy "Frank" Wright is an Australian supervising sound editor. He is known for his work on the war-drama film Hacksaw Ridge directed by Mel Gibson, for which he received two Academy Award nominations at the 89th Academy Awards, Best Sound Editing and winning Best Sound Mixing (both shared with Robert Mackenzie).
Steven "Steve" A. Morrow is an American production sound mixer. Morrow has been nominated for the Academy Award for Best Sound or Best Achievement in Sound Mixing a total of three times for his work on La La Land, A Star is Born, and Ford v Ferrari. He has been nominated for three BAFTA Film Awards for Best Sound for La La Land, A Star is Born, and Ford v Ferrari.
Renée Tondelli is a supervising sound editor, she is best known for her works on films such as The Passion of the Christ (2004), Memoirs of a Geisha (2005), Django Unchained (2012), Lone Survivor (2013), American Hustle (2013), Into the Woods (2014), and Deepwater Horizon (2016) for which she was nominated for the Academy Award for Best Sound Editing at the 89th Academy Awards.
The Golden Reel Award for Outstanding Achievement in Sound Editing – Dialogue and ADR for Feature Film is an annual award given by the Motion Picture Sound Editors. It honors sound editors whose work has warranted merit in the field of cinema; in this case, their work in the field of automated dialogue replacement, or ADR. It was first awarded in 1964, for films released the previous year, under the title Best Sound Editing – Loop Lines. The following year, the award was re-titled Best Sound Editing – Dialogue, and would remain this until 1984, before being changed to Best Sound Editing – ADR. In 1991, the "dialogue" and "ADR" aspects of the process were divided into separate categories and would, intermittently, be awarded for the next seven years, before combining again in 1998, under the title Best Sound Editing – Dialogue & ADR. The award has been given with its current title since 2018.
The Golden Reel Award for Outstanding Achievement in Sound Editing - Sound Effects, Foley, Dialogue and ADR for Animated Feature Film is an annual award given by the Motion Picture Sound Editors. It honors sound editors whose work has warranted merit in the field of cinema; in this case, their work in the field of animated film. It was first awarded in 1989, for films released the previous year, under the title Best Sound Editing - Animated Feature. The award has been given with its current title since 2018.
The Golden Reel Award for Outstanding Achievement in Sound Editing – Dialogue and ADR for Episodic Short Form Broadcast Media is an annual award given by the Motion Picture Sound Editors. It honors sound editors whose work has warranted merit in the field of television; in this case, their work in the field of automated dialogue replacement, or ADR in short form broadcast media. The "short form" of the title refers to television episodes that have a runtime of less than one hour, though more than 35 minutes, as those episodes now have their own category. It was first awarded in 1998, for episodes premiering the previous year, under the title Best Sound Editing – Television Episodic – Dialogue & ADR. The term "short form" was added to the category in 2005, though long-form television had had its own category by then. The award has been given with its current title since 2018.
The Golden Reel Award for Outstanding Achievement in Sound Editing – Series 1 Hour – Dialogue/ADR is an annual award given by the Motion Picture Sound Editors. It honors sound editors whose work has warranted merit in the field of television; in this case, their work in the field of automated dialogue replacement, or ADR in long form broadcast media. The "long form" of the title refers to television episodes that have a runtime of more than one hour. It was first awarded in 2002, for episodes premiering the previous year, under the title Best Sound Editing in Television – Dialogue & ADR, Long Form. The term "long form" was added to the category in 2002, as long form television had been award under the category titled Best Sound Editing – Television Movies and Specials – Dialogue & ADR, or some moniker of it, since 1997. The award has been given with its current title since 2022.
The Golden Reel Award for Outstanding Achievement in Sound Editing - Sound Effects, Foley, Dialogue and ADR for Foreign Language Feature Film is an annual award given by the Motion Picture Sound Editors. It honors sound editors whose work has warranted merit in the field of cinema; in this case, their work in the field of non-English language film. It was first awarded in 1983, for films released the previous year, but was separated into two categories: Best Sound Editing - Foreign Feature - Dialogue and Best Sound Editing - Foreign Feature - Sound Effects This was amended in 1985, when ADR and sound effects were combined for the category Best Sound Editing - Foreign Feature. It was not until 2018, when this award was first given under its current title, that this category awarded, exclusively, non-English language films. Previously, the award was given to either foreign language films and/or English language films produced outside of the United States.
Donald Sylvester is an American sound editor who has worked on over 100 films. He is best known for his work with James Mangold on the films Ford v Ferrari (2019), Logan (2017), 3:10 to Yuma (2007), and Walk the Line (2005). Sylvester won the Academy Award for Best Sound Editing at the 92nd Academy Awards for Ford v Ferrari and BAFTA Award for Best Sound at the 59th British Academy Film Awards for Walk the Line. He has been a member of BAFTA since 2007.
Rachael Tate is a British sound editor in the film industry. She was nominated for an Academy Award and won a BAFTA Award for Best Sound for her work on the 2019 film 1917.
The Golden Reel Award for Outstanding Achievement in Sound Editing – Sound Effects and Foley for Non-Theatrical Documentary Broadcast Media is an annual award given by the Motion Picture Sound Editors. It honors sound editors whose work has warranted merit in the field of television; in this case, their work in the field of sound effects and foley work in non-theatrical documentary broadcast media.
References
- ↑ "Stepping into Sound with Oscar Nominated Mildred Iatrou Morgan". NEO Magazine. April 23, 2017. Retrieved February 25, 2019.
- ↑ "Oscar Nominations 2017: Best Sound Editing". Oscar.com. Retrieved January 28, 2017.
- ↑ "Oscar Nominations 2017: The Complete List - 89th Academy Awards". Oscars.com. January 24, 2017. Archived from the original on January 10, 2013. Retrieved January 25, 2017.
- ↑ "Oscar Nominations 2017: See the Full List". Vanity Fair. January 24, 2017. Retrieved January 25, 2017.
- ↑ "10 Fun Facts About the 2017 Oscar Nominees". Variety. January 24, 2017. Retrieved January 28, 2017.