A Time to Love and a Time to Die | |
---|---|
Directed by | Douglas Sirk |
Written by | Orin Jannings Erich Maria Remarque |
Based on | novel by Erich Maria Remarque |
Produced by | Robert Arthur |
Starring | John Gavin Liselotte Pulver |
Cinematography | Russell Metty |
Edited by | Ted J. Kent |
Music by | Miklós Rózsa |
Production company | Universal Pictures |
Distributed by | Universal Pictures |
Release dates | |
Running time | 132 minutes |
Countries | United States West Germany |
Language | English |
Box office | $1.6 million (US/Canada) rentals [2] 2.8 million admissions (France) [3] |
A Time to Love and a Time to Die is a 1958 Eastmancolor CinemaScope drama war film directed by Douglas Sirk and starring John Gavin and Liselotte Pulver. [4] Based on the book by German author Erich Maria Remarque and set on the Eastern Front and in Nazi Germany, it tells the story of a young German soldier who is revolted by the conduct of the German army in the Soviet Union and actions of the Nazi Party in the homefront. [5]
According to Variety magazine, the film "was regarded by the company's exec echelon, at the outset, as fine drama and [a] wham money-maker but the box office disappointment is now ascribed to [an] absence of names". [6]
As a German infantry unit retreats across Russia in the spring of 1944, Ernst Graeber's conscience is revolted by the execution of captured civilians. Given his first furlough for over two years, he returns to find his family home bombed and his parents gone. Calling at the house of the family doctor for information, the daughter Elizabeth tells him her father is in a concentration camp because of an unwise remark. Allied bombing continues by day and by night.
An old school friend who is now the local head of the Nazi Party offers Ernst accommodation, food, drink, and women. But he prefers to stay with fellow soldiers billeted in a hospital and to get closer to Elizabeth. The two go to the one restaurant still open, which is destroyed that night by bombs.
Each alone in the world, they agree to an immediate marriage, but Elizabeth's family home is flattened by bombs and they take refuge in a ruined church. Elizabeth gets a summon to Gestapo headquarters, which Ernst intercepts and attends as her husband. He is given her father's ashes, which he secretly buries in the churchyard. Visiting his former teacher, who helps Jews on the run, he is told there is no excuse for the Wehrmacht's war crimes against Russians and of the German state against its own citizens. Ernst and Elizabeth find lodgings for the rest of his leave.
Returning to the front, he finds a fellow soldier who is an ardent Nazi about to shoot captured civilians. As the two are alone, he kills the other soldier and tells the civilians to flee. One of them picks up the dead man's rifle and shoots Ernst dead. He had not finished reading a letter from Elizabeth, saying that she was expecting their child.
Remarque met Sirk in 1954 and the director persuaded the writer to adapt his own novel for the screen. ("I found him an extraordinarily understanding and capable man", said Remarque. "He knew what he wanted to do with my book." [5] ) Sirk's son, actor Klaus Detlef Sierck (1925–1944), died in Ukraine as a soldier of the Panzer-Grenadier-Division Großdeutschland when he was 18 years old. [7]
Universal decided to cast two relative unknowns in the lead. As studio executive Al Daff said:
We could have put two well-known personalities in it and proceeded on the basis of making a star vehicle. Or we could, as we decided to do, cast the story for inevitability and put into the lead roles talented, fresh performers who would not have to overcome the handicap of personality identification and could be accepted as a young Nazi officer and his sweetheart. [8]
At one stage Ann Harding was going to play a role. [9]
Filming took place in West Berlin, which Sirk had fled over 20 years before and the US Army Europe training area at Grafenwöhr. Interiors were shot at CCC Film's Spandau Studios in Berlin. [10] The film's sets were designed by the art directors Alexander Golitzen and Alfred Sweeney. Gavin was accompanied by his new wife, treating the production as their honeymoon. [11]
The musical score was composed by Miklós Rózsa on loanout from M-G-M, where he had been the primary composer for over a decade. It is unknown why Universal sought this unusual loanout. Frank Skinner, the studio's lead composer, had scored most of Douglas Sirk's previous picutures.
Universal sent a screen test of Gavin to critics in advance of the film's release. [12] Hedda Hopper saw a preview and predicted that Gavin will "take the public by storm and so will the picture, which should also put its co-star, Lilo Pulver in the top ten." [13]
Universal publicly claimed that the film cost $5 million but Universal president Milton Rackmil denied that they had ever spent that amount on a film. [14]
The Los Angeles Times wrote the film wasn't as good as All Quiet on the Western Front but was "vivid, sometimes brutally shocking and, less often, emotionally moving." [15]
The film is recognized by American Film Institute in these lists:
The film was expected to be Universal's biggest film of the year and was, with theatrical rentals of $1.6 million in the United States and Canada. [17] [2] The film was one of the most popular of the year in France. [3] Kinematograph Weekly listed it as being "in the money" at the British box office in 1958. [18]
George Peppard was an American actor. He secured a major role as struggling writer Paul Varjak when he starred alongside Audrey Hepburn in Breakfast at Tiffany's (1961), and later portrayed a character based on Howard Hughes in The Carpetbaggers (1964). On television, he played the title role of millionaire insurance investigator and sleuth Thomas Banacek in the early-1970s mystery series Banacek. He played Col. John "Hannibal" Smith, the cigar-smoking leader of a renegade commando squad in the 1980s action television series The A-Team.
Erich Maria Remarque was a German-born novelist. His landmark novel All Quiet on the Western Front (1928), based on his experience in the Imperial German Army during World War I, was an international bestseller which created a new literary genre of veterans writing about conflict. The book was adapted to film several times. Remarque's anti-war themes led to his condemnation by Nazi propaganda minister Joseph Goebbels as "unpatriotic". He was able to use his literary success and fame to relocate to Switzerland as a refugee, and to the United States, where he became a naturalized citizen.
Douglas Sirk was a German film director best known for his work in Hollywood melodramas of the 1950s. However, he also directed comedies, westerns, and war films. Sirk started his career in Germany as a stage and screen director, but he left for Hollywood in 1937 after his Jewish wife was persecuted by the Nazis.
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Schlußakkord is a German film melodrama of the Nazi period, the first melodrama directed by Detlef Sierck, who later had a career in Hollywood as Douglas Sirk and specialised in melodramas. It was made under contract for Universum Film AG (UFA), stars Lil Dagover and Willy Birgel and also features Maria von Tasnady, and premièred in 1936. It shows stylistic features later developed by Sierck/Sirk and makes symbolic and thematic use of music.
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