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La Habanera | |
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Directed by | Douglas Sirk as Detlef Sierck |
Written by | Gerhard Menzel |
Starring | Zarah Leander Ferdinand Marian Karl Martell |
Music by | Lothar Brühne |
Distributed by | UFA |
Release date |
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Running time | 100 minutes |
Country | Germany |
Languages | German English subtitles |
La Habanera is a 1937 German romantic melodrama feature film directed by Detlef Sierck (later known as Douglas Sirk). Zarah Leander, who was signed by UFA in the previous year, stars in the lead role of Astrée Sternhjelm and also performs its title song, "La Habanera". Like many of her films of this era, it proved an enormous box office success. [1]
In 1927, Swedish tourists Astrée Sternhjelm and her elderly aunt Ana are nearing the end of a visit to Puerto Rico. Ana despises the island, which she considers backwards, but Astrée is enchanted by the Caribbean climate, the openness of the islanders, and the local habanera music. Astrée is especially taken with Don Pedro de Avila, a rich and powerful landowner they meet on their last day on the island. Don Pedro invites the women to a bullfight, where he heroically jumps into the ring after the matador is injured, and kills the bull himself. The next day, as their ship sails for Sweden, Astrée spontaneously decides to stay. She runs down the gangway and finds Don Pedro waiting for her. They are soon married.
Ten years later, in 1937, in Stockholm, Dr. Sven Nagel, a former lover of Astrée's, and his associate, Dr. Gomez, bid her Aunt Ana farewell. The doctors are departing for Puerto Rico, sponsored by Ana's medical foundation, to investigate the mysterious and deadly Puerto Rico fever. Ana also asks them to bring Astrée back home to Sweden. Meanwhile, in Puerto Rico, Astrée is trapped in a loveless, miserable marriage to Don Pedro. Her paradise has turned to hell and her son, Juan, is her only reason to stay. Don Pedro has told her he will take the boy away if she tries to leave.
Drs. Nagel and Gomez arrive, but their presence unnerves Don Pedro and his associates, who fear the focus on the Puerto Rico fever will ruin their business. An attempt to find a cure eight years earlier by researchers from the Rockefeller Institute was a failure, and the resulting international publicity depressed the island economy for three years, resulting in widespread famine. As a result, Don Pedro and the other businessmen have been covering up the disease's existence ever since, even though hundreds of islanders die from it every year. They do not want the doctors investigating it, and do everything in their power to stop them.
The Doctors, receiving no local support, conduct their investigation on their own, in secret, doing lab tests illegally in their hotel room. Meanwhile, Astrée has an argument with Don Pedro about young Juan. Don Pedro wants Juan to learn about bullfighting, while Astrée has been teaching the boy about snow and Sweden. Don Pedro decides to take Juan's education out of her hands. Furious, Astrée secretly books passage on the next ship leaving Puerto Rico for Sweden, to take Juan home with her, but it does not leave for twelve days. Meanwhile, the Puerto Rico fever begins to claim its first victims, and Drs. Nagel and Gomez continue their search for a cure.
Don Pedro learns about Astrée’s escape plans and suspects that her former lover Dr. Nagel is involved. Don Pedro invites the doctors to a party at his mansion, so that his henchmen have the opportunity to search the doctors' hotel room and gain evidence against them for their arrest and deportation. At the party, Dr. Nagel and Astrée meet and he instantly sees how unhappy she is. They fall in love again. Astrée sings La Habanera for the crowd, presumably for her husband, but the song also declares her love for the doctor. Don Pedro learns that the search of the hotel room has provided the evidence needed to arrest Dr. Nagel.
Just before the doctors are arrested, however, Don Pedro, who has been sweating profusely all night, collapses, unconscious. Dr. Nagel diagnoses Puerto Rico fever and calls for his newly developed antidote from his hotel room. However, he learns that all his medical supplies, including the antidote, were destroyed on Don Pedro's direct orders, during the raid on the hotel room. Dr. Nagel declares that Don Pedro “dug his own grave” as the man dies. Don Pedro's mansion is donated to the poor for use as a retirement home. Now a widow, Astrée is free to return with her lover and son to Sweden.
This 1937 black-and-white movie was the final film directed by Detlef Sierck in Germany before he fled Germany and eventually emigrated to the United States. The film was produced within six months. In Hollywood, Sierck, now Sirk, continued to produce more melodramatic movies, yet on a grander scale. Zarah Leander had been hired by UFA, the German film company, in 1936, and was its new star. This movie shows her beauty and talents as Germany’s answer to Greta Garbo, and further presents her accomplishments as a singer. Bruno Balz, who wrote the text for the title song, would later be sent to a concentration camp - he was a homosexual. A funny scene with the comedian Werner Finck as Söderblom was cut by the censors, but restored after the war. This was the only film for the child actor Michael Schulz-Dornburg who played Juan; at the end of WWII, he was drafted and died at the age of 17 near Berlin in 1945.
The movie was not shot in Puerto Rico, but on Tenerife in the Canary Islands, during the Spanish Civil War. [2] It presents an interesting but fanciful image of Puerto Rico, mixing curiosity about the exotic, fantasy, and prejudice. The shepherds wear loincloths, and everybody speaks perfect German. The island appears to be run by selfish, authoritarian and corrupt local businessmen and landowners, and the movie is critical of the United States as the responsible party. In the film, habanera music (music that actually originated from Cuba) represents the soul of the island, its "erotic pull", [2] it captivates and enchants Astrée for some time, but in the end she is happy to return home. The lesson for the contemporary German moviegoer was clear: it is better to stick to your roots. The film plays into the Nazi propaganda theme trying to repatriate Germans. [3] In fact, it was among the movies actively supported by the Reich's Minister of Propaganda, Joseph Goebbels. [4] The film can also be seen as critical of Nazi Germany: a dictator imperils his own people, is hostile towards foreigners, and has a secret he wishes to hide (the plague = concentration camps). With the demise of UFA, the rights of the film belong to the Friedrich Wilhelm Murnau Foundation.
Douglas Sirk was a German film director best known for his work in Hollywood melodramas of the 1950s. However, he also directed comedies, westerns, and war films. Sirk started his career in Germany as a stage and screen director, but he left for Hollywood in 1937 after his Jewish wife was persecuted by the Nazis.
Pedro Albizu Campos was a Puerto Rican attorney and politician, and a leading figure in the Puerto Rican independence movement. He was the president and spokesperson of the Nationalist Party of Puerto Rico from 1930 until his death. He led the nationalist revolts of October 1950 against the United States government in Puerto Rico. Albizu Campos spent a total of twenty-six years in prison at various times for his Puerto Rican independence activities.
Zarah Leander was a Swedish singer and actress whose greatest success was in Germany between 1936 and 1943, when she was contracted to work for the state-owned Universum Film AG (UFA). Although no exact record sales numbers exist, she was probably among Europe's best-selling recording artists in the years prior to 1945. Her involvement with UFA caused her films and lyrics to be identified as Nazi propaganda. Though she had taken no public political position and was dubbed an "Enemy of Germany" by Joseph Goebbels, she remained a controversial figure for the rest of her life. As a singer, Leander was known for her confident style and her deep contralto voice, and was also known as a "female baritone".
The Ana G. Méndez University is a private university system with its main campus in San Juan, Puerto Rico that participates in the Puerto Rico Space Grant Consortium.
Olga Isabel Viscal Garriga was a public orator and political activist. Born in Brooklyn, New York, she moved to Puerto Rico, where she was a student leader and spokesperson of the Puerto Rican Nationalist Party's branch in Rio Piedras. As an advocate for Puerto Rican independence, she was sentenced to eight years in a U.S. federal penitentiary, for refusing to recognize the sovereign authority of the United States over Puerto Rico.
Lillian Hurst is a Puerto Rican actress and comedian. She made her debut as a television comedian in the early-1960s. She has worked in film, stage and television productions in the United States.
The Dr. Pedro Rosselló González Puerto Rico Convention Center (PRCC), or simply Puerto Rico Convention Center, is a convention center located in Isla Grande, in San Juan, Puerto Rico owned by the Puerto Rico Convention Center District Authority, a government agency of Puerto Rico, and managed by ASM Global. With a total space of 600,000-square-foot and designed by tvsdesign, it is the largest convention center in the Caribbean and one of the most technologically advanced in the Americas.
Bruno Balz was a German songwriter and schlager writer.
Hans Albert Nielsen was a German film actor. He appeared in more than 130 films between 1937 and 1965.
Dr. Enrique Pérez Santiago, MD was a Puerto Rican medical doctor. Born in Comerio, he was the first Puerto Rican hematologist and he began the formal program at the University of Puerto Rico Hospital.
Dr. Dolores Mercedes Piñero, (1892–1975) was one of the first four Puerto Rican women to earn a medical degree. She was also one of the first civilian doctors, and the first Puerto Rican female doctor to serve under contract in the U.S. Army during World War I. During World War I, Piñero helped establish a hospital in Puerto Rico to attend soldiers who had contracted the swine flu.
Martín Corchado was a nineteenth-century Puerto Rican physician who excelled in charitable medical services as well as in the field of medical research. He owned the first microscope brought to Puerto Rico, which he used to do research on tuberculosis.
A Prussian Love Story is a 1938 German historical romance film directed by Paul Martin and starring Karl Günther, Hans Nielsen, and Willy Fritsch. The film depicts the love affair between William I and Elisa Radziwill. In the Third Reich the film was banned right after completion because the love affair of Joseph Goebbels and the actress Lída Baarová had become public. It was finally released in 1950 in West Germany.
Schlußakkord is a German film melodrama of the Nazi period, the first melodrama directed by Detlef Sierck, who later had a career in Hollywood as Douglas Sirk and specialised in melodramas. It was made under contract for Universum Film AG (UFA), stars Lil Dagover and Willy Birgel and also features Maria von Tasnady, and premièred in 1936. It shows stylistic features later developed by Sierck/Sirk and makes symbolic and thematic use of music.
Gabriela is a 1950 West German musical drama film directed by Géza von Cziffra and starring Zarah Leander, Carl Raddatz, and Vera Molnar. It was Leander's comeback film after a seven-year absence from filmmaking. In 1943 when the Nazi leadership had demanded she take German citizenship, she had broken her contract with UFA and returned to her native Sweden. In the immediate post-war era she was banned from appearing in German films because of her previous association with the Nazi hierarchy. When the law was lifted in 1949, she was able to make films once more.
To New Shores is a 1937 German drama film directed by Detlef Sierck and starring Zarah Leander, Willy Birgel and Viktor Staal. It was Leander's first film for the German studio UFA, and its success brought her into the front rank of the company's stars. It was shot at the Babelsberg Studio in Berlin. The film's sets were designed by the art director Fritz Maurischat.
Premiere is a 1937 Austrian musical crime film directed by Géza von Bolváry and starring Zarah Leander, Attila Hörbiger, and Karl Martell. The wealthy backer of a Viennese musical revue is murdered on the first night of the show. It was Leander's first German language role after previously appearing in Swedish films. On the basis of her performance in the film, Leander was signed by the German Major studio UFA after their major rival, Tobis, had decided she had insufficient star appeal. Her next film To New Shores established Leander as the leading star in Germany.
Love Premiere is a 1943 German comedy film directed by Arthur Maria Rabenalt and starring Hans Söhnker, Kirsten Heiberg and Fritz Odemar. The film's sets were designed by Robert Herlth.
Back Then is a 1943 German drama film directed by Rolf Hansen and starring Zarah Leander, Hans Stüwe, and Rossano Brazzi. The film's sets were designed by Walter Haag. It was made at the Babelsberg Studio, by Universum Film AG, Germany's largest film company. It was Leander's final film of the Nazi era, as she returned to Sweden shortly afterwards. This was a blow for the German film industry, as she was the most popular and highest-paid star. Leander's next film was not for another seven years, when she made a comeback in Gabriela (1950).