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The Buddy Holly Story | |
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Directed by | Steve Rash |
Screenplay by | Robert Gittler |
Story by | Alan Swyer |
Based on | Buddy Holly: His Life and Music by John Goldrosen |
Produced by |
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Starring | |
Cinematography | Stevan Larner |
Edited by |
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Music by | Joe Renzetti |
Distributed by | Columbia Pictures |
Release date |
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Running time | 114 minutes |
Country | United States |
Language | English |
Budget | $1.2 million [1] or $2 million [2] |
Box office | $14.3 million [3] |
The Buddy Holly Story is a 1978 American biographical musical drama film directed by Steve Rash which tells the life and career of rock and roll musician Buddy Holly. It features an Academy Award-winning musical score, adapted by Joe Renzetti and Oscar-nominated lead performance by Gary Busey. The film also stars Don Stroud, Charles Martin Smith, Conrad Janis, William Jordan, and Maria Richwine, who plays María Elena Holly.
It was adapted by Robert Gittler from Buddy Holly: His Life and Music, the 1975 biography of Holly by John Goldrosen, and was directed by Steve Rash.
In 1956, Buddy Holly and his friends, drummer Jesse Charles and bass player Ray Bob Simmons, regularly performed at a local roller rink in Lubbock, Texas, as The Crickets. A local radio station broadcasts the show. Holly plays a country song, then switches to a rock and roll song, exciting the teens much to the annoyance of the radio station's sponsor. Station manager Riley tells Holly that Coral Records vice president wants the band to make a recording in Nashville, Tennessee.
At the recording studio, Holly walks out when his rock-and-roll vision clashes with the producers, who want The Crickets to play country music. Later, Riley says he sent a tape of the Cricket's roller rink performance to New York City music producer Ross Turner. Believing the demo tape is a master copy, Turner releases it without realizing the band has no contract. The record is a hit and Holly can now pursue music full time. In New York City, the Crickets meet with Turner; after initial resistance, he agrees that Holly can make music how he wants.
Sol Gittler books the Crickets for the famous Apollo Theater in Harlem, assuming they are a black band. He is stunned when three white Texans show up and he refuses to let them perform, fearing the audience's reaction. Holly points out that Gittler's telegram specifies that they only have to be in New York City for a week to be paid $1,000, so Gittler nervously allows them to perform, the first white act to perform at the Apollo. After an uncomfortable start, Holly's music soon wins over the audience and the Crickets are a hit. Turner's secretary, Maria Elena Santiago, catches Holly's eye but their budding romance is nearly ended when her strict aunt refuses to allow them to date. Holly convinces her to change her mind and on their first date, Holly proposes to Maria. She accepts and they are soon married.
After two years of success, Ray Bob and Jesse, feeling overshadowed by Holly and wanting to return to Texas, decide to quit while Holly believes it is necessary to remain in New York to stay popular. After appearing on CBS TV on The Ed Sullivan Show , Jesse and Ray Bob return to Lubbock with the agreement that they will retain the Crickets name. Though saddened by their departure, Holly carries on writing. He initially fears performing without them despite his manager emphasizing that touring is necessary to chart success. Holly is delighted when Maria becomes pregnant, though she sees he is frustrated professionally and urges him to go on tour.
On February 2, 1959, preparing for a concert at Clear Lake, Iowa, Holly charters a private plane to fly to Moorhead, Minnesota for the next concert after the tour bus has broken down. The Big Bopper and Ritchie Valens join him on the flight. The Crickets, feeling nostalgic and wanting to revive the band, plan to join Holly at his next tour stop. After playing his final song, "Not Fade Away", Holly bids the crowd farewell. A caption reveals that Holly, Valens and the Bopper died in a plane crash that night "... and the rest is Rock 'n Roll".
Actor | Role |
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Gary Busey | Buddy Holly |
Don Stroud | Jesse Charles |
Charles Martin Smith | Ray Bob Simmons |
Conrad Janis | Ross Turner |
William Jordan | Riley |
Maria Richwine | María Elena Holly |
Amy Johnston | Cindy Lou |
Dick O'Neill | Sol Gittler |
Fred Travalena | Madman Mancuso |
Neva Patterson | Mrs. Holly |
Arch Johnson | Mr. Holly |
John Goff | T. J. |
Gloria Irizarry | Mrs. Santiago |
Jody Berry | Engineer Sam |
Richard Kennedy | Preacher |
Jim Beach | Wilson |
Gailard Sartain | The Big Bopper |
Albert Popwell | Eddie Foster |
Paul Mooney | Sam Cooke |
Freeman King | Apollo M.C. |
Stymie Beard | Luther |
Craig White | King Curtis |
Jerry Zaremba | Eddie Cochran |
The actors did their own singing and played their own instruments, with guitarist Jerry Zaremba overdubbing the guitar parts. Busey, in particular, was noted for recording the soundtrack music live and for losing a considerable amount of weight in order to portray the skinny Holly. According to Busey's biography, he lost 32 pounds to look more like Holly, who weighed 146 pounds at the time of his death.
The actor's accurate portrayal was aided by knowledge gained from a previous attempt to film part of the Holly life story, the ill-fated Three-Sided Coin, in which he played Crickets drummer Jerry Allison. The film was cancelled by 20th Century Fox due to pressure from Fred Bauer and his company, who had made deals with the Holly estate. [4] The screenplay of Three-Sided Coin (by Allison and Tom Drake) revealed many personal details about Holly, and Busey picked up more during off-set conversations with Allison.
While the story follows Buddy Holly from age 20 to 22 (1956 to February 1959), Busey was 33 when he played the role. Charles Martin Smith auditioned for the role of Buddy, but since Busey already had been cast, the producers cast Smith to play Ray Bob Simmons because they liked his audition. Simmons and Jesse Charles were character names used in place of Joe B. Mauldin and Jerry Allison, two of the actual Crickets (1956 to early 1958 Cricket Niki Sullivan, performing on 27 of the 32 songs Holly recorded, is not shown).
The incident in which a Buffalo disc jockey locked himself in a studio and repeatedly played the same song over and over was loosely based on real-life stunts orchestrated by disc jockey Tom Clay (and repeated a few years later by Danny Neaverth), who held up Buffalo's Shelton Square by playing Bill Haley & His Comets' "Rock Around the Clock" repeatedly from the top of a billboard, and by Joey Reynolds, who locked himself in a studio playing "Sherry" by The Four Seasons for several hours; those incidents, however, had no relation to Buddy Holly or his music.
The film had a special premiere in nine different Texas and Oklahoma cities on May 18, 1978, including Holly's hometown of Lubbock and Busey's hometown of Tulsa, [5] before opening in Los Angeles on June 14. [6]
The film earned $14.3 million on a $1.2 million budget. [3]
Roger Ebert gave the film three and a half stars out of four and praised Busey's "remarkable performance as Buddy Holly. If you're a fan of Holly and his music, you'll be quietly amazed at how completely Busey gets into the character." [7] Vincent Canby of The New York Times wrote, "There are a lot of actors in 'The Buddy Holly Story' — some of them very nice — but the movie is really a one-man show. It's Gary Busey's galvanizing solo performance that gives meaning to an otherwise shapeless and bland feature-length film about the American rock-and-roll star who was killed in a plane crash in 1959." [8] Gene Siskel gave the film four stars out of four and wrote, "In a year in which we are inundated with films featuring rock music, 'The Buddy Holly Story' probably will turn out to be the best. That is because of Busey's galvanizing performance." [9] Charles Champlin of the Los Angeles Times wrote, "The heart and soul and power of 'The Buddy Holly Story' is the uncanny, marrow-deep, robust, exhilarating, likable, superlative, overwhelmingly convincing portrayal by Gary Busey ... For once there is no lip-synching to someone else's voice, no feigning with the fingers to somebody else's strumming. Busey does it all himself, and it is one of those rare and stunning performances in which the person of the actor himself is totally lost to sight in his creation of someone else." [10] Gary Arnold of The Washington Post wrote, "Gary Busey invests the title role with a personal charm so original and an emotional dedication so exhilarating that he seems to lift the material off its somewhat pedestrian feet." [11]
The Buddy Holly Story holds a 100% rating on Rotten Tomatoes based on 30 reviews, with a weighted average of 7.3/10. [12] The New York Times placed the film on its Best 1000 Movies Ever list. [13]
Peggy Sue Gerrow Allison Rackham, to whom the song "Peggy Sue" was written, called the film "typical Hollywood, gobbledygook fantasy". [14] Ex-Beatle Paul McCartney wasn't positive about the film either. Being interviewed and involved in the production of director Richard Spence's documentary 'The Real Story of Buddy Holly', McCartney decided after seeing the film to make a more accurate account of what happened. In a Rolling Stone interview, executive producer Ed Cohen, director Steve Rash and producer Freddy Bauer defended inaccuracies in the movie, pointing out the budget of the movie was only two million dollars. "Whatever we put up there on the screen will be the truth", commented Bauer. "Ask moviegoers who invented the telephone. They'll tell you that Don Ameche did." According to Rolling Stone, the three major complaints concerned the portrayal of Holly's family, the treatment of the Crickets and the omission of Norman Petty, Holly's producer. [14]
The film won the Academy Award for Best Adaptation Score by Joe Renzetti. Busey was nominated for Best Actor in a Leading Role, and Tex Rudloff, Joel Fein, Curly Thirlwell and Willie D. Burton for Best Sound. [15]
Charles Hardin Holley, known as Buddy Holly, was an American singer, songwriter, and musician who was a central and pioneering figure of mid-1950s rock and roll. He was born to a musical family in Lubbock, Texas, during the Great Depression, and learned to play guitar and sing alongside his two siblings. Holly's style was country and western music which he performed in Lubbock with his friends from high school.
William Gary Busey is an American actor. He portrayed Buddy Holly in The Buddy Holly Story (1978), for which he was nominated for the Academy Award for Best Actor and won the National Society of Film Critics Award for Best Actor. His other starring roles include A Star Is Born (1976), D.C. Cab (1983), Silver Bullet (1985), Eye of the Tiger (1986), Lethal Weapon (1987), Hider in the House (1989), Predator 2 (1990), Point Break (1991), Under Siege (1992), The Firm (1993), Drop Zone (1994), Black Sheep (1996) and Lost Highway (1997).
The Crickets were an American rock and roll band from Lubbock, Texas, formed by singer-songwriter Buddy Holly in January 1957. Their first hit record, "That'll Be the Day", released in May 1957, peaked at number three on the Billboard Top 100 chart on September 16, 1957. The sleeve of their first album, The "Chirping" Crickets, shows the band line-up at the time: Holly on lead vocals and lead guitar, Niki Sullivan on rhythm guitar, Jerry Allison on drums, and Joe B. Mauldin on bass. The Crickets helped set the template for subsequent rock bands, such as the Beatles, with their guitar-bass-drums line-up, performing their own material. After Holly's death in 1959, the band continued to tour and record into the 1960s and beyond with other band members through to the 21st century.
"That'll Be the Day" is a song written by Buddy Holly and Jerry Allison. It was first recorded by Buddy Holly and the Three Tunes in 1956 and was re-recorded in 1957 by Holly and his new band, the Crickets. The 1957 recording achieved widespread success. Holly's producer, Norman Petty, was credited as a co-writer, although he did not contribute to the composition.
María Elena Holly is the widow of American rock and roll pioneer Buddy Holly. As a receptionist at Peermusic, she met with Holly and his band the Crickets on June 19, 1958, and Holly proposed to her after five hours on their first date. Less than two months later, the couple married on August 15, 1958, in Lubbock, Texas. On February 3, 1959, Buddy Holly died in a plane crash along with fellow musicians Ritchie Valens and The Big Bopper outside Clear Lake, Iowa. After learning of her husband's death from the television news, she suffered a miscarriage the following day and could not attend Holly's funeral in Lubbock.
"Peggy Sue" is a rock and roll song written by Jerry Allison and Norman Petty, and recorded and released as a single by Buddy Holly on September 20, 1957. The Crickets are not mentioned on label of the single, but band members Joe B. Mauldin and Jerry Allison (drums) played on the recording. This recording was also released on Holly's eponymous 1958 album.
Jerry Ivan Allison was an American musician. He was best known as the drummer for the Crickets and co-writer of their hits "That'll Be the Day" and "Peggy Sue", recorded with Buddy Holly. His only solo chart entry on the Billboard Hot 100 was "Real Wild Child", issued in 1958 under the name Ivan. Allison was inducted into the Rock and Roll Hall of Fame in 2012.
Norman Petty was an American musician, record producer, publisher, and radio station owner. He is considered to be one of the founding fathers of early rock & roll. With Vi Ann Petty—his wife and vocalist—he founded the Norman Petty Trio.
Joseph Benson Mauldin, Jr. was an American bassist, songwriter, and audio engineer who was best known as the bassist for the early rock and roll group the Crickets. Mauldin initially played a double (standup) bass, then switched to a Fender Precision Bass guitar. After several years with the Crickets, he became a recording engineer at Gold Star Studios, the Los Angeles studio which became the "hit factory" for Phil Spector, Brian Wilson, and other major 1960s rock performers.
Thomas Douglas Allsup was an American rockabilly and swing musician.
Sonny Curtis is an American singer and songwriter. Known for his collaborations with Buddy Holly, he was a member of the Crickets and continued with the band after Holly's death. Curtis's best known compositions include "Walk Right Back", a major hit in 1961 for the Everly Brothers; "I Fought the Law", notably covered by the Bobby Fuller Four and the Clash; and "Love is All Around," the theme song for The Mary Tyler Moore Show.
American Hot Wax is a 1978 biographical film directed by Floyd Mutrux with a screenplay by John Kaye from a story by John Kaye and Art Linson. The film tells the story of pioneering disc jockey Alan Freed, who in the 1950s helped introduce and popularize rock and roll, and is often credited with coining the term "rock 'n' roll". The film starred Tim McIntire, Fran Drescher, Jay Leno, Laraine Newman, Jeff Altman, and Moosie Drier. It also featured musical performances by Chuck Berry, Jerry Lee Lewis, Frankie Ford, Screamin' Jay Hawkins, and Brooklyn Dreams as "Professor La Plano and The Planotones". The film was not a box-office success.
Niki Sullivan was an American rock and roll guitarist, born in South Gate, California. He was one of the three original members of Buddy Holly's backing band, the Crickets. Though he lost interest within a few months of his involvement, his guitar playing was an integral part of Holly's early success. He performed on 27 of the 32 songs Holly and The Crickets recorded over his brief career. He co-wrote a number of his own songs. In 2012, Sullivan was inducted into the Rock and Roll Hall of Fame as a member of the Crickets by a special committee, aimed at correcting the mistake of not including the Crickets with Buddy Holly when he was first inducted in 1986.
Buddy: The Buddy Holly Story is a musical in two acts written by Alan Janes, and featuring the music of Buddy Holly. It opened at the Plymouth Theatre Royal in September 1989 before It transferred to the Victoria Palace Theatre on 12 October 1989. An early example of the jukebox musical, Buddy ran in London's West End for over 12 years, playing 5,140 performances. Janes took over the producing of the show himself in 2004, and Buddy has been on tour extensively in the UK since then, having played Broadway, five U.S. National Tours and numerous other productions around the world. The show was nominated for an Olivier Award for Best Musical.
"Everyday" is a song written by Buddy Holly and Norman Petty, recorded by Buddy Holly and the Crickets on May 29, 1957, and released on September 20, 1957, as the B-side of "Peggy Sue". The single went to number three on the Billboard Hot 100 chart in 1957. "Everyday" is ranked number 238 on Rolling Stone magazine's list of the "500 Greatest Songs of All Time".
"Peggy Sue Got Married" is a song written and performed by Buddy Holly. It was posthumously released in July 1959 as a 45-rpm single with "Crying, Waiting, Hoping". It refers to his 1957 hit song "Peggy Sue". It was one of the first sequels of the rock era.
Jerry Naylor Jackson was an American country and rock and roll artist, broadcaster and inspirational speaker. From late 1961 through 1964 he was The Crickets' lead vocalist and guitarist.
Harold David Box was an American rock and roll musician in the early 1960s. Box was influenced by fellow Texan Buddy Holly, and even took his place as singer of his group, The Crickets, for a short time after Holly's death. Box also collaborated with Roy Orbison, and found local success with his own group, the Ravens.
"It's So Easy!" is a rock-and-roll song written by Buddy Holly and Norman Petty. It was originally released as a single in 1958 by the Crickets but failed to chart. It was the final release by the Crickets when Holly was still in the band.
The Buddy Holly Center is a performance and visual arts center in Lubbock, Texas, dedicated to Buddy Holly as well as the music of Lubbock and West Texas more broadly. The building in which it is located opened as the city's Fort Worth and Denver South Plains Railway depot in 1928. In 1996, the City of Lubbock obtained a sizable collection of Holly-related artifacts from his estate, and the next year it purchased the former depot. In 1999, the new Buddy Holly Center opened as the home of the newly acquired Buddy Holly collection as well as a replacement for the city's Fine Arts Center, which had been established in 1984.