Love Me or Leave Me | |
---|---|
Directed by | Charles Vidor |
Written by | Daniel Fuchs Isobel Lennart |
Produced by | Joe Pasternak |
Starring | Doris Day James Cagney Cameron Mitchell |
Cinematography | Arthur E. Arling |
Edited by | Ralph E. Winters |
Music by | George Stoll |
Production company | |
Distributed by | Loew's Inc. |
Release date |
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Running time | 122 minutes |
Country | United States |
Language | English |
Budget | $2.76 million [1] |
Box office | $5.6 million [1] [2] |
Love Me or Leave Me is a 1955 American romantic musical drama film starring Doris Day, with James Cagney and Cameron Mitchell in support. Also a biopic, the MGM production recounts the life of Ruth Etting, a singer who rose from dancer to movie star. Nominated for six Academy Awards, the picture was directed by Charles Vidor, and written by Daniel Fuchs and Isobel Lennart.
Nineteen-twenties Chicago nightclub singer and dime-a-dance girl Ruth Etting is in jeopardy of losing her job for kicking a customer for his unwelcome attention. Martin Snyder, known as "The Gimp" because of his game leg, intervenes on her behalf. A man of considerable clout, he owns a laundry business as a front and runs a thriving protection racket.
Etting is desperate to get into show business. Snyder gets her a job dancing in a floor show, then pays for a singing coach, Johnny Alderman, who is also attracted to her.
Etting and Alderman are grateful, but Snyder makes it clear he expects Etting to travel to Miami with him, not for business but for pleasure. Etting declines, but Snyder's interest in her continues. Through an agent, Bernie Loomis, he arranges a radio program to feature Etting, followed by a job with the Ziegfeld Follies. His crude behavior and violent temper cause Etting multiple problems.
Johnny continues to woo Etting, but under heavy pressure from Snyder she marries him instead. His heavy-handed management continues as her career blossoms. Goaded to enter the entertainment business, Snyder decides to open a nightclub of his own, sinking his wealth heavily into it. Upset at sensing a relationship resuming between Etting and Johnny during their filming of a Hollywood movie, Snyder strikes her; she runs off and seeks a divorce. Snyder then catches them together, shoots Johnny and is arrested.
Horrified but conflicted because of all Snyder has done for her career, Etting arranges for Loomis to bail him out of jail. At his nightclub which he expects to find deserted, Snyder arrives to find Etting performing there herself. At first enraged by what he perceives as an act of charity, Snyder finally realizes this is Etting's way of showing her appreciation, even if she can't be part of his life any longer.
The role of Snyder was originally intended for Spencer Tracy, but he turned it down. After the Etting role was turned down by Ava Gardner, Cagney suggested Doris Day to producer Joe Pasternak. Gardner was subsequently placed on a temporary salary suspension by MGM as a punishment.
Variety called the film "a rich canvas of the Roaring '20s, with gutsy and excellent performances." [3]
Award | Category | Nominee(s) | Result | Ref. |
---|---|---|---|---|
Academy Awards | Best Actor | James Cagney | Nominated | [4] |
Best Screenplay | Daniel Fuchs and Isobel Lennart | Nominated | ||
Best Motion Picture Story | Daniel Fuchs | Won | ||
Best Scoring of a Musical Picture | Percy Faith and Georgie Stoll | Nominated | ||
Best Song | "I'll Never Stop Loving You" Music by Nicholas Brodszky; Lyrics by Sammy Cahn | Nominated | ||
Best Sound Recording | Wesley C. Miller | Nominated | ||
Directors Guild of America Awards | Outstanding Directorial Achievement in Motion Pictures | Charles Vidor | Nominated | [5] |
Writers Guild of America Awards | Best Written American Musical | Daniel Fuchs and Isobel Lennart | Won | [6] |
According to MGM records the film earned $4,035,000 in the US and Canada and $1,597,000 elsewhere, resulting in a profit of $595,000. [1] Love Me or Leave Me was the eighth ranked movie in 1955.
All but two of the songs in the movie were hits that Etting had recorded originally back in the 1920s and early 1930s. These new songs, written specifically for the film, are "Never Look Back" by Chilton Price and "I'll Never Stop Loving You" by Nicholas Brodzsky and Sammy Cahn. [3]
The songs as they appear in the film (all sung by Doris Day except as shown):
Doris Day was an American actress and singer. She began her career as a big band singer in 1937, achieving commercial success in 1945 with two No. 1 recordings, "Sentimental Journey" and "My Dreams Are Getting Better All the Time" with Les Brown and His Band of Renown. She left Brown to embark on a solo career and recorded more than 650 songs from 1947 to 1967.
James Francis Cagney Jr. was an American actor and dancer. On stage and in film, he was known for his consistently energetic performances, distinctive vocal style, and deadpan comic timing. He won acclaim and major awards for a wide variety of performances.
Seven Brides for Seven Brothers is a 1954 American musical film, directed by Stanley Donen, with music by Gene de Paul, lyrics by Johnny Mercer, and choreography by Michael Kidd. The screenplay, by Albert Hackett, Frances Goodrich, and Dorothy Kingsley, is based on the short story "The Sobbin' Women", by Stephen Vincent Benét, which was based in turn on the ancient Roman legend of the Rape of the Sabine Women. Seven Brides for Seven Brothers, which is set in Oregon in 1850, is particularly known for Kidd's unusual choreography, which makes dance numbers out of such mundane frontier pursuits as chopping wood and raising a barn. Film critic Stephanie Zacharek has called the barn-raising sequence in Seven Brides "one of the most rousing dance numbers ever put on screen." The film was photographed in Ansco Color in the CinemaScope format.
Yankee Doodle Dandy is a 1942 American biographical musical drama film about George M. Cohan, known as "The Man Who Owned Broadway". It stars James Cagney, Joan Leslie, Walter Huston, and Richard Whorf, and features Irene Manning, George Tobias, Rosemary DeCamp, Jeanne Cagney, and Vera Lewis. Joan Leslie's singing voice was partially dubbed by Sally Sweetland.
Ruth Etting was an American singer and actress during the 1920s and 1930s, who had over 60 hit recordings and worked in stage, radio, and film. Known as "America's sweetheart of song", her signature tunes were "Shine On, Harvest Moon", "Ten Cents a Dance" and "Love Me or Leave Me".
Joseph Herman Pasternak was a Hungarian-American film producer in Hollywood. Pasternak spent the Hollywood "Golden Age" of musicals at Metro-Goldwyn-Mayer, producing many successful musicals with female singing stars like Deanna Durbin, Kathryn Grayson and Jane Powell, as well as swimmer/bathing beauty Esther Williams' films. He produced Judy Garland's final MGM film, Summer Stock, which was released in 1950, and some of Gene Kelly’s early breakthrough roles. Pasternak worked in the film industry for 45 years, from the later silent era until shortly past the end of the classical Hollywood cinema in the early 1960s.
Love Me or Leave Me may refer to:
Daniel Fuchs was an American screenwriter, fiction writer, and essayist.
"Ten Cents a Dance" is a popular song with music by Richard Rodgers and lyrics by Lorenz Hart. The song was published in 1930.
Born to Dance is a 1936 American musical film directed by Roy Del Ruth and starring Eleanor Powell, James Stewart and Virginia Bruce. It was produced and distributed by Metro-Goldwyn-Mayer. The score was composed by Cole Porter.
"You Made Me Love You (I Didn't Want to Do It)" is a popular song from 1913 composed by James V. Monaco with lyrics by Joseph McCarthy. It was introduced by Al Jolson in the Broadway revue The Honeymoon Express (1913), and used in the 1973 revival of the musical Irene.
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"(You'd Be So) Easy to Love" is a popular song written by Cole Porter for William Gaxton to sing in the 1934 Broadway show Anything Goes. However Gaxton was unhappy about its wide vocal range and it was cut from the musical. Porter re-wrote it for the 1936 film Born to Dance, where it was introduced by Eleanor Powell, James Stewart, and Frances Langford under its alternate title, "Easy to Love". The song was later added to the 1987 and 2011 revivals of Anything Goes under the complete title "You’d Be So Easy to Love".
Martin "Moe" Snyder, commonly known as Moe the Gimp due to his lame left leg, was an American gangster from Chicago, active in the 1920s and 1930s.
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Starlift is a 1951 American musical film released by Warner Bros. starring Doris Day, Gordon MacRae, Virginia Mayo, Dick Wesson, and Ruth Roman. It was directed by Roy Del Ruth and written by John D. Klorer and Karl Kamb, from a story by Klorer. The film was made during the beginning of the Korean War and centers on a U.S. Air Force flyer's wish to meet a film star, and her fellow stars' efforts to perform for injured men at the air force base.
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