The Barker is a 1928 American part-talkie pre-Code romantic drama film produced and released by First National Pictures, a subsidiary of Warner Bros., acquired in September 1928. The film was directed by George Fitzmaurice and stars Milton Sills, Dorothy Mackaill, Betty Compson, and Douglas Fairbanks Jr. The Barker is a part-talkie with talking sequences and sequences with synchronized musical scoring and sound effects. The film was adapted by Benjamin Glazer, Joseph Jackson and Herman J. Mankiewicz from the play by Kenyon Nicholson.
The Singing Fool is a 1928 American sound part-talkie musical drama motion picture directed by Lloyd Bacon which was released by Warner Bros. In addition to sequences with audible dialogue or talking sequences, the film features a synchronized musical score and sound effects along with English intertitles. The soundtrack was recorded using the Vitaphone sound-on-disc system. The film stars Al Jolson and is a follow-up to his previous film, The Jazz Singer. It is credited with helping to cement the popularity of American films of both sound and the musical genre. The film entered the public domain on January 1, 2024.
The Viking is a 1928 American synchronized sound drama film. While the film has no audible dialog, it was released with a synchronized musical score with sound effects using the sound-on-film Western Electric Sound System process. This film was the first feature-length Technicolor film that featured a soundtrack, and it was the first film made in Technicolor's Process 3. It stars Pauline Starke, Donald Crisp, and LeRoy Mason. The film is loosely based on the 1902 novel The Thrall of Leif the Lucky by Ottilie A. Liljencrantz. The Viking was directed by Roy William Neill.
The Godless Girl is a 1928 American sound part-talkie dramatic directed by Cecil B. DeMille. In addition to sequences with audible dialogue or talking sequences, the film features a synchronized musical score and sound effects along with English intertitles. The soundtrack was recorded using the RCA Photophone sound-on-film system. The cast features Lina Basquette, Marie Prevost, Tom Keene, and Noah Beery.
Wolf Song is a 1929 American sound part-talkie Western romance film directed by Victor Fleming and starring Gary Cooper and Lupe Vélez. While the film has a few sequences with dialog, the majority of the film featured a synchronized musical score with sound effects using both the sound-on-disc and sound-on-film process.
A part-talkie is a sound film that includes at least some "talking sequences" or sections with audible dialogue. The remainder of the film is provided with a synchronized musical score with sound effects. These films more often than not contain a main theme song that is played during key scenes in the film and is often sung offscreen on the musical soundtrack. During the portion without audible dialogue, speaking parts are presented as intertitles—printed text briefly filling the screen—and the soundtrack is used only to supply musical accompaniment and sound effects.
The Mysterious Island is a 1929 American sound part-talkie science fiction film directed by Lucien Hubbard, based on Jules Verne's 1874 novel L'Île mystérieuse. The film was photographed largely in two-color Technicolor. In addition to sequences with audible dialogue or talking sequences, the film features a synchronized musical score and sound effects along with English intertitles. The sound was recorded via the Western Electric sound-on-film process. The film was released by Metro-Goldwyn-Mayer.
Wheeler Oakman was an American film actor.
Beggars of Life is a 1928 American part-talkie sound film that was directed by William Wellman. Although the film featured sequences with audible dialogue, the majority of the film had a synchronized musical score with sound effects. The film was released on both sound-on-disc and sound-on-film formats. Currently circulating are mute prints from the sound-on-disc version. The majority of the sound discs are believed to be lost.
The Four Feathers is a 1929 American sound war film directed by Merian C. Cooper and starring William Powell, Richard Arlen, Clive Brook and Fay Wray. This was the third of numerous film versions of the 1902 novel The Four Feathers written by A. E. W. Mason. While the film has no audible dialog, it was released with a synchronized musical score with sound effects using both the sound-on-disc and sound-on-film process. The 1929 version of The Four Feathers premiered at the Criterion Theatre in New York City on June 12, 1929.
The Battle of the Sexes is a 1928 American synchronized sound comedy film directed by D. W. Griffith. While the film has no audible dialog, it was released with a synchronized musical score, singing and sound effects using both the sound-on-disc and sound-on-film process. The film starred Jean Hersholt, Phyllis Haver, Belle Bennett, Don Alvarado, and Sally O'Neil. It was released by United Artists. The film was a remake by Griffith of an earlier film he directed in 1914, which starred Lillian Gish. Both films are based on the novel The Single Standard by Daniel Carson Goodman; the story was adapted for this production by Gerrit J. Lloyd.
My Man is a 1928 black and white sound part-talkie American comedy-drama musical film directed by Archie Mayo starring Fanny Brice and featuring Guinn "Big Boy" Williams. In addition to sequences with audible dialogue or talking sequences, the film features a synchronized musical score and sound effects along with English intertitles. The soundtrack was recorded using the Vitaphone sound-on-disc system.
A Cottage on Dartmoor is a 1929 British part-talkie sound film, directed by Anthony Asquith and starring Norah Baring, Uno Henning and Hans Adalbert Schlettow. The cameraman was Stanley Rodwell. In addition to a sequence with audible dialogue or a talking sequence, the film also featured a synchronized musical score with sound effects and English intertitles. The soundtrack was recorded using the Klangfilm Tobis sound recording process. A cut down edited silent version was made for theatres that had not yet converted to sound but this version is no longer extant.
The Younger Generation is a 1929 sound part-talkie American drama film directed by Frank Capra and starring Ricardo Cortez. In addition to sequences with audible dialogue or talking sequences, the film features a synchronized musical score and sound effects along with English intertitles. The soundtrack was recorded using the Western Electric sound-on-film system. The film was produced by Jack Cohn for Columbia Pictures. It was Capra's first sound film. The screenplay was adapted from a 1927 Fannie Hurst play, It Is to Laugh.
Lonesome is a 1928 American sound part-talkie comedy drama film directed by Paul Fejös, and starring Barbara Kent and Glenn Tryon. Although containing a few sequences with audible dialog, the majority of the film had a synchronized musical score with sound effects with English intertitles. The film was released in both sound-on-disc and sound-on-film formats. Its plot follows two working-class residents of New York City over a 24-hour-period, during which they have a chance meeting at Coney Island during the Independence Day weekend and swiftly fall in love with one another. It was produced and distributed by Universal Pictures.
Weary River is a 1929 American sound part-talkie romantic drama film directed by Frank Lloyd and starring Richard Barthelmess, Betty Compson, and William Holden. The film was produced and distributed by First National Pictures. In addition to sequences with audible dialogue or talking sequences, the film features a synchronized musical score, singing and sound effects along with English intertitles. The soundtrack was recorded using the Vitaphone sound-on-disc system.
Jack Clem Hanlon was an American child actor known for his role in Our Gang and silent films. According to Variety, at the time of his death he was the oldest living person to appear in the Our Gang comedies and likely the last surviving cast member of the Buster Keaton silent classic The General.
International Sound Version is a term for a film in which all dialogue is replaced with music and foreign inter-titles. It was a method used by movie studios during the early talkie period (1928-1931) to make sound films for foreign markets. This method was much cheaper than the alternative, the "Foreign Language Version", in which the entire film was re-shot with a cast that was fluent in the appropriate language.
Two Weeks Off is a 1929 American sound part-talkie comedy film directed by William Beaudine. In addition to sequences with audible dialogue or talking sequences, the film features a synchronized musical score and sound effects along with English intertitles. The soundtrack was recorded using the Vitaphone sound-on-disc system. A complete nitrate print survives at UCLA.
The Wagon Master is a 1929 American sound part-talkie Western sound film starring Ken Maynard, directed by Harry Joe Brown, and written by Marion Jackson and Leslie Mason. In addition to sequences with audible dialogue or talking sequences, the film features a synchronized musical score and sound effects along with English intertitles. The soundtrack was recorded using the Western Electric sound-on-film system. The film was edited by Fred Allen and the cinematographer was Ted D. McCord. Maynard's character in the film was referred to as "the Rambler." There is a whip fight in this kinetic film. Maynard is believed to have been the first onscreen "Singing Cowboy" in this movie, succeeded by John Wayne as "Singin' Sandy" Saunders in Riders of Destiny (1933) and Gene Autry after Wayne eventually declined to flourish a dubbed singing voice in future endeavors; Autry "auditioned" for the mantle in the 1934 film In Old Santa Fe, starring Maynard.
