Anybody Here Seen Kelly? | |
---|---|
Directed by | William Wyler |
Written by | Leigh Jason (story) Walter Anthony (titles) Albert DeMond (titles) John B. Clymer Rob Wagner |
Produced by | Richard Wyler |
Starring | Bessie Love Tom Moore Kate Price Addie McPhail Bruce Gordon Alfred Allen |
Cinematography | Charles J. Stumar [1] |
Distributed by | Universal Pictures |
Release date |
|
Running time | 1 hour 20 minutes |
Country | United States |
Language | Silent (English intertitles) |
Budget | $60,000 [2] |
Anybody Here Seen Kelly? is a 1928 American silent comedy film directed by William Wyler. This was the first non-Western film to be directed by Wyler. [3] Produced by Universal Pictures, this is Bessie Love's final silent film.
While serving in the American Army during World War I, Pat Kelly (Moore), a womanizing soldier, tells all the young women he romances to come and visit him in New York City after the war. Never expecting any of them to take him up on it, he gives his address as the Metropolitan Museum of Art. However, Mitzi Lavelle (Love), one determined young French woman, comes to America looking for him. Walking through the streets of New York, she eventually finds him working as a traffic police officer. [4]
Location scenes were filmed in New York City. [2]
The title of the film originates from the 1908 British music hall standard "Has Anybody Here Seen Kelly?" by C. W. Murphy and Will Letters. The song was popularized in the United States by singer Nora Bayes who sang it in the first ever Ziegfeld Follies.
With no prints of Anybody Here Seen Kelly? in any film archives, [5] it is a lost film. [6]
William Wyler was a German-born American film director and producer. Known for his work in numerous genres over five decades, he received numerous awards and accolades, including three Academy Awards. He holds the record of twelve nominations for the Academy Award for Best Director. For his oeuvre of work, Wyler was awarded the Irving G. Thalberg Memorial Award, the Directors Guild of America Lifetime Achievement Award, and the American Film Institute Life Achievement Award.
"Has Anybody Here Seen Kelly?", with music and lyrics by C. W. Murphy and Will Letters (1908), is a British music hall song, originally titled "Kelly From the Isle of Man". The song concerns a Manx woman looking for her boyfriend during a visit to London. It was adapted for American audiences by William McKenna in 1909 for the musical The Jolly Bachelors. Kelly is the most common surname on the Isle of Man.
Love Me and the World Is Mine is a 1928 American silent romantic film directed by Ewald André Dupont and released by Universal Pictures.
The Cohens and Kellys is a 1926 American silent comedy film directed by Harry A. Pollard and starring Charles Murray, George Sidney, Kate Price, and Jason Robards Sr. The film is the first of the Cohens and Kellys film serials. The film is perhaps best known today as the subject of Nichols v. Universal Pictures Corp., a copyright infringement case, in which Judge Learned Hand articulated the doctrine that copyright protection does not cover the characteristics of stock characters in a story.
The Impossible Mrs. Bellew is a 1922 American silent drama film directed by Sam Wood and starring Gloria Swanson. The film is based on the 1916 novel of the same name by David Lisle.
Tenderloin is a 1928 American sound part-talkie crime film directed by Michael Curtiz and starring Dolores Costello. In addition to sequences with audible dialogue or talking sequences, the film features a synchronized musical score and sound effects along with English intertitles. The soundtrack was recorded using the Vitaphone sound-on-disc system. It was produced and released by Warner Bros. Tenderloin is considered a lost film, with no prints currently known to exist.
Lovey Mary is a 1926 American comedy-drama film directed by King Baggot, with Bessie Love in the title role. It is based on the 1903 novel of the same name by Alice Hegan Rice, a sequel to Rice's Mrs. Wiggs of the Cabbage Patch. It was distributed by Metro-Goldwyn-Mayer.
Torment is a 1924 American silent crime drama film produced and directed by Maurice Tourneur and distributed by Associated First National. This film stars Bessie Love, Owen Moore, and Jean Hersholt. The film is based on a story by William Dudley Pelley with script by Fred Myton and titles by Marion Fairfax. It is a lost film.
Sundown is a 1924 American silent Western film directed by Laurence Trimble and Harry O. Hoyt, produced and distributed by First National Pictures, and starring Bessie Love. Frances Marion, Marion Fairfax, and Kenneth B. Clarke wrote the screenplay based on an original screen story by Earl Hudson. This film was the only production cinematographer David Thompson ever worked on. This film is presumed lost.
The Eternal Three is a 1923 American silent drama film produced and distributed by Goldwyn Pictures. It was directed by both Marshall Neilan and Frank Urson. Hobart Bosworth, Claire Windsor, and Bessie Love star.
Tongues of Flame is a 1924 American silent melodrama film produced by Famous Players–Lasky and distributed through Paramount Pictures. It is based on a novel by Peter Clark MacFarlane and was directed by Joseph Henabery. The film starred Thomas Meighan and Bessie Love. It was produced by Famous Players–Lasky and distributed by Paramount Pictures.
The Song and Dance Man is a 1926 American silent comedy drama film produced by Famous Players–Lasky and released through Paramount Pictures. It is based on a play by George M. Cohan and was directed by Herbert Brenon. A copy of the film is housed in the Library of Congress collection. Of its original seven reels, only the final five survive.
Gentle Julia is a 1923 American silent romantic drama film based on the popular novel Gentle Julia by Booth Tarkington. Directed by Rowland V. Lee, the film starred Bessie Love. It was produced and distributed by Fox Film Corporation, and is considered a lost film.
Companionate Marriage was a 1928 American silent drama film directed by Erle C. Kenton and starring Betty Bronson, and released by First National Pictures. The film is now considered lost.
A Harp in Hock, also known as The Samaritan, is a lost 1927 American silent melodrama film directed by Renaud Hoffman, produced by DeMille Pictures, and distributed by Pathé Exchange. The film starred Rudolph Schildkraut, Junior Coghlan, May Robson, and Bessie Love, and was based on the short story by Evelyn Campbell.
See America Thirst is a 1930 American pre-Code comedy film produced and distributed by Universal Pictures and directed by William James Craft. Silent comics Harry Langdon and Slim Summerville star along with Bessie Love. Though released late in 1930, it nevertheless had a silent version.
The Silent Watcher is a lost 1924 American silent melodrama film directed by Frank Lloyd. It stars Glenn Hunter and Bessie Love. It was produced by Frank Lloyd Productions/First National and distributed by First National Pictures. It was based on the story "The Altar on the Hill" by Mary Roberts Rinehart.
Fools Highway is a 1924 American silent romantic drama film directed by Irving Cummings and starring Mary Philbin. The film was produced and released by Universal Pictures.
The Denver Dude is a 1927 American silent Western film directed by B. Reeves Eason and starring Hoot Gibson, Blanche Mehaffey, and Robert McKim. It was produced and distributed by Universal Pictures.
We Americans is a 1928 American silent drama film directed by Edward Sloman and starring George Sidney, Patsy Ruth Miller, and George J. Lewis. An extremely slender young Andy Devine plays an early small role as Pat O'Dougal.