Disraeli | |
---|---|
Directed by | Alfred E. Green |
Screenplay by | Julien Josephson |
Based on | Disraeli (play) by Louis N. Parker |
Produced by | Jack L. Warner Darryl F. Zanuck |
Starring | George Arliss Doris Lloyd David Torrence Joan Bennett |
Cinematography | Lee Garmes |
Edited by | Owen Marks (uncredited) |
Production company | |
Distributed by | Warner Bros. |
Release date |
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Running time | 90 minutes (1929 release) 87 minutes (1934 re-release) |
Country | United States |
Language | English |
Budget | $318,000 [1] |
Box office | $1,498,000 [1] |
Disraeli is a 1929 American pre-Code historical film directed by Alfred E. Green, released by Warner Bros. Pictures, Inc., and adapted by Julien Josephson (screenplay) and De Leon Anthony (titles) from the 1911 play Disraeli by Louis N. Parker. [2]
The lobby card states, "Mr. George Arliss in his greatest picture Disraeli". His performance as British prime minister Benjamin Disraeli won him the Academy Award for Best Actor in a Leading Role. The story revolves around the British plan to buy the Suez Canal and the efforts of two spies to stop it. [3]
As with the original 1911 Broadway play and its 1917 revival, and the 1921 silent film, Arliss' wife Florence appeared opposite him in the role of Disraeli's wife, Mary Anne (Lady Beaconsfield). [4]
In 1874, Disraeli's ambitious foreign policy, aimed at extending the British empire, is voted down by the House of Commons after a speech by his great rival, William Gladstone. Later, Disraeli receives the welcome news that the spendthrift Khedive of Egypt is in dire need of money and is willing to sell the controlling shares in the Suez Canal. The purchase of the canal would secure control of India, but Michael Probert, head of the Bank of England, makes it clear to Disraeli that he is vehemently opposed to any such plan. Disraeli then summons Hugh Myers, a leading Jewish banker.
Meanwhile, Lord Charles Deeford proposes to Lady Clarissa Pevensey. Although she is in love with him, she turns him down. He is content to enjoy his wealth and high social standing, and lacks the ambition she wants in a husband; further, she is a great admirer of the Prime Minister and Charles has no strong opinion about him. Disraeli, seeing promise in the young man and wanting Clarissa to be happy, convinces Charles to come work for him, and tells him about the canal purchase but he does not tell him about the spies.
Russia, eager to seize India for itself, has assigned two spies to watch Disraeli: Mrs. Travers, who has entree to the highest social circles, and Mr. Foljambe. Disraeli was not fooled; he has hired Foljambe as his personal government secretary, the better to deceive him. When Foljambe asks Charles if Myers is there to provide financial backing for the purchase of the canal, Charles says nothing, but his manner makes it clear that Foljambe has guessed correctly. Mrs. Travers orders Foljambe to leave the country and warn their masters.
Disraeli soon discovers what has happened. When he decides to send an agent to the khedive immediately, Clarissa suggests he send Charles. Charles persuades the khedive to accept Myers' cheque in exchange for the shares, also proving his own worth to Clarissa.
Disraeli is elated when he receives the news. However, Myers comes and informs him that his banking house has been driven into bankruptcy by sabotage; the cheque is worthless. Disraeli tells him to keep his situation secret for the moment. When the prying Mrs. Travers arrives, Disraeli allows her to learn of the purchase, and she exultantly admits to her key part in sabotaging Myers.
Thinking quickly, Disraeli summons Probert. Though the banker initially refuses to help, Disraeli forces him to sign a paper giving unlimited credit to Myers by threatening to have Parliament revoke the bank's charter. (After Probert leaves, Disraeli confesses to his wife and Clarissa that he was bluffing.) Myers' solvency is restored, the deal is completed, and as a result of Disraeli's success, Queen Victoria can add Empress of India to her other titles. Disraeli is honored when he and his wife, who has recovered from serious illness, attend a reception for the Queen.
The Green Goddess was filmed in 1929 and completed before Disraeli, but was held out of release until 1930 at the request of Arliss because he felt this film was a better vehicle for his talkie debut. Silent film versions of Parker's play, both also titled "Disraeli", had previously been produced: A 1916 version produced by British company NB Films; and the 1921 version produced by Arliss' production company, Distinctive Productions, [5] and released by United Artists.
According to Warner Bros records the film earned $924,000 domestically and $574,000 foreign. [1]
The film received three Academy Award nominations. George Arliss' win for Best Actor made him the first British actor to win, the first actor to win for a remake of a previously produced movie, and the first to win for reprising a movie role. The film was also nominated for Outstanding Production, but lost to All Quiet on the Western Front. Screenwriter Julien Josephson was nominated for Best Writing Achievement in a year when only one award was given for screenwriting. (In most years, he would have been nominated for Best Adapted Screenplay.) He lost to Frances Marion for The Big House . The film was also awarded the Photoplay Magazine Medal of Honor in 1929.
The New Zealand Herald praised the film, saying it "raises a set standard" and especially praising Arliss, who "is the whole picture." [6] In a retrospective review, Richard Gilliam praised the film for Arliss's performance in a "compelling portrait," though criticizing its sound and set design. [7]
The film survives in its 1934 re-release form, [8] [9] when it was converted from its original sound-on-disc technology to sound-on-film. To provide space for the soundtrack, the image was noticeably cropped on the left side, except for the opening credit sequence and end title, which were replaced and are centered. Some pre-Code footage, about three minutes, was also deleted and is believed to be lost.
Mary Anne Disraeli, 1st Viscountess Beaconsfield was a British peeress and society figure who was the wife of the British statesman Benjamin Disraeli.
The Green Goddess is a 1930 American pre-Code film directed by Alfred E. Green. It was a remake of the 1923 silent film, which was in turn based on the play of the same name by William Archer. It was produced by Warner Bros. using their new Vitaphone sound system, and adapted by Julien Josephson.
Julien Josephson was an American motion picture screenwriter. His career spanned between 1914 and 1943. He was a native of Roseburg, Oregon.
The Man Who Played God is a 1932 American pre-Code drama film produced by Darryl F. Zanuck and directed by John G. Adolfi. George Arliss stars as a concert pianist embittered by the loss of his hearing, who eventually finds redemption by helping others; it also features a then little-known Bette Davis as the much younger woman engaged to the protagonist.
George Arliss was an English actor, author, playwright, and filmmaker who found success in the United States. He was the first British actor to win an Academy Award – which he won for his performance as Victorian-era British prime minister Benjamin Disraeli in Disraeli (1929) – as well as the earliest-born actor of any category to win the honour. He specialized in successful biopics, such as Disraeli, Voltaire (1933), and Cardinal Richelieu (1935), as well as light comedies, which included The Millionaire (1931) and A Successful Calamity (1932).
Suez is an American romantic drama film released on October 28, 1938, by 20th Century Fox, with Darryl F. Zanuck in charge of production, directed by Allan Dwan and starring Tyrone Power, Loretta Young, and Annabella. It is very loosely based on events surrounding the construction, between 1859 and 1869, of the Suez Canal, planned and supervised by French diplomat Ferdinand de Lesseps. The screenplay is so highly fictionalized that, upon the film's release in France, de Lesseps' descendants sued (unsuccessfully) for libel.
Margaret Dale was an American stage and film actress. She performed on Broadway for over fifty years and occasionally did films in the 1920s. She appeared in a large number of Broadway hits over the course of her years as an actress.
My Man is a 1928 black and white sound part-talkie American comedy-drama musical film directed by Archie Mayo starring Fanny Brice and featuring Guinn "Big Boy" Williams. In addition to sequences with audible dialogue or talking sequences, the film features a synchronized musical score and sound effects along with English intertitles. The soundtrack was recorded using the Vitaphone sound-on-disc system.
The Devil (1918) is a Hungarian film version of Ferenc Molnár's play, directed by Michael Curtiz. The film was remade for American audiences by James Young in 1921, starring George Arliss in his film debut.
Beau Brummel is a 1924 American silent historical drama film starring John Barrymore and Mary Astor. The film was directed by Harry Beaumont and based upon Clyde Fitch's 1890 play, which had been performed by Richard Mansfield, and depicts the life of the British Regency dandy Beau Brummell.
Alexander Hamilton is a 1931 American pre-Code biographical film about Alexander Hamilton, produced and distributed by Warner Bros. and based on the 1917 play Hamilton by George Arliss and Mary Hamlin. It was directed by John G. Adolfi and stars Arliss in the title role. It follows the attempts of Hamilton to establish a new financial structure for the United States following the Confederation Period and the establishment of a new Constitution in 1787. It is preserved at the Library of Congress.
Disraeli (1921) is an American silent historical drama film directed by Henry Kolker and starring George Arliss. This film features Arliss's portrayal of Benjamin Disraeli. He had played the same role in the play Disraeli in 1911. Arliss also reprised this role in the 1929 sound film Disraeli.
The Terror is a 1928 American pre-Code horror film written by Harvey Gates and directed by Roy Del Ruth, based on the 1927 play of the same name by Edgar Wallace. It was the second "all-talking" motion picture released by Warner Bros., following Lights of New York. It was also the first all-talking horror film, made using the Vitaphone sound-on-disc system.
Brass is a 1923 American silent romantic drama film produced and distributed by Warner Bros. It was directed by Sidney A. Franklin. This movie stars Monte Blue, Marie Prevost, and Irene Rich. The well-regarded film survives in 16mm format.
Daddies is a 1924 American silent romantic comedy film produced and distributed by Warner Bros. and directed by William A. Seiter. The film stars Mae Marsh and Harry Myers and survives today in 16mm format. It was transferred onto 16mm film by Associated Artists Productions / United Artists in the 1950s and shown on television.
Where the North Begins is a 1923 American silent drama film produced and distributed by Warner Bros. This was the third film for up-and-coming canine actor Rin Tin Tin. The film survives today and lapsed into the public domain on January 1, 2019, along with all remaining American works from 1923 that had not yet lapsed.
Disraeli is a 1916 British silent biographical film directed by Charles Calvert and Percy Nash and starring Dennis Eadie, Mary Jerrold and Cyril Raymond. The film was based on the 1911 play Disraeli by Louis N. Parker, which was adapted twice more, as a 1921 silent version and most famously in 1929, as an early sound film. It was made at Ealing Studios.
Disraeli is a play by the British writer Louis N. Parker. The comedy with dramatic overtones has four acts and four settings, with a large cast, and moderate pacing. It is a fictional depiction of Benjamin Disraeli's life around 1875, when he arranged the purchase of the Suez Canal. It also contains dual love stories: Disraeli and his wife, and a young couple.
Ivan F. Simpson was a Scottish film and stage actor.
Old English is a 1930 American pre-Code drama film directed by Alfred E. Green and produced by Warner Bros. The film is based on the 1924 West End play of the same name by John Galsworthy. The film stars George Arliss, Leon Janney, Betty Lawford and Doris Lloyd. The film had its premiere August 21, 1930 at the Warner's Theatre in Hollywood.