A Double-Dyed Deceiver | |
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Directed by | Alfred E. Green |
Written by | Edward T. Lowe Jr. |
Based on | a story, "Double-Dyed Deceiver", by O. Henry c.1905 |
Produced by | Goldwyn Pictures |
Starring | Jack Pickford |
Cinematography | Clyde Cook |
Distributed by | Goldwyn Pictures |
Release date |
|
Running time | 50 minutes |
Country | United States |
Language | Silent (English intertitles) |
A Double-Dyed Deceiver is a lost [1] 1920 American silent crime-drama film directed by Alfred E. Green and starring Jack Pickford. It was produced and distributed by the Goldwyn Pictures company. [2]
As described in a film magazine, [3] The Llano Kid (Pickford), after killing a Mexican in Texas, flees to Buennas Tierras, South America. The American counsel, seeking to rob an aristocratic Spanish family whose son disappeared years ago, schemes to use the Kid as a fence by having him pose as the lost son. The Kid is received royally by the family and for the first time he experiences love. Transformed through the experience of motherly love, the Kid rebels and he refuses to rob his benefactors. Instead, he falls in love with a relative and stays with the family.
Jack Pickford, was a Canadian-American actor, film director and producer. He was the younger brother of actresses Mary and Lottie Pickford.
Rebecca of Sunnybrook Farm is a 1917 American silent comedy-drama film directed by Marshall Neilan based upon the 1903 novel of the same name by Kate Douglas Wiggin. This version is notable for having been adapted by famed female screenwriter Frances Marion. The film was made by the "Mary Pickford Company" and was an acclaimed box office hit. When the play premiered on Broadway in the 1910 theater season the part of Rebecca was played by Edith Taliaferro.
The Goose Woman is a 1925 American silent drama film directed by Clarence Brown and starring Louise Dresser with Jack Pickford as her son. The film was released by Universal Pictures.
Dinty is a 1920 American silent comedy drama film written by Marshall Neilan and John McDermott specifically for Wesley Barry, a young actor known for his freckled complexion. Prominent among the supporting players were Colleen Moore, Marjorie Daw, Pat O'Malley, and Noah Beery.
Remodeling Her Husband is a 1920 American silent comedy film that marked the only time Lillian Gish directed a film.
Men was a 1918 American silent drama film directed by Perry N. Vekroff based upon a play by Harry Sophus Sheldon. It starred Anna Lehr, Charlotte Walker, and Robert Cain. It is considered to be a lost film.
Mile-a-Minute Kendall is a 1918 American silent drama film directed by William Desmond Taylor and released by Paramount Pictures. Jack Pickford plays the title role, a wealthy, rakish young man who falls for a gold digger. The "beautiful but unscrupulous fortune hunter" who tempts Kendall is played by Lottie Pickford, Jack's sister; a contemporary review in Variety noted that "the idea of a sister 'vamping' her own brother is not exactly palatable." Louise Huff plays the "good girl" in the story.
Huck and Tom is a surviving American comedy-drama film directed by William Desmond Taylor and released in 1918. The scenario by Julia Crawford Ivers is derived from Mark Twain's novels The Adventures of Tom Sawyer (1876) and The Adventures of Huckleberry Finn (1884). Robert Gordon and Jack Pickford reprise the title roles from the 1917 version of Tom Sawyer, a successful adaptation that was also directed by Taylor.
Double Speed is a lost 1920 American silent comedy-drama film produced by Famous Players–Lasky and distributed by Paramount Pictures. It was the debut directorial effort of Sam Wood and starred Wallace Reid in another of his racing car films.
All Souls' Eve is a 1921 American silent drama film directed by Chester M. Franklin and starring Mary Miles Minter. The film is based on the mystical 1920 Broadway play of the same name by Anne Crawford Flexner, with a story by Elmer Blaney Harris. Much was made of the film's use of double, triple and quadruple exposures to enable Minter to play two parts within the same scenes.
Johanna Enlists is a 1918 silent film comedy drama produced by and starring Mary Pickford with distribution by Paramount Pictures. The film was directed by William Desmond Taylor from a short story by Rupert Hughes, The Mobilization of Johanna. Frances Marion, a frequent Pickford collaborator, wrote the scenario. The film was made at a time during World War I when sentimental or patriotic films were immensely popular. It was an early starring vehicle for Monte Blue, the male lead opposite Pickford. The film survives in several prints, including one at the Library of Congress.
All of a Sudden Peggy is a lost 1920 American silent comedy romance film directed by Walter Edwards and starring Marguerite Clark and Jack Mulhall. It was produced by Famous Players–Lasky and distributed by Paramount Pictures. It is based on a 1907 Broadway play All-of-a-Sudden-Peggy which starred Henrietta Crosman. It is Clark's third to last film. Director Edwards died in Hawaii that same year of 1920.
The Texan is a 1930 American Western film directed by John Cromwell and starring Gary Cooper and Fay Wray. Based on the short story "The Double-Dyed Deceiver" by O. Henry, the film is about a daring bandit called the Llano Kid who shoots a young gambler in self-defense and is forced to hide from the law. He is helped by a corrupt lawyer who involves the bandit in a scheme to swindle a Mexican aristocrat whose son turns out to be the young gambler killed by the Llano Kid. The screenplay was written by Daniel Nathan Rubin, and the story was adapted for the screen by Oliver H.P. Garrett and Victor Milner. Produced by Hector Turnbull for Paramount Pictures, The Texan was released in the United States on May 10, 1930. The film received positive reviews upon its theatrical release.
The Man Who Lost Himself is a lost 1920 American silent comedy-drama film directed by Clarence G. Badger and George D. Baker. It was produced by its star, stage actor William Faversham, and Lewis J. Selznick. The film is based on the 1918 novel of the same title by Henry De Vere Stacpoole. Faversham plays dual roles of an English nobleman and an American who looks just like him.
Peppy Polly is a lost 1919 American silent drama film directed by Elmer Clifton and starring Dorothy Gish. D. W. Griffith produced, as he did for several of Gish's films.
Jack and Jill is a 1917 American Western silent film directed by William Desmond Taylor and written by Gardner Hunting and Margaret Turnbull. The film stars Jack Pickford, Louise Huff, Leo Houck, Don Bailey, J.H. Holland, and Jack Hoxie. The film was released on November 12, 1917, by Paramount Pictures.
The Spirit of '17 is a lost 1918 American silent drama film directed by William Desmond Taylor and written by Judge Willis Brown and Julia Crawford Ivers. The film stars Jack Pickford, Clarence Geldart, Edythe Chapman, L.N. Wells, Charles Arling, and Virginia Ware. The film was released on January 26, 1918, by Paramount Pictures and, like several other films released shortly after the American entry into World War I, had a patriotic theme. Several of the intertitles of this film had messages at the bottom which encouraged young men to enlist.
His Majesty, Bunker Bean is a 1918 American silent comedy film directed by William Desmond Taylor and written by Julia Crawford Ivers and Harry Leon Wilson. The film stars Jack Pickford, Louise Huff, Jack McDonald, Frances Clanton, Peggy O'Connell, and Edythe Chapman. The film was released by Paramount Pictures on April 8, 1918.
Across the Dead-Line is a lost 1922 American silent northwoods drama film directed by Jack Conway and starring Frank Mayo.
Held by the Enemy is a lost 1920 American silent Civil War melodrama film directed by Donald Crisp and based on the 1886 play by William Gillette. The film starred Agnes Ayres, Lewis Stone, and Jack Holt. It was produced by Famous Players–Lasky and distributed by Paramount Pictures.