We Live Again | |
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![]() Italian film poster | |
Directed by | Rouben Mamoulian |
Written by | Novel: Leo Tolstoy Adaptation: Leonard Praskins Preston Sturges Screenplay: Maxwell Anderson Uncredited: Paul Green Talbot Jennings Willard Mack Edgar G. Ulmer Thornton Wilder |
Produced by | Samuel Goldwyn |
Starring | Anna Sten Fredric March |
Cinematography | Gregg Toland |
Edited by | Otho Lovering |
Music by | Alfred Newman |
Production company | |
Distributed by | United Artists |
Release date | November 1, 1934 |
Running time | 85 minutes |
Country | United States |
Language | English |
We Live Again is a 1934 film directed by Rouben Mamoulian and starring Anna Sten and Fredric March. The film is an adaptation of Leo Tolstoy's 1899 novel Resurrection (Voskraeseniye). The screenplay was written by Maxwell Anderson with contributions from a number of writers, including Preston Sturges and Thornton Wilder.
Producer Samuel Goldwyn made the film to showcase Ukrainian actress Anna Sten, his newest discovery. It was Goldwyn who named the film "We Live Again", on the theory that it meant the same thing as "Resurrection" and was easier to understand. The first film adaptation of the Tolstoy novel was made in 1909 by D. W. Griffith, and ran 10 minutes. [1] Numerous other film versions have been made since then.
Russian Prince Dmitri Nekhlyudov (Fredric March) seduces innocent young Katusha Maslova (Anna Sten), a servant to his aunts. After they spend the night together in the greenhouse, Dmitri leaves the next morning, outraging Katusha by not leaving a note for her, only money. When she becomes pregnant, she is fired, and when the baby is born, it dies and is buried unbaptized. Katusha then goes to Moscow, where she falls into a life of prostitution, poverty and degradation.
Dmitri, now engaged to Missy (Jane Baxter), the daughter of the wealthy judge, Prince Kortchagin (C. Aubrey Smith), is called for jury duty in Kotchagin's court for a murder trial. The case is about a merchant who has been killed, and Dmitri is astonished to see that Katusha is one of the defendants. The jury finds that she is guilty of "giving the powder to the merchant Smerkov without intent to rob", but because they neglected to say without intent to kill, even though the jury intended to free her, the judge sentences her to five years hard labor in Siberia.
Feeling guilty about abandoning Katusha years before, and wanting to redeem her and himself as well, the once-callous nobleman attempts to get her released from prison. He fails in his efforts, so he returns to the prison to ask Katusha to marry him. He fails in his efforts, so he returns to the prison to ask Katusha to forgive and marry him, which would then help him free her. She refuses, and is furious that he has made her feel again. Katusha's friends think she is a fool to send him away and hold out hope that he will appear again Dmitri frees his serfs, breaks his engagement and follows Katusha to the border of Siberia. This time he will go with her to Siberia where together, they will "live again." This time she accepts him. When he doesn't show up on the day the prisoners are to be transported, Katusha gives up hope, but then he appears on the border of Siberia where the prisoners are being processed: he has divided his land among his servants and wants to "live again" with her forgiveness, help and love. [1] [2] [3]
Cast notes:
Unlike many films concerning illicit sex made in the 1930s, We Live Again, which had the working title of "Resurrection", met with the approval of the censors at the Hays Office. Joseph Breen wrote to Will H. Hays: "Though dealing with a sex affair and its attendant consequences, the story has been handled with such fine emphasis on the moral values of repentance and retribution, as to emerge with a definite spiritual quality. We feel that this picture could, in fact, serve as a model for the proper treatment of the element of illicit sex in pictures." [4]
The film was in production from 12 June to 2 August 1934. The New York opening took place during the week of 1 November of that year, with the general American release on 16 November. [5]
We Live Again was the third film version of Resurrection in seven years. It had been made as a silent film, under its original title, in 1927, and again under its original title, as an early talkie starring John Boles in 1931. The story has not been made into a theatrical film version in English since We Live Again.
The film was a box office disappointment. [6]
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Anna Karenina is a novel by the Russian author Leo Tolstoy, first published in book form in 1878. Widely considered to be one of the greatest works of literature ever written, Tolstoy himself called it his first true novel. It was initially released in serial installments from 1875 to 1877, all but the last part appearing in the periodical The Russian Messenger.
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Resurrection, first published in 1899, was the last novel written by Leo Tolstoy. The book is the last of his major long fiction works published in his lifetime. Tolstoy intended the novel as a panoramic view of Russia at the end of the 19th century from the highest to the lowest levels of society and an exposition of the injustice of man-made laws and the hypocrisy of the institutionalized church. The novel also explores the economic philosophy of Georgism, of which Tolstoy had become a very strong advocate towards the end of his life, and explains the theory in detail. The publication of Resurrection led to Tolstoy's excommunication by the Holy Synod from the Russian Orthodox Church in 1901.
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Anna Karenina is a 1935 Metro-Goldwyn-Mayer film adaptation of the 1877 novel Anna Karenina by Leo Tolstoy and directed by Clarence Brown. The film stars Greta Garbo, Fredric March, Basil Rathbone, and Maureen O'Sullivan. There are several other film adaptations of the novel.
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Resurrection is a 1931 American Pre-Code English-language adaptation of the 1899 Leo Tolstoy novel Resurrection produced by Universal Studios. It was an all-talking version starring John Boles and Lupe Vélez.
Resurrection was thought to be a lost 1927 Hollywood adaptation of Leo Tolstoy's 1899 novel Resurrection. Filmmaker Edwin Carewe adapted the book to a feature-length silent production starring Dolores del Río and featuring an appearance by Ilya Tolstoy who co-wrote the script. In 1931, Edwin Carewe directed an all-talking remake of this film starred by Lupe Vélez.
Resurrection is a 1909 American silent short film made by the Biograph Company. It is based on Leo Tolstoy's 1899 novel Resurrection. Adapted for the screen by Frank E. Woods, it was directed by D. W. Griffith and stars several pioneering legends of American cinema such as Arthur V. Johnson, Florence Lawrence, Marion Leonard, Owen Moore, Mack Sennett, and Linda Arvidson, who was Griffith's first wife.
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Resurrection is a Soviet film made in 1960-1961, directed by Mikhail Schweitzer and based on his and Yevgeny Gabrilovich's adaptation of the Russian writer Leo Tolstoy's 1899 novel of the same name.
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