Cary Grant was an English-American actor. He was known for his Mid-Atlantic accent, debonair demeanor, lighthearted approach to acting, and sense of comic timing. He was one of classic Hollywood's definitive leading men. He was nominated twice for the Academy Award, received an Academy Honorary Award in 1970, and received the Kennedy Center Honor in 1981. He was named the second greatest male star of the Golden Age of Hollywood by the American Film Institute in 1999.
The Great McGinty is a 1940 political satire comedy film written and directed by Preston Sturges, starring Brian Donlevy and Akim Tamiroff and featuring William Demarest and Muriel Angelus. It was Sturges's first film as a director; he sold the story to Paramount Pictures for just $10 on condition he direct the film. Sturges received an Oscar for Best Original Screenplay.
This Is the Night is a 1932 American pre-Code comedy film directed by Frank Tuttle, and starring Lili Damita, Charles Ruggles, Roland Young, Thelma Todd, and Cary Grant in his film debut. It was made by Paramount Pictures.
Holiday is a 1938 American romantic comedy film directed by George Cukor, a remake of the 1930 film of the same name.
The comedy of remarriage is a subgenre of American comedy films of the 1930s and 1940s. At the time, the Production Code, also known as the Hays Code, banned any explicit references to or attempts to justify adultery and illicit sex. The comedy of remarriage with the same spouse enabled filmmakers to evade this provision of the Code. The protagonists divorced, flirted, or even had relationships, with strangers without risking the wrath of censorship, and then got back together.
Blonde Venus is a 1932 American pre-Code drama film starring Marlene Dietrich, Herbert Marshall and Cary Grant. It was produced, edited and directed by Josef von Sternberg from a screenplay by Jules Furthman and S. K. Lauren, adapted from a story by Furthman and von Sternberg. The original story "Mother Love" was written by Dietrich herself. The musical score was by W. Franke Harling, John Leipold, Paul Marquardt and Oscar Potoker, with cinematography by Bert Glennon.
Side Show is a 1931 American pre-Code musical comedy drama film directed by Roy Del Ruth and starring Winnie Lightner, Charles Butterworth, Evalyn Knapp and Donald Cook. It was produced and released by Warner Bros. The film was based on a story by William K. Wells. Although it was planned and filmed as a full-scale musical, most of the songs were cut from the film before release due to the public tiring of musicals.
Diamond Jim is a 1935 biographical film based on the published biography Diamond Jim Brady by Parker Morell. It follows the life of legendary entrepreneur James Buchanan Brady, including his romance with entertainer Lillian Russell, and stars Edward Arnold, Jean Arthur, Cesar Romero and Binnie Barnes.
Clarence Budington "Bud" Kelland was an American writer. Prolific and versatile, he was a prominent literary figure in his heyday, and he described himself as "the best second-rate writer in America".
Vince Barnett was an American film actor. He appeared on stage originally before appearing in more than 230 films between 1930 and 1975.
Ladies Should Listen is a 1934 American comedy film directed by Frank Tuttle and starring Cary Grant, Edward Everett Horton, Frances Drake, and Nydia Westman.
Kiss and Make-Up is a 1934 romantic comedy film starring Cary Grant as a doctor who specializes in making women beautiful. Genevieve Tobin and Helen Mack play his romantic entanglements. The film was based on the play Kozmetika by István Békeffy. All of the WAMPAS Baby Stars of 1934 were cast in roles in the film.
She Loves Me Not is a 1934 American comedy film directed by Elliott Nugent and starring Bing Crosby and Miriam Hopkins. Based on the novel She Loves Me Not by Edward Hope and the subsequent play by Howard Lindsay, the film is about a cabaret dancer who witnesses a murder and is forced to hide from gangsters by disguising herself as a male Princeton student. Distributed by Paramount Pictures, the film has been remade twice as True to the Army (1942) and as How to Be Very, Very Popular in (1955), the latter starring Betty Grable. The film is notable for containing one of the first major performances of Bing Crosby, and it helped launch him to future stardom. This was also the last film that Miriam Hopkins made under her contract to Paramount Pictures, which began in the early 1930s upon her arrival in Hollywood. In 1935, the film received an Academy Award nomination for Best Original Song for "Love in Bloom", theme song of comedian Jack Benny.
Merrily We Go to Hell is a 1932 pre-Code film directed by Dorothy Arzner, and starring Fredric March and Sylvia Sidney. The supporting cast features a prominent early appearance by Cary Grant, billed ninth in the cast but with a larger part than this would suggest. The picture's title is an example of the sensationalistic titles that were common in the pre-Code era. Many newspapers refused to publicize the film because of its racy title. The title is a line March's character says while making a toast.
Strike Me Pink is a 1936 American musical comedy film directed by Norman Taurog, starring Eddie Cantor and Ethel Merman, and produced by Samuel Goldwyn.
Scattergood Baines is a 1941 American comedy-drama film. It is based on a novel by Clarence Budington Kelland. The character of Scattergood was also popular during the days of live radio. Five other Scattergood Baines films, all starring Guy Kibbee, were subsequently made.
Kansas City Princess is a 1934 American comedy film starring Joan Blondell and Glenda Farrell. The film was directed by William Keighley with a script written by Sy Bartlett and Manuel Seff.
Registered Nurse is a 1934 American Pre-Code drama film produced by First National Pictures and released through its parent company Warner Bros. The film was directed by Robert Florey and stars Bebe Daniels in her final role for Warner Bros.
The Ninth Guest, sometimes abbreviated as The 9th Guest, is a 1934 American pre-Code murder mystery film directed by Roy William Neill and starring Donald Cook and Genevieve Tobin.
Tillie the Toiler is a 1941 American comedy film directed by Sidney Salkow and starring Kay Harris, William Tracy, and George Watts. The screenplay was written by Karen DeWolf and Francis Martin, from DeWolf's story, which in turn was based on the comic strip of the same name by Russ Westover. It was the second film based on the comic strip, and the first sound picture, the other being the 1927 silent film also titled Tillie the Toiler.
