I Married a Witch | |
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![]() Theatrical poster | |
Directed by | René Clair |
Screenplay by | Robert Pirosh Marc Connelly |
Based on | The Passionate Witch 1941 novel by Thorne Smith and Norman H. Matson |
Produced by | René Clair |
Starring | |
Cinematography | Ted Tetzlaff |
Edited by | Eda Warren |
Music by | Roy Webb |
Production company | |
Distributed by | United Artists |
Release date |
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Running time | 77 minutes |
Country | United States |
Language | English |
Box office | $1.1 million (US rentals) [1] |
I Married a Witch is a 1942 American romantic comedy fantasy film, directed by René Clair, and starring Veronica Lake as a witch whose plan for revenge goes comically awry, with Fredric March as her foil. The film also features Robert Benchley, Susan Hayward and Cecil Kellaway. The screenplay by Robert Pirosh and Marc Connelly and uncredited other writers, including Dalton Trumbo, is based on the 1941 novel The Passionate Witch by Thorne Smith, who died before he could finish it; it was completed by Norman H. Matson.
Two witches in colonial Salem, the witch Jennifer and her father the warlock Daniel, are burned at the stake after being denounced by Puritan Jonathan Wooley. Their ashes are buried beneath a tree to imprison their evil spirits. In revenge, Jennifer curses Wooley and his male descendants, dooming them always to marry the wrong woman.
Centuries pass. Generation after generation, Wooley men marry cruel, shrewish women. Finally, in 1942, lightning splits the tree, freeing the spirits of Jennifer and Daniel. They discover Wallace Wooley, living nearby and running for governor, on the eve of marrying the spoiled Estelle Masterson, daughter of newspaper publisher J.B. Masterson, who just so happens to be Wooley's chief political backer.
Initially, Jennifer and Daniel manifest as white vertical smoky "trails," occasionally hiding in empty, or sometimes not-so-empty, bottles, some of which are of alcohol. Jennifer persuades Daniel to conjure a human body for her with which to torment Wallace. Daniel needs fire to perform this spell, and so he burns down the Pilgrim Hotel. This serves a dual purpose, as Jennifer uses the emergency to trap Wallace into rescuing her from the burning building.
Jennifer tries hard to seduce Wallace without magic. Even though he is attracted to her, he refuses to call off his marriage. Jennifer concocts a love potion, but the scheme goes awry when a painting falls on her, knocking her out. Wallace revives her by giving her the very drink she had intended for him.
Daniel conjures himself a body, then he and Jennifer crash the wedding, though they are at cross purposes. Daniel hates all Wooleys and tries to prevent his daughter from helping one of them. His attempts at interference land him in jail, too drunk to remember the spell to turn Wallace into a frog. Meanwhile, bride-to-be Estelle finds the couple embracing and the wedding is called off. Outraged, Estelle's father J.B. promises to denounce Wallace Wooley in all his newspapers. Wallace finally admits he loves Jennifer, and they elope.
Jennifer then casts a spell on all the voters and ballots using witchcraft to fix the election - even Wallace's opponent ends up voting for Wallace, and the vote is unanimous. The election's outcome convinces Wallace his new wife is indeed a witch. Daniel warns his daughter that she must be punished for revealing her true nature to a mortal, and takes away her magical powers.
In a panic, Jennifer interrupts Wallace's victory speech, imploring him to help her escape. Unfortunately, the taxi they get in to get away is driven by Daniel. He takes the taxi airborne only to crash it into the original tree from the beginning of the story. At the stroke of midnight, Wallace is left with Jennifer's lifeless body, while two plumes of smoke watch. Before they return to the tree, Jennifer asks to watch Wallace's torment. While Daniel gloats, Jennifer reclaims her body, explaining to Wallace, "Love is stronger than witchcraft." She quickly puts the cork into the bottle of liquor her father is hiding in, keeping him drunk and powerless.
Years later, Wallace and Jennifer have children. The housekeeper enters to complain about their youngest daughter, who enters pretending to ride a broom, to which Jennifer comments "We're going to have trouble with that one."
Cast notes:
The novel upon which the film is based was mainly written by Thorne Smith, who died in 1934. His papers included an unfinished novel entitled The Passionate Witch. Then three-quarters complete, its resolution was written by his friend Norman Matson and was published in July 1941. [2] The book became a best seller.
I Married a Witch was produced by Paramount Pictures, and had the working title of He Married a Witch. [3] Director René Clair was looking for a new project after his first American film, The Flame of New Orleans (1941). His agent sent him a copy of The Passionate Witch. Clair took it to Preston Sturges, then in favor at Paramount, who convinced Clair and the studio that it would be a good vehicle for Veronica Lake, with Sturges as producer. Paramount bought the film rights in October 1941. Dalton Trumbo was signed to write the script. [4] [5] [6]
Robert Pirosh was called in to work on the script with Trumbo. Trumbo left the project after clashing with Sturges. Sturges himself left the film before it was completed due to artistic differences with director René Clair, and did not want to receive a screen credit. Clair, who also contributed to the dialogue, apparently worked closely with writer Robert Pirosh. [3]
Joel McCrea was originally announced to play the male lead in December 1941. However, by February in 1942, he withdrew from the project; he later said this was because he did not want to work with Veronica Lake again, after not getting along with her on Sullivan's Travels . [3] McCrea's refusal to make the film caused production to be postponed. This enabled Lake to appear in The Glass Key (1942). [7]
March and Lake also had problems, beginning with March's pre-production comment that Lake was "a brainless little blonde sexpot, void of any acting ability", to which Lake retaliated by calling March a "pompous poseur". Things did not get much better during filming. Lake was prone to playing practical jokes on March, like hiding a 40-pound weight under her dress for a scene in which March had to carry her, or pushing her foot repeatedly into his groin during the filming of a from-the-waist-up shot. [4] Patricia Morison was considered for the role of Estelle, and Walter Abel for Dudley. Margaret Hayes was considered for the film as well, and was screentested. [3]
The film was one of a number of films sold by Paramount to United Artists in September 1942, when UA did not have enough films to meet its commitments and Paramount had a surplus. [3] It was released by UA on October 30 that year.
At the time of the film's release, a film critic from The Chicago Tribune wrote, "I Married a Witch is bizarre but beguiling. Under Rene Clair's delicately preposterous direction it unreels a story of modern witchcraft, the like of which has not been seen on any screen." The reviewer also called Veronica Lake's performance "delightfully outrageous and very funny." [8]
Diabolique agreed, eight decades later. "This is wickedly funny, an absolute delight – due greatly to Lake who was never more alluring, strutting around in men’s pajamas, casting spells, chasing after March and causing devilry. This was her only fantasy movie and it beggars belief that Paramount never tried her again in that genre – she had a vaguely ‘otherworld’ appearance (that hair, that voice) perfect for it." [9]
The movie was released on VHS by Warner Home Video in the U.S. on July 18, 1990. [10] The film was released on DVD and Blu-ray by The Criterion Collection in the U.S. on October 8, 2013. [11]
I Married a Witch and its composer Roy Webb was nominated for Best Scoring of a Dramatic or Comedy Picture at the 15th Academy Awards.
Sullivan's Travels is a 1941 American comedy film written and directed by Preston Sturges. A satire of the film industry, it follows a famous Hollywood comedy director who, longing to make a socially relevant drama, sets out to live as a tramp to gain life experience for his forthcoming film. Along the way he unites with a poor aspiring actress who accompanies him. The title is a reference to Gulliver's Travels, the 1726 novel by satirist Jonathan Swift about another journey of self-discovery.
The Miracle of Morgan's Creek is a 1944 American screwball comedy film written and directed by Preston Sturges, starring Eddie Bracken and Betty Hutton, and featuring Diana Lynn, William Demarest and Porter Hall. Brian Donlevy and Akim Tamiroff reprise their roles from Sturges' 1940 film The Great McGinty. Set against the backdrop of World War II-era America, its plot follows a wayward young woman who, after attending a party with soldiers in her small town, awakens to find herself married and pregnant, with no memory of her new suitor's identity.
Susan Hayward was an American actress best known for her film portrayals of women that were based on true stories.
Constance Frances Marie Ockelman, known professionally as Veronica Lake, was an American film, stage, and television actress. Lake was best known for her femme fatale roles in films noir with Alan Ladd during the 1940s, her peek-a-boo hairstyle, and films such as Sullivan's Travels (1941) and I Married a Witch (1942). By the late 1940s, Lake's career began to decline, due in part to her alcoholism. She made only one film in the 1950s, but had several guest appearances on television. She returned to the big screen in the film Footsteps in the Snow (1966), but the role failed to revitalize her career.
Preston Sturges was an American playwright, screenwriter, and film director.
The Great McGinty is a 1940 American political satire comedy film written and directed by Preston Sturges, starring Brian Donlevy and Akim Tamiroff and featuring William Demarest and Muriel Angelus. It was Sturges's first film as a director; he sold the story to Paramount Pictures for just $10 on condition he direct the film. Sturges received an Oscar for Best Original Screenplay.
Joel Albert McCrea was an American actor whose career spanned a wide variety of genres over almost five decades, including comedy, drama, romance, thrillers, adventures, and Westerns, for which he became best known.
Carl William Demarest was an American actor, known especially for his supporting roles in screwball comedies by Preston Sturges and as Uncle Charley in the sitcom My Three Sons from 1965-72. Demarest, who frequently played crusty but good-hearted roles, was a prolific film and television actor, appearing in over 140 films, beginning in 1926 and ending in the late 1970s. Before his career in movies, he performed in vaudeville for two decades.
Richard Arlen was an American actor of film and television.
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Hail the Conquering Hero (1944) is a satirical comedy-drama film written and directed by Preston Sturges, starring Eddie Bracken, Ella Raines and William Demarest, and featuring Raymond Walburn, Franklin Pangborn, Elizabeth Patterson, Bill Edwards and Freddie Steele. In 2015, the United States Library of Congress selected the film for preservation in the National Film Registry, finding it "culturally, historically, or aesthetically significant".
Paul C. Vogel, A.S.C. was an American cinematographer. His credits included The Tell-Tale Heart (1941), Angels in the Outfield (1951), The Tender Trap (1955), High Society (1956), The Time Machine (1960), The Wonderful World of the Brothers Grimm (1962), Hold On!, and Return of the Seven.
Robert Pirosh was an American screenwriter and film director. He is most known for his war and military-themed works, inspired by his experiences as a U.S. Army infantryman during World War II. He won an Academy Award for Best Original Screenplay for Battleground (1949), a semi-autobiographical account the Battle of the Bulge. He was nominated for a second Oscar for Go for Broke! (1951), a film about the 442nd Regimental Combat Team.
Star Spangled Rhythm is a 1942 American all-star cast musical film made by Paramount Pictures during World War II as a morale booster. Many of the Hollywood studios produced such films during the war, with the intent of entertaining the troops overseas and civilians back home and to encourage fundraising – as well as to show the studios' patriotism. This film was also the first released by Paramount to be shown for 8 weeks.
Harry Hayden was a Canadian-American actor. He was a highly prolific actor, with more than 280 screen credits.
The Glass Key is a 1942 American film noir based on the 1931 novel of the same name by Dashiell Hammett. The picture was directed by Stuart Heisler starring Brian Donlevy, Veronica Lake and Alan Ladd. A successful earlier film version starring George Raft in Ladd's role had been released in 1935. The 1942 version's supporting cast features William Bendix, Bonita Granville, Richard Denning and Joseph Calleia.
Robert Greig was an Australian-American actor who appeared in more than 100 films between 1930 and 1949, usually as the dutiful butler. Born Arthur Alfred Bede Greig, he was the nephew of Australian politician and solicitor William Bede Dalley. He was commonly known as "Bob".
Ernst Fegté was a German art director. He was active in the American cinema from the 1920s to the 1970s, he was the art director or production designer on more than 75 feature films. He worked at Paramount Studios at the height of his career and won an Academy Award for Best Art Direction for Frenchman's Creek (1944). He was also nominated in the same category for three other films: Five Graves to Cairo (1943), The Princess and the Pirate (1944), and Destination Moon (1950). He also worked in television in the 1950s and was nominated for an Emmy Award in 1956 for his work on the series, Medic.
I Wanted Wings is a 1941 American drama film directed by Mitchell Leisen and based on a book by Lieutenant Beirne Lay Jr. The film stars Ray Milland and William Holden. The supporting cast includes Wayne Morris, Brian Donlevy, Constance Moore and Veronica Lake. I Wanted Wings features Lake's first major film role. Her career took off shortly thereafter; the same year, she starred in Sullivan's Travels. Lake would become one of the most popular and successful actresses of the early 1940s.