Two Men and a Maid | |
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Directed by | George Archainbaud |
Written by | |
Produced by | John M. Stahl |
Starring | |
Cinematography | Harry Jackson |
Edited by | Desmond O'Brien |
Music by | Hugo Riesenfeld |
Production company | |
Distributed by | Tiffany Pictures |
Release date |
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Running time | 73 minutes |
Country | United States |
Languages | Sound (Part-Talkie) English Intertitles |
Two Men and a Maid is a 1929 American sound part-talkie romantic drama film directed by George Archainbaud and starring William Collier Jr., Alma Bennett and Eddie Gribbon. [1] In addition to sequences with audible dialogue or talking sequences, the film features a synchronized musical score and sound effects along with English intertitles. The soundtrack was recorded using the Tiffany-Tone sound-on-film system using RCA Photophone equipment.
Wrongly believing that his wife has another lover, a man enlists in the French Foreign Legion and goes out to serve in Algeria.
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William Collier Jr. was an American stage performer, producer, and a film actor who in the silent and sound eras was cast in no fewer than 89 motion pictures.
The Last Performance is a 1929 American sound part-talkie film directed by Paul Fejos and starring Conrad Veidt and Mary Philbin. In addition to sequences with audible dialogue or talking sequences, the film features a synchronized musical score and sound effects along with English intertitles. The soundtrack was recorded using the Western Electric sound-on-film system. The talking sequences were featured on the last reel.
Tide of Empire is a 1929 American synchronized sound Western film directed by Allan Dwan and starring Renée Adorée and Tom Keene. While the film has no audible dialog, it was released with a synchronized musical score with sound effects using both the sound-on-disc and sound-on-film process.
Alma Bennett was an American film actress of the silent era. She appeared in more than 60 films between 1919 and 1931.
Eddie Gribbon was an American film actor. He appeared in more than 180 films from the 1910s to the 1950s. Gribbon began working in Mack Sennett films in 1916 and continued through the 1920s. He usually had significant roles in two-reel films, but his roles in feature films were lesser ones.
Hardboiled Rose is a 1929 American sound part-talkie romantic drama film directed by F. Harmon Weight and released by Warner Bros. In addition to sequences with audible dialogue or talking sequences, the film features a synchronized musical score and sound effects along with English intertitles. The soundtrack was recorded using the Vitaphone sound-on-disc system. The film starred Myrna Loy, William Collier, Jr., and John Miljan.
Fancy Baggage is a 1929 American sound part-talkie drama film directed by John G. Adolfi and released by Warner Bros.. In addition to sequences with audible dialogue or talking sequences, the film features a synchronized musical score and sound effects along with English intertitles. The film used the Vitaphone sound-on-disc system. The film stars Audrey Ferris and Myrna Loy.
Beware of Bachelors is a 1928 American part-talkie pre-code comedy drama film produced and released by Warner Bros., and directed by Roy Del Ruth. In addition to sequences with audible dialogue or talking sequences, the film features a synchronized musical score and sound effects along with English intertitles. The soundtrack was recorded using the Vitaphone sound-on-disc system. The movie stars Audrey Ferris, William Collier Jr., Margaret Livingston, Clyde Cook, and George Beranger. The film was based on a short story by Mark Canfield.
Two Weeks Off is a 1929 American sound part-talkie comedy film directed by William Beaudine. In addition to sequences with audible dialogue or talking sequences, the film features a synchronized musical score and sound effects along with English intertitles. The soundtrack was recorded using the Vitaphone sound-on-disc system. A complete nitrate print survives at UCLA.
One Stolen Night is a 1929 American sound part-talkie adventure crime film directed by Scott R. Dunlap, and starring Betty Bronson, William Collier Jr., Mitchell Lewis, Harry Todd, and Charles Hill Mailes. In addition to sequences with audible dialogue or talking sequences, the film features a synchronized musical score and sound effects along with English intertitles. The soundtrack was recorded using the Vitaphone sound-on-disc system. The film is based on the short story The Arab by D. D. Calhoun. It is a remake of the 1923 film with the same name. The film was released by Warner Bros. on March 16, 1929.
I Cover Chinatown is a 1936 American crime film directed by Norman Foster and starring Foster, Elaine Shepard and Theodore von Eltz. A San Francisco Chinatown tour guide gets mixed up with a murder. It was Foster's debut as a director and one of his final appearances as an actor.
Twin Beds is a 1929 American comedy film directed by Alfred Santell and written by F. McGrew Willis. It is based on the 1914 play Twin Beds by Edward Salisbury Field and Margaret Mayo. The film stars Jack Mulhall, Patsy Ruth Miller, Edythe Chapman, Knute Erickson, Jocelyn Lee and Nita Martan. The film was released by Warner Bros. on July 14, 1929.
Molly and Me is a 1929 sound part-talkie American comedy film directed by Albert Ray. In addition to sequences with audible dialogue or talking sequences, the film features a synchronized musical score and sound effects along with English intertitles. The soundtrack was recorded using the Tiffany-Tone sound system. The film stars Belle Bennett, Joe E. Brown and Alberta Vaughn.
New Orleans is a 1929 American sound part-talkie drama film directed by Reginald Barker and starring Ricardo Cortez, William Collier Jr., Alma Bennett. In addition to sequences with audible dialogue or talking sequences, the film features a synchronized musical score and sound effects along with English intertitles. The soundtrack was recorded using the Tiffany-Tone sound-on-film system using RCA Photophone equipment. The film was produced and distributed by the independent Tiffany Pictures.
My Lady's Past is a 1929 American sound part-talkie drama film directed by Albert Ray and starring Belle Bennett, Joe E. Brown and Alma Bennett. In addition to sequences with audible dialogue or talking sequences, the film features a synchronized musical score and sound effects along with English intertitles. The soundtrack was recorded using the Tiffany-Tone sound-on-film system using RCA Photophone equipment. After completing his first novel, a writer abandons his wife for his secretary. The film survives at BFI/National Film And Television Archive.
The College Coquette is a 1929 American pre-Code drama film directed by George Archainbaud and written by Norman Houston. The film stars Ruth Taylor, William Collier Jr., Jobyna Ralston, John Holland, Adda Gleason and Gretchen Hartman. The film was released on August 5, 1929, by Columbia Pictures.
Midnight Daddies is a 1930 American pre-Code comedy film directed by Mack Sennett and starring Andy Clyde, Harry Gribbon, and Rosemary Theby. It was the last feature film that Sennett directed: his remaining six films were Bing Crosby shorts.
Behind Jury Doors is a 1932 American pre-Code mystery film directed by B. Reeves Eason and starring Helen Chandler, William Collier Jr. and Blanche Friderici.
Margaret Quimby (1904–1965) was an American stage and film actress. She appeared in both lead and supporting roles during the silent and early sound era.