After Tonight | |
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Directed by | George Archainbaud |
Written by | Jane Murfin (story and adaptation) |
Screenplay by | Albert S. Le Vino (adaptation) Worthington Miner (adaptation) Robert Benchley {uncredited} |
Produced by | Merian C. Cooper |
Starring | Constance Bennett Gilbert Roland |
Cinematography | Charles Rosher |
Edited by | William Hamilton |
Music by | Max Steiner (music dir.) Will Jason Val Burton |
Production company | RKO Radio Pictures |
Distributed by | RKO Radio Pictures |
Release date |
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Running time | 71 minutes |
Country | United States |
Language | English |
Budget | $355,000 [1] |
Box office | $380,000 [1] |
After Tonight is a 1933 American pre-Code World War I spy film directed by George Archainbaud and starring Constance Bennett and Gilbert Roland. The studio considered firing Bennett after the film lost $100,000 at the box office. [1] [2]
With the outbreak of World War I, a young woman is unable to purchase a train ticket from Luxembourg to Austria. However, Rudolph "Rudy" Ritter is attracted to her and gets her aboard a train to Bern, Switzerland. Later, when the train is stopped short of their destination, she slips away while he goes in search of a car. He does not even know her name.
Rudy turns out to be a captain in the Austrian Ministry of War assigned to deal with Russian spies, particularly the very successful K-14. He gets a lead when a secret message is intercepted; it contains information about a newly improved flamethrower. Rudy is assigned to Major Lieber, the man in charge of the unit developing the weapon.
Rudy is delighted when Lieber introduces him to nurse Karen Schöntag, his former traveling companion. Rudy sees Karen every night, and the pair fall in love. However, Karen is actually K-14. She narrowly escapes being caught by Rudy and his men, then is brought in for questioning when she goes to a certain staircase that Rudy knows is being used by the Russians to transfer messages. Rudy refuses to believe she is a spy and does not even search her. Major Lieber, however, notices something odd about one of the books she had with her; one page has been freshly torn out (the one with an invisible message).
Faced with the mounting evidence, Rudy sets a trap. He has Russian-speaking Private Muller sent to K-14's hospital masquerading as a prisoner of war. Muller gives K-14 the Russian recognition signal (two circles) and passes her a message, ordering her to meet an agent at a deserted house at nine o'clock that night. K-14 is suspicious, but feels she must go. Her contact insists on taking her there. After she incriminates herself to "Russian" agent Lehan, Rudy is forced to arrest her. K-14's associate shoots Rudy and knocks out Lehan. He has to drag K-14 away from the wounded Rudy, who also urges her to flee.
After the war ends, the two meet by chance at a Swiss train station. This time, Rudy does not let her get away.
Working titles for the film were "Free Lady", "The Woman Spy" and "Without Glory". [3] In 1934, Daily Variety reported that a plagiarism suit had been filed against the film by Baroness Carla Jenssen, who claimed that the story of the film wa an unauthorized version of her own story, "She Spys", but the outcome of the suit is unknown. [3]
Mordaunt Hall was unimpressed with the film, writing in The New York Times that it "taxes one's credulity" and that Roland's performance was "hardly satisfactory", though he thought "Miss Bennett does her work as well as it is possible in the circumstances." [4]
RKO lost $100,000 on the film. [3]
Morning Glory is a 1933 American Pre-Code drama film which tells the story of an eager would-be actress and her journey to stardom, and her gains and losses. The picture stars Katharine Hepburn, Douglas Fairbanks Jr., and Adolphe Menjou, was adapted by Howard J. Green from a then-unproduced stage play of the same name by Zoë Akins, and was directed by Lowell Sherman. Hepburn won her first Academy Award for Best Actress for this movie. Morning Glory was remade in 1958 under the title Stage Struck.
Constance Campbell Bennett was an American stage, film, radio, and television actress and producer. She was a major Hollywood star during the 1920s and 1930s; during the early 1930s, she was the highest-paid actress in Hollywood. Bennett frequently played society women, focusing on melodramas in the early 1930s and then taking more comedic roles in the late 1930s and 1940s. She is best remembered for her leading roles in What Price Hollywood? (1932), Bed of Roses (1933), Topper (1937), Topper Takes a Trip (1938), and had a prominent supporting role in Greta Garbo's last film, Two-Faced Woman (1941).
Luis Antonio Dámaso de Alonso, known professionally as Gilbert Roland, was a Mexican-born American film and television actor whose career spanned seven decades from the 1920s until the 1980s. He was twice nominated for the Golden Globe Award in 1952 and 1964 and inducted into the Hollywood Walk of Fame in 1960.
Little Women is a 1933 American pre-Code drama film directed by George Cukor, and starring Katharine Hepburn, Joan Bennett, Frances Dee, and Jean Parker. The screenplay, written by Sarah Y. Mason and Victor Heerman, is based on the 1868-1869 two-volume novel of the same name by Louisa May Alcott.
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G-Men vs. The Black Dragon (1943) is a Republic Pictures movie serial. It is noteworthy among adventure serials as containing an unusually high number of fistfights, all staged by director William Witney and a team of stuntmen.
Hitler's Children is a 1943 American black-and-white war film made by RKO Radio Pictures. The film stars Tim Holt, Bonita Granville and Kent Smith and was directed by Edward Dmytryk from an adaptation by Emmet Lavery of Gregor Ziemer's book Education for Death.
Stingaree is an American pre-Code romantic drama film directed by William A. Wellman released by RKO Radio Pictures in 1934. The film was based on a 1905 novel by Ernest William Hornung. Set in Australia, it stars Irene Dunne as Hilda Bouverie and Richard Dix as Stingaree. Hollywood had previously filmed the Hornung story as serials in 1915 and 1917, starring True Boardman.
Journey into Fear is a 1943 American spy film directed by Norman Foster, based on the 1940 Eric Ambler novel of the same name. The film broadly follows the plot of the book, but the protagonist was changed to an American engineer, and the destination of his journey changed from France to the Soviet Union - reflecting the changes in the war situation since the original Ambler book was written. The RKO Pictures release stars Joseph Cotten, who also wrote the screenplay with Orson Welles. The Mercury Production was also produced by Welles, again uncredited.
Our Betters is a 1933 American pre-Code satirical comedy film directed by George Cukor and starring Constance Bennett, Anita Louise and Gilbert Roland. The screenplay by Jane Murfin and Harry Wagstaff Gribble is based on the 1917 play of the same title by Somerset Maugham. Tommy Atkins worked as assistant director, while the sets were designed by the art director Van Nest Polglase.
Rockabye is a 1932 American pre-Code drama film starring Constance Bennett, Joel McCrea, and Paul Lukas. The final version was directed by George Cukor after studio executives decided that the original film as directed by George Fitzmaurice was unreleasable. The screenplay by Jane Murfin is based on an unpublished play written by Lucia Bronder, based on her original short story.
His Double Life is a 1933 American pre-Code comedy drama film directed by Broadway theatrical impresario and first time film director Arthur Hopkins with directorial input from the experienced William C. deMille, Cecil's older brother. It stars Roland Young and Lillian Gish.
Lady with a Past is a 1932 American pre-Code romantic comedy film starring Constance Bennett as a shy and very proper young lady who decides to invent a scandalous past for herself to spice up her life. It is based on the novel of the same name by Harriet Henry.
The Lost Squadron is a 1932 American pre-Code drama, action, film starring Richard Dix, Mary Astor, and Robert Armstrong, with Erich von Stroheim and Joel McCrea in supporting roles, and released by RKO Radio Pictures. Based on the novel The Lost Squadron (1932) by Dick Grace, the film is about three World War I pilots who find jobs after the war as Hollywood stunt fliers.
The Case of Sergeant Grischa is a 1930 American pre-Code drama film directed by Herbert Brenon, based on the German novel of the same name by Arnold Zweig. John Tribby was nominated for an Academy Award for Best Sound Recording. No known copy of this film exists and is considered lost, the only sound film to have been nominated for an Oscar and subsequently suffered this fate.
The Common Law is a 1931 American pre-Code romantic drama film, directed by Paul L. Stein and produced by Charles R. Rogers. Based on Robert W. Chambers' 1911 novel of the same name, this was the third time the book was made into a film, and the first during the talking film era. The sexual drama stars Constance Bennett and Joel McCrea in the title roles. It was received well both at the box office and by film critics, becoming one of RKO's most financially successful films of the year.
Born to Love is a 1931 American pre-Code melodrama film, directed by Paul L. Stein from an original screenplay by Ernest Pascal. It starred Constance Bennett, Joel McCrea and Paul Cavanagh in a lovers' triangle set in London during World War I. It was only the second film produced by RKO Pathé after the merger of the two studios, and according to RKO records, it made a profit of $90,000.
Sin Takes a Holiday is a 1930 American pre-Code romantic comedy film, directed by Paul L. Stein, from a screenplay by Horace Jackson, based on a story by Robert Milton and Dorothy Cairns. It starred Constance Bennett, Kenneth MacKenna, and Basil Rathbone. Originally produced by Pathé Exchange and released in 1930, it was part of the takeover package when RKO Pictures acquired Pathé that year; it was re-released by RKO in 1931.
The Gay Diplomat is a 1931 American pre-Code film. Directed by Richard Boleslawski for RKO Radio Pictures, it starred Ivan Lebedeff, Genevieve Tobin and Betty Compson.