The Common Law | |
---|---|
Directed by | George Archainbaud |
Written by | Edward J. Montagne |
Based on | The Common Law 1911 novel by Robert William Chambers |
Produced by | Selznick Pictures |
Edited by | Harold McCord |
Distributed by | Selznick Pictures |
Release date |
|
Running time | 80 minutes |
Country | United States |
Language | Silent (English intertitles) |
The Common Law is a 1923 American silent drama film directed by George Archainbaud and starring Corinne Griffith and Conway Tearle. Based upon the novel of the same name by Robert William Chambers, the film was produced and released by Selznick Pictures Corporation. [1] [2] [3]
The novel was first filmed as The Common Law in 1916 with Clara Kimball Young as Valerie West. Conway Tearle played the role of Neville in both the 1916 and 1923 films. It was later remade as the talkie The Common Law in 1931 with Constance Bennett and Joel McCrea in the lead roles.
Valerie West (Griffith), hungry and tired, presents herself as a model at the studio of painter Louis Neville (Tearle), which he shares with two other artists. When she is asked whether she poses draped or undraped, she replies that she will do whatever is expected of models. After some time and several daring poses, Louis realizes that he is in love with her. However, the wealthy Neville family opposes any marriage between the two. Valerie makes a sacrifice by agreeing to not marry Louis, but promises him that she will become his common law wife. When Cardemon (Myers) tries to kiss the model, she lashes him with a whip. In the end, a satisfactory resolution is reached regarding Valerie and Henry. [4] [5]
With no copies of The Common Law located in any film archives, [6] it is a lost film.
Corinne Griffith was an American film actress, producer, author and businesswoman. Dubbed "The Orchid Lady of the Screen," she was widely regarded as one of the most beautiful actresses of the silent film era. In addition to her beauty, Griffith achieved critical recognition for her performance in Frank Lloyd's The Divine Lady (1929), which earned her a nomination for the Academy Award for Best Actress.
Salome of the Tenements is a 1925 American silent drama film adapted to the screen by Sonya Levien from the Anzia Yezierska novel of the same name. Made by Jesse L. Lasky and Adolph Zukor's Famous Players–Lasky Corporation, a division of Paramount Pictures, it was directed by Sidney Olcott and starred Jetta Goudal and Godfrey Tearle.
Bad Company is a 1925 American silent romantic drama film directed by Edward H. Griffith, based on a story by John C. Brownell. It stars Madge Kennedy, Conway Tearle, and Bigelow Cooper.
Conway Tearle was an American stage actor who went on to perform in silent and early sound films.
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The Truth About Youth is a 1930 American pre-Code drama with songs produced and distributed by First National Pictures, a subsidiary of Warner Bros. Directed by William A. Seiter, the film stars Loretta Young, Conway Tearle, David Manners and Myrna Loy. It was based on the 1900 play When We Were Twenty-One, written by Henry V. Esmond.
The Seven Sisters is a 1915 American silent romantic comedy directed by Sidney Olcott. Based on the 1911 ensemble play Seven Sisters by Edith Ellis Furness and Ferenc Herczeg, the film starred Madge Evans, Marguerite Clark, and Conway Tearle. The film is now presumed lost.
Single Wives is a 1924 American silent drama film directed by George Archainbaud and produced by and starring Corinne Griffith. It was distributed by First National Pictures.
Bella Donna is a 1923 American silent film produced by Famous Players–Lasky and released by Paramount Pictures. The film is based on the 1909 novel, Bella Donna, by Robert Smythe Hichens which was later adapted for a 1912 Broadway play starring Alla Nazimova. This film is also a remake of the 1915 Paramount film Bella Donna starring Pauline Frederick. The 1923 film was directed by George Fitzmaurice and starred Pola Negri in her first American film.
Outcast is a 1928 American synchronized sound drama film produced and distributed by First National Pictures. While the film has no audible dialog, it was released with a synchronized musical score with sound effects using the sound-on-disc Vitaphone process. It was directed by William A. Seiter and stars Corinne Griffith, often considered one of the most beautiful women in film. This story had been filmed in 1917 as The World and the Woman with Jeanne Eagels. In 1922 a Paramount film of the same name with Elsie Ferguson reprising her stage role was released. Both films were based on a 1914 play, Outcast, by Hubert Henry Davies which starred Ferguson. The Seiter/Griffith film was an all silent with Vitaphone music and sound effects. In the sound era the story was filmed once again as The Girl from 10th Avenue starring Bette Davis. According to the Library of Congress database shows a print surviving complete at Cineteca Italiana in Milan.
Mademoiselle Modiste is a 1926 American silent romantic comedy film produced by and starring Corinne Griffith and distributed by First National Pictures. Robert Z. Leonard directed Griffith in a story based on a popular 1905 Victor Herbert operetta on Broadway, Mlle. Modiste, with a libretto by Henry Martyn Blossom, which was similar to the MGM film The Merry Widow. It is now considered a lost film.
Lilies of the Field is a 1924 American silent drama film directed by John Francis Dillon, produced by and starring actress Corinne Griffith, and distributed by Associated First National Pictures. It is based on a 1921 play, Lilies of the Field, by William J. Hurlbut. The film was remade by Griffith as an early sound film in 1930.
The Common Law is a 1931 American pre-Code romantic drama film directed by Paul L. Stein, produced by Charles R. Rogers and starring Constance Bennett and Joel McCrea. Based on Robert W. Chambers' 1911 novel of the same name, the film was the third film adaptation of the book, and the first during the sound-film era. It was received well both at the box office and by film critics, becoming one of RKO's most financially successful films of the year.
The Rustle of Silk is a 1923 American silent romantic drama film directed by Herbert Brenon and starring Betty Compson. It was produced by Famous Players–Lasky and distributed by Paramount Pictures. It is based on the 1922 novel by writer Cosmo Hamilton.
The Dangerous Maid is a 1923 American silent historical comedy-drama film produced and distributed by Joseph M. Schenck Productions and directed by Victor Heerman. Based upon the novel Barbara Winslow, Rebel by Elizabeth Ellis, it was distributed through Associated First National Pictures.
Human Desire is a 1919 American silent romantic drama film starring Anita Stewart who produced along with Louis B. Mayer. It was distributed by Associated First National.
She Loves and Lies is a 1920 American silent comedy drama film directed by Chester Withey and starring Norma Talmadge, Conway Tearle, and Octavia Broske.
The Common Law is a 1916 American silent drama film directed by Albert Capellani and starring Clara Kimball Young, Conway Tearle, and Paul Capellani. It was made at Fort Lee and distributed by the newly formed Selznick Pictures. Shortly afterwards the company switched production to Hollywood.