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George Albert "Georgie" Jessel was an American actor, singer, songwriter, and film producer. He was famous in his lifetime as a multitalented comedic entertainer, achieving a level of recognition that transcended his limited roles in movies. He was widely known by his nickname, the "Toastmaster General of the United States," for his frequent role as the master of ceremonies at political and entertainment gatherings. Jessel originated the title role in the stage production of The Jazz Singer.
Arthur Edeson, A.S.C. was an American cinematographer. Born in New York City, his career ran from the formative years of the film industry in New York, through the silent era in Hollywood, and the sound era there in the 1930s and 1940s. His work included many landmarks in film history, including The Thief of Bagdad (1924), All Quiet on the Western Front (1930), Frankenstein (1931), The Maltese Falcon (1941), and Casablanca (1942).
Robert Edeson was an American film and stage actor of the silent era and a vaudeville performer.
"Has the World Gone Mad!" is a lost 1923 American silent society drama film produced by Daniel Carson Goodman and distributed through Equity Pictures. Goodman also created the story and wrote the screenplay. It was directed by J. Searle Dawley.
Lucky Boy is a 1929 American sound part-talkie musical comedy-drama film directed by Norman Taurog and Charles C. Wilson, most notable for starring George Jessel in his first known surviving feature picture. In addition to sequences with audible dialogue or talking sequences, the film features a synchronized musical score, singing and sound effects along with English intertitles. The sound was recorded using the Tiffany-Tone system using RCA Photophone equipment. The film's plot bore strong similarities to that of the hit 1927 film The Jazz Singer, which had originally been intended to star Jessel before Al Jolson took over the role.
Locked Doors is a 1925 American silent romantic drama film directed by William C. deMille and starring Betty Compson. It was produced by Famous Players–Lasky and distributed by Paramount Pictures.
The Night Bird is a 1928 American silent comedy film directed by Fred C. Newmeyer and starring Reginald Denny, Corliss Palmer and Sam Hardy.
Big Money is a 1930 American pre-Code comedy-drama film directed by Russell Mack and starring Eddie Quillan, Robert Armstrong, and James Gleason. It was produced and distributed by Pathé Exchange, shortly before the company was completely absorbed by RKO.
The Night Bride is a 1927 American silent comedy film directed by E. Mason Hopper and starring Marie Prevost, Harrison Ford, and Franklin Pangborn.
My Man is a 1924 American silent drama film directed by David Smith and starring Patsy Ruth Miller, Dustin Farnum, and Niles Welch.
The Burning Trail is a 1925 American silent Western film directed by Arthur Rosson and starring William Desmond, Albert J. Smith, and Mary McIvor. After accidentally killing a man in a fight, a boxer heads West.
Into the Night is a 1928 American silent crime film directed by Duke Worne and starring Agnes Ayres, Forrest Stanley and Corliss Palmer.
His Wife's Husband is a 1922 American silent drama film directed by Kenneth S. Webb and starring Betty Blythe, Huntley Gordon, and Arthur Edmund Carewe. It is an adaptation of the 1907 novel The Mayor's Wife by Anna Katharine Green.
Big Timber is a 1924 American silent drama film directed by George Melford and starring William Desmond, Olive Hasbrouck and Betty Francisco. It is adapted from a 1913 novel The Heart of the Night Wind by Vingie E. Roe. It is not a remake of the 1917 film of the same title, itself based on a novel by Bertrand William Sinclair.
White Fang is a 1925 American silent Western film directed by Laurence Trimble and featuring Theodore von Eltz, Ruth Dwyer, and Matthew Betz. It was produced by FBO Pictures as a starring vehicle for Strongheart, an Alsatian who appeared in a number of films during the decade. It is based on the 1906 novel White Fang by Jack London.
You Are Guilty is a 1923 American silent drama film directed by Edgar Lewis and starring James Kirkwood, Doris Kenyon and Robert Edeson.
Blood and Steel is a 1925 American silent Western film directed by J.P. McGowan and starring Helen Holmes, William Desmond and Robert Edeson.
Any Night is a 1922 American silent crime film directed by Martin Beck and starring Tully Marshall, Robert Edeson and Lila Leslie.
Why Women Remarry is a 1923 American silent crime drama film directed by John Gorman and starring Milton Sills, Ethel Grey Terry and William Lowery.
The Tip Off is a 1929 American silent crime drama film directed by Leigh Jason and starring Bill Cody, George Hackathorne and Duane Thompson. It was shot at Universal Studios, just as the company was producing its last silents amidst the conversion to sound. It was originally registered under the working title The Stool Pigeon, but this was changed possibly due to the similarity to Columbia's Stool Pigeon. In Britain it was released under the alternative title Underworld Love.
