The Divine Lady is a 1929 American pre-Code Vitaphone sound film with a synchronized musical score, sound effects, and some synchronized singing, but no spoken dialogue. It stars Corinne Griffith and tells the story of the love affair between Horatio Nelson and Emma Hamilton. It featured the theme song "Lady Divine", with lyrics by Richard Kountz and music by Nathaniel Shilkret, which became a popular hit in 1929 and was recorded by numerous artists, such as Shilkret, Frank Munn, Ben Selvin, Smith Ballew, Adrian Schubert, Sam Lanin, and Bob Haring.
Our Dancing Daughters is a 1928 American sound drama film starring Joan Crawford and John Mack Brown about the "loosening of youth morals" that took place during the 1920s. The film was directed by Harry Beaumont and produced by Hunt Stromberg. While the film has no audible dialog, it was released with a synchronized musical score with sound effects using both the sound-on-disc and sound-on-film process.
The Iron Mask is a 1929 American part-talkie adventure film directed by Allan Dwan. In addition to some sequences with dialogue, the film featured a synchronized musical score with sound effects and a theme song.
Tempest is a 1928 American synchronized sound drama film directed by Sam Taylor. While the film has no audible dialog, it was released with a synchronized musical score with sound effects using both the sound-on-disc and sound-on-film process. V. I. Nemirovich-Dantchenko wrote the screenplay and William Cameron Menzies won an Academy Award for Best Art Direction for his work in the film in 1929, the first year of the awards ceremony. John Barrymore and Camilla Horn star in the film, with Louis Wolheim co-starring.
Wolf Song is a 1929 American sound part-talkie Western romance film directed by Victor Fleming and starring Gary Cooper and Lupe Vélez. While the film has a few sequences with dialog, the majority of the film featured a synchronized musical score with sound effects using both the sound-on-disc and sound-on-film process.
Lady of the Pavements is a 1929 American sound part-talkie romantic drama film directed by D. W. Griffith and starring Lupe Vélez, William Boyd, and Jetta Goudal. The screenplay was written by Sam Taylor, with contributions from an uncredited Gerrit Lloyd. While the film has a few talking sequences, the majority of the film features a synchronized musical score with sound effects using both the sound-on-disc and sound-on-film process.
Children of the Ritz is a 1929 sound drama film from First National Pictures. While the film has no audible dialog, it was released with a synchronized musical score with sound effects using the Vitaphone sound-on-disc process. The film stars Dorothy Mackaill and Jack Mulhall. The plot is based on a Cornell Woolrich story.
Trent's Last Case is a 1929 American sound part-talkie Pre-Code detective film directed by Howard Hawks and starring Raymond Griffith, Marceline Day, Raymond Hatton, and Donald Crisp. It was released by Fox Film Corporation. In addition to sequences with audible dialogue or talking sequences, the film features a synchronized musical score and sound effects along with English intertitles. The soundtrack was recorded using the Movietone sound-on-film system.
Black Magic is a 1929 American sound drama film directed by George B. Seitz. While the film has no audible dialog, it was released with a synchronized musical score with sound effects using both the sound-on-disc and sound-on-film process. The sound was recorded using the Movietone sound system sound-on-film process and then transferred to sound-on-disc format for those theatres who could only play the sound-on-disc format. As of 2020, no prints of the film survive in archives.
The Woman from Moscow is a 1928 American synchronized sound drama film starring Pola Negri. This was Negri's last film without synchronized speech. While the film has no audible dialog, it was released with a synchronized musical score with sound effects using the sound-on-film Western Electric Sound System process.
Samuel B. Hardy was an American stage and film actor who appeared in feature films during the silent and early sound eras.
A Man's Man is a lost 1929 sound film produced and distributed by Metro-Goldwyn-Mayer and directed by James Cruze. While the film has no audible dialog, it was released with a synchronized musical score with sound effects using both the sound-on-disc and sound-on-film process. The film starred William Haines and Josephine Dunn. It was based on a Broadway play, A Man's Man by Patrick Kearney. Greta Garbo and John Gilbert notably appear in a cameo. The film is believed to be lost, although the Vitaphone type sound discs exist and are currently held at the UCLA Film and Television Archive.
The Sin Sister is a lost 1929 American sound drama adventure film directed by Charles Klein and starring Nancy Carroll. While the film has no audible dialog, it was released with a synchronized musical score with sound effects using both the sound-on-disc and sound-on-film process. It was produced and distributed by the Fox Film Corporation.
Molly and Me is a 1929 sound part-talkie American comedy film directed by Albert Ray. In addition to sequences with audible dialogue or talking sequences, the film features a synchronized musical score and sound effects along with English intertitles. The soundtrack was recorded using the Tiffany-Tone sound system. The film stars Belle Bennett, Joe E. Brown and Alberta Vaughn.
Two Men and a Maid is a 1929 American sound part-talkie romantic drama film directed by George Archainbaud and starring William Collier Jr., Alma Bennett and Eddie Gribbon. In addition to sequences with audible dialogue or talking sequences, the film features a synchronized musical score and sound effects along with English intertitles. The soundtrack was recorded using the Tiffany-Tone sound-on-film system using RCA Photophone equipment.
My Lady's Past is a 1929 American sound part-talkie drama film directed by Albert Ray and starring Belle Bennett, Joe E. Brown and Alma Bennett. In addition to sequences with audible dialogue or talking sequences, the film features a synchronized musical score and sound effects along with English intertitles. The soundtrack was recorded using the Tiffany-Tone sound-on-film system using RCA Photophone equipment. After completing his first novel, a writer abandons his wife for his secretary. The film survives at BFI/National Film And Television Archive.
Midstream is a 1929 American sound part-talkie science fiction film directed by James Flood and starring Ricardo Cortez, Claire Windsor, and Montagu Love. In addition to sequences with audible dialogue or talking sequences, the film features a synchronized musical score and sound effects along with English intertitles. The soundtrack was recorded using the Tiffany-Tone sound-on-film system using RCA Photophone equipment.
Whispering Winds is a 1929 American sound part-talkie pre-Code drama film directed by James Flood and starring Patsy Ruth Miller, Malcolm McGregor and Eve Southern. In addition to sequences with audible dialogue or talking sequences, the film features a synchronized musical score and sound effects along with English intertitles. The soundtrack was recorded using the Tiffany-Tone sound-on-film system using RCA Photophone equipment.
Marriage by Contract is a 1928 American sound part-talkie drama film directed by James Flood and starring Patsy Ruth Miller, Lawrence Gray and Robert Edeson. In addition to sequences with audible dialogue or talking sequences, the film features a synchronized musical score and sound effects along with English intertitles. The soundtrack was recorded using the Tiffany-Tone sound-on-film system. This film was one of the first sound films produced by Tiffany Pictures, one of the largest independent studios in Hollywood at the time, and was followed by Lucky Boy.
Father and Son is a 1929 American sound part-talkie pre-Code drama film directed by Erle C. Kenton from a story by Elmer Harris. In addition to sequences with audible dialogue or talking sequences, the film features a synchronized musical score and sound effects along with English intertitles. The sound was recorded via the Western Electric sound-on-film process. The film was produced by Harry Cohn for Columbia Pictures.
