Hell's Hinges is a 1916 American silent Western film starring William S. Hart and Clara Williams. Directed by Charles Swickard, William S. Hart and Clifford Smith, and produced by Thomas H. Ince, the screenplay was written by C. Gardner Sullivan.
The Italian is a 1915 American silent film feature which tells the story of an Italian gondolier who comes to the United States to make his fortune but instead winds up working as a shoeshiner and experiencing tragedy while living with his wife and child in a tenement on New York's Lower East Side. The film was produced by Thomas H. Ince, directed by Reginald Barker, and co-written by C. Gardner Sullivan and Ince. The film stars stage actor George Beban in the title role as the Italian immigrant, Pietro "Beppo" Donnetti. In 1991, this film was deemed "culturally, historically, or aesthetically significant" by the United States Library of Congress and selected for preservation in the National Film Registry.
Yasujirō Ozu was a Japanese filmmaker. He began his career during the era of silent films, and his last films were made in colour in the early 1960s. Ozu first made a number of short comedies, before turning to more serious themes in the 1930s. The most prominent themes of Ozu's work are family and marriage, and especially the relationships between generations. His most widely beloved films include Late Spring (1949), Tokyo Story (1953) and An Autumn Afternoon (1962).
The Passion of the Christ is a 2004 American epic biblical drama film co-written, co-produced, and directed by Mel Gibson. It stars Jim Caviezel as Jesus of Nazareth, Maia Morgenstern as Mary, mother of Jesus, and Monica Bellucci as Mary Magdalene. It depicts the Passion of Jesus largely according to the gospels of Matthew, Mark, Luke, and John. It also draws on pious accounts such as the Friday of Sorrows, along with other devotional writings, such as the reputed visions attributed to Blessed Anne Catherine Emmerich.
Late Spring is a 1949 Japanese drama film directed by Yasujirō Ozu and written by Ozu and Kogo Noda, based on the short novel Father and Daughter by the 20th-century novelist and critic Kazuo Hirotsu. The film was written and shot during the Allied Powers' Occupation of Japan and was subject to the Occupation's official censorship requirements. Starring Chishū Ryū, who was featured in almost all of the director's films, and Setsuko Hara, marking her first of six appearances in Ozu's work, it is the first installment of Ozu’s so-called "Noriko trilogy", succeeded by Early Summer and Tokyo Story ; in each of which Hara portrays a young woman named Noriko, though the three Norikos are distinct, unrelated characters, linked primarily by their status as single women in postwar Japan.
Tokyo Story is a 1953 Japanese drama film directed by Yasujirō Ozu and starring Chishū Ryū and Chieko Higashiyama, about an aging couple who travel to Tokyo to visit their grown children.
Early Summer is a 1951 Japanese drama by Yasujirō Ozu. Like most of Ozu's post-war films, Early Summer deals with issues ranging from communication problems between generations to the rising role of women in post-war Japan. The plot concerns Noriko, who lives contentedly in an extended family household that includes her parents and her brother's family, but an uncle's visit prompts the family to find her a husband.
Jerusalem: The Emanation of the Giant Albion is a prophetic book by English poet William Blake. Jerusalem is the last, longest and greatest in scope of Blake's works. Etched in handwriting, accompanied by small sketches, marginal figures and huge full-plate illustrations, it has been described as "visionary theatre". The poet himself believed it was his masterpiece and it has been said that "of all Blake's illuminated epics, this is by far the most public and accessible". Nonetheless, only six copies were printed in Blake's lifetime and the book, like all of Blake's prophetic works, was all but ignored by his contemporaries.
Grace Cunard was an American actress, screenwriter and film director. During the silent era, she starred in over 100 films, wrote or co-wrote at least 44 of those productions, and directed no fewer than eight of them. In addition, she edited many of her films, including some of the shorts, serials, and features she developed in collaboration with Francis Ford. Her younger sister, Mina Cunard, was also a film actress.
War and Peace is a 1956 epic historical drama film based on Leo Tolstoy's 1869 novel of the same name. It is directed and co-written by King Vidor and produced by Dino De Laurentiis and Carlo Ponti for Paramount Pictures. The film stars Audrey Hepburn as Natasha, Henry Fonda as Pierre, and Mel Ferrer as Andrei, along with Vittorio Gassman, Herbert Lom, Oskar Homolka, Anita Ekberg in one of her first breakthrough roles, Helmut Dantine, Barry Jones, Anna Maria Ferrero, Milly Vitale and Jeremy Brett. The musical score was composed by Nino Rota and conducted by Franco Ferrara.
The Descent from the Cross is the central panel of a triptych painting by the Baroque artist Peter Paul Rubens in 1612–1614. It is still in its original place, the Cathedral of Our Lady, Antwerp, Belgium. The painting is considered to be one of Rubens' masterpieces. The painting depicts the moment when the body of Jesus Christ is taken down from the cross after his crucifixion. The subject was one Rubens returned to again and again in his career. The artwork was commissioned on September 7, 1611, by the Confraternity of the Arquebusiers, whose patron saint was St. Christopher.
Hearts of the World is a 1918 American silent World War I propaganda film written, produced and directed by D. W. Griffith. In an effort to change the American public's neutral stance regarding the war, the British government contacted Griffith due to his stature and reputation for dramatic filmmaking.
James Searle Dawley was an American film director, producer, screenwriter, stage actor, and playwright. Between 1907 and the mid-1920s, while working for Edison, Rex Motion Picture Company, Famous Players, Fox, and other studios, he directed more than 300 short films and 56 features, which include many of the early releases of stars such as Douglas Fairbanks, Mary Pickford, Pearl White, Marguerite Clark, Harold Lloyd, and John Barrymore. He also wrote scenarios for many of his productions, including one for his 1910 horror film Frankenstein, the earliest known screen adaptation of Mary Shelley's 1818 novel. While film direction and screenwriting comprised the bulk of Dawley's career, he also had earlier working experience in theater, performing on stage for more than a decade and managing every aspect of stagecraft. Dawley wrote at least 18 plays as well for repertory companies and for several Broadway productions.
Anna Lehr was an American silent film and stage actress.
George Fisher was an American film actor of the silent era. He appeared in more than 70 films between 1911 and 1929. His role in the 1916 Thomas H. Ince film Civilization is noteworthy as the first cinematic depiction of Jesus.
Charles Gardner Sullivan was an American screenwriter and film producer. He was a prolific writer with more than 350 films among his credits. In 1924, the magazine Story World selected him on a list of the ten individuals who had contributed the most to the advancement of the motion picture industry from its inception forward. Four of Sullivan's films, The Italian (1915), Civilization (1916), Hell's Hinges (1916), and All Quiet on the Western Front (1930), have been listed in the National Film Registry.
Thomas Harper Ince was an American silent era filmmaker and media proprietor. Ince was known as the "Father of the Western" and was responsible for making over 800 films.
The Toast of Death is a 1915 silent era drama/romance motion picture released by Mutual Film Corporation starring Louise Glaum, Harry Keenan, and Herschel Mayall.
I Graduated, But... is a 1929 Japanese silent film directed by Yasujirō Ozu. The film is now lost, except for an excerpt of approximately 10 minutes.
The Chigasakikan (茅ヶ崎館) is a ryokan located in Chigasaki, Kanagawa, Japan. It describes itself as one of the few remaining seaside ryokan in the Shonan area to preserve the atmosphere of that age, when such establishments were plentiful, making it an important part of the Shonan area’s cultural history.
