|The Age of Innocence|
|Directed by||Martin Scorsese|
|Based on|| The Age of Innocence |
by Edith Wharton
|Produced by||Barbara De Fina|
|Narrated by||Joanne Woodward|
|Edited by||Thelma Schoonmaker|
|Music by||Elmer Bernstein|
|Distributed by||Columbia Pictures|
|Box office||$32.3 million (US)|
The Age of Innocence is a 1993 American historical romantic drama film directed by Martin Scorsese. The screenplay, an adaptation of the 1920 novel The Age of Innocence by Edith Wharton, was written by Scorsese and Jay Cocks. The film stars Daniel Day-Lewis, Michelle Pfeiffer, Winona Ryder and Miriam Margolyes, and was released by Columbia Pictures. The film recounts the courtship and marriage of Newland Archer (Day-Lewis), a wealthy New York society attorney, to May Welland (Ryder); Archer then encounters and legally represents Countess Olenska (Pfeiffer) prior to unexpected romantic entanglements.
The Age of Innocence was released theatrically on October 1, 1993 by Columbia Pictures. It received critical acclaim, winning the Academy Award for Best Costume Design, and being nominated for Best Actress in a Supporting Role (Winona Ryder), Best Adapted Screenplay, Best Original Score and Best Art Direction.However, it was a box office failure, grossing $32.3 million against a $34 million budget. Scorsese dedicated the film to his father, Luciano Charles Scorsese, who had died the month before the film was released. Luciano and his wife, Catherine Scorsese, had small cameo appearances in the film.
In 1870's New York City, gentleman lawyer Newland Archer is planning to marry the respectable young May Welland. May's cousin, the American heiress Countess Ellen Olenska, has returned to New York after a disastrous marriage to a dissolute Polish Count. At first she is ostracized by society and vicious rumors are spread, but, as May's family boldly stands by the countess, she is gradually accepted by the very finest of New York's old families.
The countess is snubbed at one social party arranged by her family, but with the help of Archer, she is able to make a comeback at an event being hosted by the wealthy Van der Luydens. There she makes the acquaintance of one of New York's established financiers, Julius Beaufort, who has a reputation for risky affairs and dissipated habits. He begins to openly flirt with the countess both in public and in private. Archer prematurely announces his engagement to May, but as he comes to know the countess, he begins to appreciate her unconventional views on New York society and he becomes increasingly disillusioned with his new fiancée May and her innocence, lack of personal opinion, and sense of self.
After the countess announces her intention of divorcing her husband, Archer supports her desire for freedom, but he feels compelled to act on behalf of the family and persuade the countess to remain married. When Archer realizes that he has unwittingly been falling in love with the countess, he abruptly leaves the next day to be reunited with May and her parents, who are in Florida on vacation. Archer asks May to shorten their engagement, but May becomes suspicious and asks him if his hurry to get married is prompted by the fear that he is marrying the wrong person. Archer reassures May that he is in love with her. When back in New York, Archer calls on the countess and admits that he is in love with her, but a telegram arrives from May announcing that her parents have pushed forward the wedding date.
After their wedding and honeymoon, Archer and May settle down to married life in New York. Over time, Archer's memory of the countess fades. When the countess returns to New York to care for her grandmother, she and Archer agree to consummate their affair. But then suddenly, the countess announces her intention to return to Europe. May throws a farewell party for the countess, and after the guests leave, May announces to Archer that she is pregnant and that she told the Countess this news two weeks earlier.
The years pass: Archer is 57 and has been a dutiful, loving father and faithful husband. The Archers have had three children. May has died of infectious pneumonia and Archer mourned her in earnest. Archer's engaged son, Ted, persuades him to travel to Paris. Ted has arranged for them to visit Countess Olenska there. Archer has not seen the her in over 25 years. Ted confides to his father that May had confessed on her deathbed that "... she knew we were safe with you, and always would be. Because once, when she asked you to, you gave up the thing you wanted most." Archer responds, "She never asked me." That evening outside the countess' apartment, Archer sends his son alone to visit her. Sitting outside in the courtyard, he recollects their time together and slowly walks off.
Scorsese's parents, the actors Charles and Catherine Scorsese, have a small cameo appearance during the sequence in which Archer meets the countess at the Pennsylvania Terminus in Jersey City.Scorsese himself has a cameo as the "fussy bustling photographer who later takes the official wedding photographs", while Day-Lewis' sister, Tamasin Day-Lewis, has a cameo admiring May's engagement ring.
The Age of Innocence was filmed on location primarily in Troy, New York.The opera scenes were filmed at the Philadelphia Academy of Music in Philadelphia, Pennsylvania. The scenes set in the home of Mrs. Mingott were filmed in "The Castle", a fraternity house belonging to the Alpha Tau chapter of Pi Kappa Phi at Rensselaer Polytechnic Institute. Formerly known as the Paine Mansion, after its completion in 1896 (then-estimated to cost $500,000), it was heralded as the grandest house in all of Troy. The scenes depicting the country house in snow were filmed inside the circa 1737 Dutch-colonial Luykas Van Alen House, in Kinderhook, New York. Only one major set was built, for an ornate ballroom sequence at the Beaufort residence. The triangular Victorian Gothic Rice Building was used as the setting for the law office.
Scorsese's friend and screenwriter Jay Cocks gave him the Wharton novel in 1980, suggesting that this should be the romantic piece Scorsese should film, as Cocks felt it best represented his sensibility. In Scorsese on Scorsese he noted that
Although the film deals with New York aristocracy and a period of New York history that has been neglected, and although it deals with code and ritual, and with love that's not unrequited but unconsummated—which pretty much covers all the themes I usually deal with—when I read the book, I didn't say, "Oh good, all those themes are here."
The film's title sequence was created by Elaine and Saul Bass. The famous paintings featured in the film were newly created high-quality reproductions.The bursts of color employed as a fade out were inspired by the films Black Narcissus (1947), by Michael Powell, and Rear Window (1954), by Alfred Hitchcock.
The film grossed $32.3 million in the US from a $34 million budget. By the end of 1993 it had grossed $15 million internationally.
On review-aggregator website Rotten Tomatoes, the film holds an approval rating of 84% based on 55 reviews, and an average rating of 7.38/10. The site's consensus states: "Equal measures romantic and wistful, Martin Scorsese's elegant adaptation of The Age of Innocence is a triumphant exercise in both stylistic and thematic restraint."On Metacritic, the film has a weighted average score of 90 out of 100, based on 35 critics, indicating "universal acclaim".
"The Age of Innocence" placed as the fourth best film of 1993 in a poll of 107 film critics, as it was named on over 50 lists.
Vincent Canby in The New York Times wrote:
Taking The Age of Innocence, Edith Wharton's sad and elegantly funny novel about New York's highest society in the 1870s, Martin Scorsese has made a gorgeously uncharacteristic Scorsese film...The film is the work of one of America's handful of master craftsmen.
Roger Ebert in the Chicago Sun-Times wrote:
The story told here is brutal and bloody, the story of a man's passion crushed, his heart defeated. Yet it is also much more, and the last scene of the film, which pulls everything together, is almost unbearably poignant.
He then added the film to his "Great Movies" collection, and defined the film as "one of Scorsese's greatest films".Peter Travers in Rolling Stone wrote:
A superlative cast catches Wharton's urgency. Ryder, at her loveliest, finds the guile in the girlish May – she'll use any ruse that will help her hold on to Archer. Day-Lewis is smashing as the man caught between his emotions and the social ethic. Not since Olivier in Wuthering Heights has an actor matched piercing intelligence with such imposing good looks and physical grace. Pfeiffer gives the performance of a lifetime as the outcast countess.
Desson Howe in the Washington Post wrote:
There's an alert, thinking presence behind the camera. And, in front of the camera, performers Daniel Day-Lewis, Michelle Pfeiffer and Winona Ryder suffuse this saga of repressed longing and spiritual suffering with elegant authority.... Known primarily for modern street pictures, such as Taxi Driver and GoodFellas , Scorsese shows he can flex an entirely different set of muscles and still make a great movie.
Todd McCarthy in Variety wrote:
For sophisticated viewers with a taste for literary adaptations and visits to the past, there is a great deal here to savor....Day-Lewis cuts an impressive figure as Newland... The two principal female roles are superbly filled.... Scorsese brings great energy to what could have been a very static story, although his style is more restrained and less elaborate than usual.
Rita Kempley, also in the Washington Post , wrote:
Perhaps it shouldn't come as such a grand surprise that he [Martin Scorsese] is as deft at exploring the nuances of Edwardian manners as he is the laws of modern-day machismo.
Time Out wrote:
The performances are excellent, while the director employs all the tools of his trade to bring his characters and situations vividly to life... Scorsese's most poignantly moving film.
But not all the critics had positive remarks. Marc Savlov in the Austin Chronicle wrote:
At two hours and 13 minutes, Scorsese has allowed himself enough time to follow Wharton's book to the letter, and also enough time to include long stretches of painfully wearisome society functions and banter. As a period piece, it's a joy to behold, but with such an indecisive little newt of a protagonist, it's just hard to give a damn what happens.
At the Academy Awards, The Age of Innocence won the Academy Award for Best Costume Design (Gabriella Pescucci), and was nominated for the awards for Best Supporting Actress (Winona Ryder), Best Adapted Screenplay (Jay Cocks, Martin Scorsese), Best Original Score (Elmer Bernstein) and Best Art Direction (Dante Ferretti, Robert J. Franco).
At the Golden Globe Awards, The Age of Innocence won the Golden Globe Award for Best Supporting Actress - Motion Picture (Winona Ryder), and was nominated for the awards for Best Motion Picture – Drama, Best Director – Motion Picture (Martin Scorsese) and Best Actress – Motion Picture Drama (Michelle Pfeiffer).
At the British Academy Film Awards (BAFTAs), The Age of Innocence won the BAFTA Award for Best Actress in a Supporting Role (Miriam Margolyes). The film received another nomination in this category, for Winona Ryder, and was also nominated for the awards for Best Cinematography (Michael Ballhaus) and Best Production Design (Dante Ferretti).
In addition to her Academy Award and BAFTA Award nominations and Golden Globe Award win, Winona Ryder won the National Board of Review Award for Best Supporting Actress and the Southeastern Film Critics Association Award for Best Supporting Actress.
In addition to his Academy Award and Golden Globe Award nominations, Martin Scorsese won the National Board of Review Award for Best Director and the Elvira Notari Prize at the Venice Film Festival (shared with Michelle Pfeiffer), as well as a nomination for the Directors Guild of America Award for Outstanding Directing - Feature Film.
Elmer Bernstein was nominated for the Grammy Award for Best Instrumental Composition Written for a Motion Picture or Television.
|Academy Awards||Best Supporting Actress||Winona Ryder||Nominated|
|Best Adapted Screenplay||Jay Cocks, Martin Scorsese||Nominated|
|Best Art Direction||Dante Ferretti and Robert J. Franco||Nominated|
|Best Costume Design||Gabriella Pescucci||Won|
|Best Original Score||Elmer Bernstein||Nominated|
|British Academy Film Awards||Best Actress in a Supporting Role||Miriam Margolyes||Won|
|Best Actress in a Supporting Role||Winona Ryder||Nominated|
|Best Cinematography||Michael Ballhaus||Nominated|
|Best Production Design||Dante Ferretti||Nominated|
|Directors Guild of America Awards||Outstanding Directorial Achievement in Motion Pictures||Martin Scorsese||Nominated|
|Golden Globe Awards||Best Motion Picture – Drama||Nominated|
|Best Director – Motion Picture||Martin Scorsese||Nominated|
|Best Actress – Motion Picture Drama||Michelle Pfeiffer||Nominated|
|Best Supporting Actress – Motion Picture||Winona Ryder||Won|
|Grammy Awards||Grammy Award for Best Instrumental Composition Written for a Motion Picture or Television||Elmer Bernstein||Nominated|
|National Board of Review||Best Director||Martin Scorsese||Won|
|Best Supporting Actress||Winona Ryder||Won|
|Southeastern Film Critics Association||Southeastern Film Critics Association Award for Best Supporting Actress||Winona Ryder||Won|
|Venice Film Festival||Elvira Notari Prize||Martin Scorsese and Michelle Pfeiffer||Won|
|The Age of Innocence|
|Film score by|
|Released||September 14, 1993|
The Hit Factory, New York City, New York
|Producer||Elmer Bernstein, Emilie A. Bernstein|
|Elmer Bernstein chronology|
The film score for The Age of Innocence was composed by Elmer Bernstein, who had previously collaborated with Scorsese on Cape Fear (1991).
The film starts with a duet scene of the opera "Faust" from Charles Gounod.
Martin Charles Scorsese is an American film director, producer, screenwriter, and actor. One of the major figures of the New Hollywood era, he is widely regarded as one of the greatest and most influential directors in film history. Scorsese's body of work explores themes such as Italian-American identity, Catholic concepts of guilt and redemption, faith, machismo, nihilism, crime and sectarianism. Many of his films are known for their depiction of violence and the liberal use of profanity. Scorsese has also dedicated his life to film preservation and film restoration by founding the nonprofit organization The Film Foundation in 1990, as well as the World Cinema Foundation in 2007 and the African Film Heritage Project in 2017.
Winona Laura Horowitz, known professionally as Winona Ryder, is an American actress. She is the recipient of several awards, including a Golden Globe Award, and has been nominated for two Academy Awards. She is known for taking on quirky roles in her earlier films, after which she went on to play more prominent roles in the 1990s.
Michelle Marie Pfeiffer is an American actress. Known for pursuing eclectic roles in a wide range of film genres, she has consistently received acclaim for her versatile performances, and is recognized as one of the most prolific actresses of the 1980s and 1990s. Pfeiffer has received numerous accolades throughout her extensive career, including a Golden Globe Award and a British Academy Film Award, as well as nominations for three Academy Awards and one Primetime Emmy Award.
Edith Wharton was an American novelist, short story writer, and designer. Wharton drew upon her insider's knowledge of the upper class New York "aristocracy" to realistically portray the lives and morals of the Gilded Age. In 1921, she became the first woman to win the Pulitzer Prize in Literature, for her novel The Age of Innocence. She was inducted into the National Women's Hall of Fame in 1996. Among her other well known works are the The House of Mirth and the novella Ethan Frome.
Sir Daniel Michael Blake Day-Lewis is an English retired actor with dual British and Irish citizenship. His numerous accolades include three Academy Awards for Best Actor, making him the first and only actor to have three wins in that category, and the third male actor to win three competitive acting Academy Awards, the sixth performer overall. He won four BAFTA Awards for Best Actor, three Screen Actors Guild Awards and two Golden Globe Awards. In June 2014, Day-Lewis received a knighthood for services to drama.
Juliette Lake Lewis is an American actress and singer known for her portrayals of offbeat characters, often in films with dark themes. Lewis became an "it girl" of American cinema in the early 1990s, appearing in various independent and arthouse films. Her accolades include a Pasinetti Award, one Academy Award nomination, one Golden Globe nomination, and a Primetime Emmy Award nomination.
The Age of Innocence is a 1920 novel by American author Edith Wharton. It was her twelfth novel, and was initially serialized in 1920 in four parts, in the magazine Pictorial Review. Later that year, it was released as a book by D. Appleton & Company. It won the 1921 Pulitzer Prize for Fiction, making Wharton the first woman to win the prize. Though the committee had initially agreed to give the award to Sinclair Lewis for Main Street, the judges, in rejecting his book on political grounds, "established Wharton as the American 'First Lady of Letters'". The story is set in the 1870s, in upper-class, "Gilded-Age" New York City. Wharton wrote the book in her 50s, after she had established herself as a strong author, with publishers clamoring for her work.
Mary Beth Hurt is an American actress of stage and screen. She is a three-time Tony Award-nominated actress.
Thelma Colbert Schoonmaker is an American film editor, known for her over fifty years of work with director Martin Scorsese. She started working with Scorsese on his debut feature film Who's That Knocking at My Door (1967), and edited all of Scorsese's films since Raging Bull (1980). Schoonmaker has received eight Academy Award nominations for Best Film Editing, and has won three times—for Raging Bull (1980), The Aviator (2004), and The Departed (2006), which were all Scorsese-directed films.
The 65th National Board of Review Awards, honoring the best in filmmaking in 1993, were announced on 14 December 1993 and given on 28 February 1994.
The Age of Innocence is a 1920 novel by Edith Wharton.
Barbara De Fina is an American film producer. She has been called an "integral component" who has made "critical contributions" as producer of many of Martin Scorsese's films.
Charlaine "Charlayne" Woodard is an American playwright and actress. She made her debut in the original production of the musical Ain't Misbehavin', for which she received a Tony Award for Best Featured Actress in a Musical nomination in 1978. She has played supporting roles in a number of films, include One Good Cop (1991), The Crucible (1996), Unbreakable (2000), and Glass (2019).
The 50th annual Venice International Film Festival was held on 31 August to 11 September 1993.
The Age of Innocence (1934) is an American drama film directed by Philip Moeller and starring Irene Dunne, John Boles and Lionel Atwill. The film is an adaptation of the 1920 novel The Age of Innocence by Edith Wharton, set in the fashionable New York society of the 1870s. Prolific on Broadway, Philip Moeller directed only two films: this, and the 1935 Break of Hearts with Katharine Hepburn.
Old New York (1924) is a collection of four novellas by Edith Wharton, revolving around upper-class New York City society in the 1840s, 1850s, 1860s, and 1870s.
Westbrook, a large rambling house of many gables and tall chimneys on the South Shore of Long Island, lies on the west bank of the Connetquot River.
The Age of Innocence is a 1924 American silent film directed by Wesley Ruggles. It is the first film adaptation of Edith Wharton’s 1920 novel The Age of Innocence. It was produced and distributed by Warner Brothers.
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