Exhibition
The museum houses pre-cinematographic optical devices such as magic lanterns, earlier and current film technologies, stage items from early Italian movies and other memorabilia.
Along the exhibition path of about 35.000 square feet (3.200 m2) on five levels, it is possible to visit some areas devoted to the different kinds of film crew, and in the main hall, fitted in the temple hall of the Mole (which was a building originally intended as a synagogue), a series of chapels representing several film genres.
The museum keeps a huge and growing collection of film posters, stocks, and a library: at present it includes 20,000 devices, paintings and printed artworks, more than 80,000 pictures, over 300,000 film posters, 12,000 movie reels and 26,000 books (as of February 2006). A movie screen located in the Massimo multiplex, near to the museum, is reserved to retrospectives and other museum initiatives. The museum hosts several film festivals, the major and most prestigious of them being the Torino Film Festival.
Inside the museum there is also a panoramic elevator (opened in 2000) with transparent glass walls, that cover its 75 meters ride in 59 seconds, in the single open space span of the building, without middle floors, up to the "small temple" which gives a 360 degrees panoramic view of the city. It is the museum with the biggest vertical extension of the world.
The cinema of Italy comprises the films made within Italy or by Italian directors. Since its beginning, Italian cinema has influenced film movements worldwide. Italy is one of the birthplaces of art cinema and the stylistic aspect of film has been one of the most important factors in the history of Italian film. As of 2018, Italian films have won 14 Academy Awards for Best Foreign Language Film as well as 12 Palmes d'Or, one Academy Award for Best Picture and many Golden Lions and Golden Bears.
The magic lantern, also known by its Latin name lanterna magica, was an early type of image projector that used pictures—paintings, prints, or photographs—on transparent plates, one or more lenses, and a light source. Because a single lens inverts an image projected through it, slides were inserted upside down in the magic lantern, rendering the projected image correctly oriented.
The year 1889 in architecture involved some significant events.
The Mole Antonelliana is a major landmark building in Turin, Italy, named after its architect, Alessandro Antonelli. A mole in Italian is a building of monumental proportions.
A mountain film is a film genre that focuses on mountaineering and especially the battle of human against nature. In addition to mere adventure, the protagonists who return from the mountain come back changed, usually gaining wisdom and enlightenment.
Precursors of film are concepts and devices that have much in common with the later art and techniques of cinema.
The National Roman Museum is a museum, with several branches in separate buildings throughout the city of Rome, Italy. It shows exhibits from the pre- and early history of Rome, with a focus on archaeological findings from the period of Ancient Rome.
The Working Class Goes to Heaven, released in the US as Lulu the Tool, is a 1971 Italian satirical political drama film directed by Elio Petri. It depicts a factory worker's realisation of his own condition as a simple tool in the process of production. The film was awarded the Grand Prix du Festival International du Film at the 25th Cannes Film Festival, sharing it with Francesco Rosi's The Mattei Affair.
The National Museum of the Italian Risorgimento is the first, the biggest and the most important among the 23 museums in Italy dedicated to the Risorgimento; and the only one which can be considered "national" according to a 1901 law, and due to its rich and great collections. It is housed in the Palazzo Carignano in Turin.
Angelo Cesselon was an Italian poster painter.
The Museum of Precinema is a museum in the Palazzo Angeli, Prato della Valle, Padua, Italy, related to the history of precinema, or precursors of film. It was created in 1998 to display the Minici Zotti Collection, in collaboration with the Comune di Padova. It also produces interactive touring exhibitions and makes valuable loans to other prestigious exhibitions such as 'Lanterne magique et film peint' at the Cinémathèque Française in Paris and the Museum of Cinema in Turin.
The following is a timeline of the history of the city of Turin, Piedmont, Italy.
Elävän kuvan museo was a museum dedicated to Finnish film culture located in Helsinki, Finland. The museum was operated by the National Audiovisual Institute.
The Museo Storico Nazionale dell'Arte Sanitaria is located within the Ospedale di Santo Spirito in Sassia at 3, Lungotevere in Sassia in Rome (Italy).
John Stuart Lloyd Barnes was a British film historian specialising in the early history of cinema. He co-founded the Barnes Museum of Cinematography with his brother William. The museum was one of the first museums devoted to film and became a focal point for scholars worldwide. Barnes is best known for a five-volume history of film titled The Beginnings of the Cinema in England, 1894-1901. He was survived by his partner, brother, and son William
The Museo Leonardiano di Vinci, or Leonardian Museum of Vinci, is a museum dedicated to Leonardo da Vinci, located in Vinci, Leonardo's birthplace, in the province of Florence, Italy.
Maria Adriana Prolo (1908–1991) was a historian of Italian film. She studied pioneering narratives in silent film, founded the National Museum of Cinema in Turin, and was an active member of International Federation of Film Archives. She was one of the first people, with Einar Lauritzen and Henri Langlois, to have the idea of founding a museum dedicated to film and its conservation.
For the history of animation after the development of celluloid film, see history of animation.
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Mole Antonelliana, Via Montebello 20, - Turin, Italy 
