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Royal Library | |
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Biblioteca Reale | |
Location | Turin, Italy |
Established | 1842 |
Other information | |
Website | Official website |
The Royal Library of Turin (Italian : Biblioteca Reale di Torino) is a library located within the ground floor of the Royal Palace of Turin, itself a World Heritage Site in Turin, Italy.
The library contains approximately 200,000 print volumes, 4,500 manuscripts, 3,055 drawings, 187 incunabula predating 1501, 5,019 sixteenth century books, 20,987 pamphlets, 1,500 works on parchment, 1,112 periodicals, and 400 photo albums, maps, engravings, and prints. [1]
Since his ascent to the throne of the Kingdom of Sardinia in 1831, king Charles Albert wished to boost the cultural standing of the nation, and he did so through the introduction of a series of reforms and the establishment of a number of institutions. [2] The library was then founded in 1842 as one of such institutions, with one of its aims being that of grouping and safeguarding manuscripts collected by the House of Savoy. [2] [3] The library was fitted out by painter and decorator Pelagio Palagi. In 1893 a Russian collector by the name of Theodore Sabachnikoff donated Leonardo da Vinci's Codex on the Flight of Birds to the library's collection as a gift to the king. [4] Further works by Leonardo held by the library include his presumed self-portrait, his study for the angel in his Virgin of the Rocks , and his study for the angel in Verrocchio's The Baptism of Christ .
In 1998, an underground exhibition room was crafted to safely display the collection to the public with the most up-to-date museum technologies. [5]
Leonardo di ser Piero da Vinci was an Italian polymath of the High Renaissance who was active as a painter, draughtsman, engineer, scientist, theorist, sculptor, and architect. While his fame initially rested on his achievements as a painter, he also became known for his notebooks, in which he made drawings and notes on a variety of subjects, including anatomy, astronomy, botany, cartography, painting, and paleontology. Leonardo is widely regarded to have been a genius who epitomized the Renaissance humanist ideal, and his collective works comprise a contribution to later generations of artists matched only by that of his younger contemporary Michelangelo.
Fra. Luca Bartolomeo de Pacioli was an Italian mathematician, Franciscan friar, collaborator with Leonardo da Vinci, and an early contributor to the field now known as accounting. He is referred to as the father of accounting and bookkeeping and he was the first person to publish a work on the double-entry system of book-keeping on the continent. He was also called Luca di Borgo after his birthplace, Borgo Sansepolcro, Tuscany.
The Biblioteca Ambrosiana is a historic library in Milan, Italy, also housing the Pinacoteca Ambrosiana, the Ambrosian art gallery. Named after Ambrose, the patron saint of Milan, it was founded in 1609 by Cardinal Federico Borromeo, whose agents scoured Western Europe and even Greece and Syria for books and manuscripts. Some major acquisitions of complete libraries were the manuscripts of the Benedictine monastery of Bobbio (1606) and the library of the Paduan Vincenzo Pinelli, whose more than 800 manuscripts filled 70 cases when they were sent to Milan and included the famous Iliad, the Ilias Picta.
Francesco Melzi, or Francesco de Melzi (1491–1570), was an Italian painter born into a family of the Milanese nobility in Lombardy. He became a pupil of Leonardo da Vinci and remained as his closest professional assistant throughout his career. After da Vinci's death he became the literary executor of all da Vinci's papers, editing them into a manuscript on painting he published as Tratatto della Pittura [Treatise on Painting] or a compilation entitled the Codex Urbinas.
Giuseppe Bossi was an Italian painter, arts administrator and writer on art. He ranks among the foremost figures of Neoclassical culture in Lombardy, along with Ugo Foscolo, Giuseppe Parini, Andrea Appiani or Manzoni.
Saint John the Baptist is a High Renaissance oil painting on walnut wood by Leonardo da Vinci. Likely to have been completed between 1513 and 1516, it is believed to be his final painting. Its original size was 69 by 57 centimetres.
The Museo Civico d'Arte Antica is an art museum located in the Palazzo Madama in Turin, Italy. It has a renowned collection of paintings from the medieval, Renaissance and Baroque periods. It reopened in 2006 after several years of restorations.
The Codex Atlanticus is a 12-volume, bound set of drawings and writings by Leonardo da Vinci, the largest single set. Its name indicates the large paper used to preserve original Leonardo notebook pages, which was used for atlases. It comprises 1,119 leaves dating from 1478 to 1519, the contents covering a great variety of subjects, from flight to weaponry to musical instruments and from mathematics to botany. This codex was gathered in the late 16th century by the sculptor Pompeo Leoni, who dismembered some of Leonardo's notebooks in its formation. It is now in the Biblioteca Ambrosiana in Milan.
Divina proportione, later also called De divina proportione is a book on mathematics written by Luca Pacioli and illustrated by Leonardo da Vinci, completed by February 9th, 1498 in Milan and first printed in 1509. Its subject was mathematical proportions and their applications to geometry, to visual art through perspective, and to architecture. The clarity of the written material and Leonardo's excellent diagrams helped the book to achieve an impact beyond mathematical circles, popularizing contemporary geometric concepts and images.
Codex on the Flight of Birds is a relatively short codex from c. 1505 by Leonardo da Vinci.
La Bella Principessa, also known as Portrait of Bianca Sforza, Young Girl in Profile in Renaissance Dress and Portrait of a Young Fiancée, is a portrait in coloured chalks and ink, on vellum, of a young lady in fashionable costume and hairstyle of a Milanese of the 1490s. Some scholars have attributed it to Leonardo da Vinci but the attribution and the work's authenticity have been disputed. Supporters of the theory that it was by Leonardo have propositioned that Bianca Maria Sforza is the woman depicted in the drawing.
Codex Arundel, is a bound collection of pages of notes written by Leonardo da Vinci and dating mostly from between 1480 and 1518. The codex contains a number of treatises on a variety of subjects, including mechanics and geometry. The name of the codex came from the Earl of Arundel, who acquired it in Spain in the 1630s. It forms part of the British Library Arundel Manuscripts.
The portrait of a man in red chalk in the Royal Library of Turin is widely, though not universally, accepted as a self-portrait of Leonardo da Vinci. It is thought that Leonardo da Vinci drew this self-portrait at about the age of 60. The portrait has been extensively reproduced and has become an iconic representation of Leonardo as a polymath or "Renaissance Man". Despite this, some historians and scholars disagree as to the true identity of the sitter.
The Lucan portrait of Leonardo da Vinci is a late 15th- or early 16th-century portrait of a man that was discovered in 2008 in a cupboard of a private house in Italy.
The Madrid Codices I–II, are two manuscripts by Leonardo da Vinci which were discovered in the Biblioteca Nacional de España in Madrid in 1965 by Dr. Jules Piccus, Language Professor at the University of Massachusetts. The Madrid Codices I was finished during 1490 and 1499, and II from 1503 to 1505.
The Royal Armoury of Turin is one of the world's most important collections of arms and armour, formed in Turin by the Savoy family. The museum is now part of the Musei Reali di Torino, the royal site that has unified the Royal Palace, the Sabauda Gallery, the Archaeological Museum, the Royal Library and the Armoury. The whole site has been included on the UNESCO World Heritage list since 1997.
Paolo Galluzzi is an Italian historian of science.
Martin Clayton, LVO, FSA, is Head of Prints and Drawings for Royal Collection Trust at Windsor Castle. He is a specialist in the drawings of Leonardo da Vinci.
The Head of a Young Woman is a drawing in silverpoint on paper by the Florentine painter Leonardo da Vinci, housed in the Royal Library of Turin.
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