Address | Turin, Piedmont Italy |
---|---|
Coordinates | 45°4′14″N7°41′16″E / 45.07056°N 7.68778°E |
Owner | City of Turin |
Designation | Opera house |
Capacity | 1500 |
Construction | |
Opened | 1740 |
Reopened |
|
Architect | |
Website | |
www |
The Teatro Regio (Royal Theatre) is a prominent opera house and opera company in Turin, Piedmont, Italy. Its season runs from October to June with the presentation of eight or nine operas given from five to twelve performances of each.
Several buildings provided venues for operatic productions in Turin from the mid-16th century, but it was not until 1713 that a proper opera house was considered, and under the architect Filippo Juvarra planning began. However, the cornerstone was not laid until the reign of Charles Emmanuel III in 1738 after Juvarra's death. The work was supervised by Benedetto Alfieri until the theatre was completed and decorated by Bernardino Galliari. [1]
Puccini premiered his La Bohème in 1896 in the Teatro Regio. [2]
The Teatro Regio (Royal Theatre) was inaugurated on 26 December 1740 with Francesco Feo's Arsace. It was a sumptuously built facility, seating 1,500 and with 139 boxes located on five tiers plus a gallery.
However, the theatre was closed on royal order in 1792 and it became a warehouse. With the French occupation of Turin during the Napoleonic War the theatre was renamed the Teatro Nazionale and finally, after Napoleon's ascent to Emperor, renamed again as the Teatro Imperiale. [3] Napoleon's fall in 1814 saw the theatre returned to its original name, the Regio. In the following years the opera house went through several periods of financial crisis and it was taken over by the city in 1870.
Other theatres were built and presented seasons of opera in Turin. Among them was the restored Teatro Carignano in 1824. It too was acquired by the municipality in 1932 and, after the destruction by fire of the Teatro Regio in 1936, the Carignano was to serve as the main venue for opera in the city until the Regio reopened in 1973.
Even before it burnt down, discussions about whether to rebuild the Regio or create a brand new theatre preoccupied Turin in the early twentieth century. Two plans were presented and the one selected expanded the seating capacity to 2,415 by removing the fourth and fifth levels of boxes and creating a huge amphitheatre. Work was completed in 1905 but the theatre closed during the First World War and re-opened in 1919. Until February 1936, seasons of opera were presented until fire destroyed all but the facade of the Teatro Regio. It remained closed for thirty-seven years. Arturo Toscanini was the conductor of the Turin Opera from 1895 to 1898, during which time several productions of the works of Wagner were given Italian premieres.
Following the fire, a national competition was launched to find an architect. However, with the war and the overall financial situation, the foundation stone was not laid until 25 September 1963. Even then, work did not start until September 1967 under architect Carlo Mollino. [4]
The rebuilt theatre, with its striking contemporary interior design but hidden behind the original facade, was inaugurated on 10 April 1973 with a production of Verdi's I vespri siciliani directed by Maria Callas and Giuseppe Di Stefano. [1]
The new house seats 1,750 and is elliptical in shape with a large orchestra level and 37 boxes around its perimeter. An acoustic shell was added to improve its sound.
The house presents a wide range of operas during its seasons, including contemporary works, although in the first years of the new century financial pressures have made the programming somewhat more conservative and favoring more 19th-century operas.
The building's outer facade is made from brick with a unique brickwork pattern using custom cut bricks to create a relief of stars which seems to overlap its self continuously like the scales of a fish. This is an illusion created by the uniquely designed masonry pattern as the wall is actually straight. The shadows created by the protruding parts enforce this illusion and the complex pattern reinforces this illusion. [5]
The facade of the Teatro Regio is one of the Piedmontese buildings that are part of the UNESCO World Heritage Site. [6]
Filippo Juvarra was an Italian architect, scenographer, engraver and goldsmith. He was active in a late-Baroque architecture style, working primarily in Italy, Spain, and Portugal.
The Piedmont has played an important role in the development of music, in general, in Italy, due to the presence of medieval monasteries in that area, institutions that were great preservers of manuscripts in the Middle Ages as well as being geographically well located to connect to musical influences from northern Europe. As well, the political dominance of the Royal House of Savoy leading up to its eventual installation as the ruling dynasty of united Italy was important.
Villarbasse is a comune (municipality) in the Metropolitan City of Turin in the Italian region Piedmont, located about 20 kilometres (12 mi) west of Turin.
The Royal Castle of Racconigi is a palace and landscape park in Racconigi, province of Cuneo, Italy. It was the official residence of the Carignano line of the House of Savoy, and is one of the Residences of the Royal House of Savoy included by UNESCO in the World Heritage Sites list.
The Basilica of Superga is a hilltop Catholic basilica in Superga, in the vicinity of Turin, Italy.
Cesira Ferrani was an Italian operatic soprano who is best known for debuting two of the most iconic roles in opera history, Mimì in the original 1896 production of Giacomo Puccini's La bohème and the title role in Puccini's Manon Lescaut in its 1893 world premiere. Ferrani sang a wide repertoire that encompassed not only verismo opera but the works of composers like Verdi, Gounod, Wagner, and Debussy.
Bernardo Antonio Vittone was an Italian architect and writer. He was one of the three most important Baroque architects active in the Piedmont region of Northern Italy; the other two were Filippo Juvarra and Guarino Guarini. The youngest of the three, Vittone was the only one who was born in Piedmont. He achieved a synthesis of the spatial inventiveness of Juvarra and the engineering ingenuity of Guarini, particularly in the design of his churches, the buildings for which he is best known.
The Teatro Lirico is a theatre in Milan, Italy. In the 19th and early 20th centuries it hosted numerous opera performances, including the world premieres of Donizetti's L'elisir d'amore and Giordano's Fedora. The theatre, located on Via Rastrelli, closed in 1998. However, a restoration project was begun in April 2007, and it has finally re-opened in December 2021 as the Teatro Lirico Giorgio Gaber. Stage Entertainment carried on the renovation of the Theatre, completing all finishes and all workings started by the administration "Comune di Milano".
The Palace of Venaria is a former royal residence and gardens located in Venaria Reale, near Turin in the Piedmont region in northern Italy. It is one of the Residences of the Royal House of Savoy, included in the UNESCO Heritage List in 1997.
Turin is a city and an important business and cultural centre in Northern Italy. It is the capital city of Piedmont and of the Metropolitan City of Turin, and was the first Italian capital from 1861 to 1865. The city is mainly on the western bank of the Po River, below its Susa Valley, and is surrounded by the western Alpine arch and Superga hill. The population of the city proper is 843,514, while the population of the urban area is estimated by Eurostat to be 1.7 million inhabitants. The Turin metropolitan area is estimated by the OECD to have a population of 2.2 million.
Rita Orlandi-Malaspina was an Italian operatic soprano who had a major international career from the 1960s through the 1980s. She drew particular acclaim for her portrayals of Verdi heroines. She also had a successful career as a concert soprano, particularly in performance of Verdi's Requiem and Ludwig van Beethoven's Symphony No. 9.
Benedetto Innocenzo Alfieri was an Italian architect, a representative of the late-Baroque or Rococo style.
Ferdinando Bonsignore was an Italian architect and designer.
The Teatro Carignano is a theatre in Turin and one of the oldest and most important theatres in Italy. Designed by Benedetto Alfieri, it is located opposite the Palazzo Carignano. Building commenced in 1752 and the theatre was inaugurated the following year with a performance of Baldassare Galuppi's opera, Calamità de' cuori. Much of the theatre was destroyed in a fire in 1786, but it was rebuilt in a few months using Alfieri's original plans. Since then it has undergone several renovations. Although today it is primarily used for performances of plays, in the past it was an important opera house. The theatre is owned by the City of Turin but administered by the theatre company, Teatro Stabile di Torino, and is one of the company's principal performing venues.
The following is a timeline of the history of the city of Turin, Piedmont, Italy.
Alberto Basso is an Italian musicologist and librarian.
Santa Cristina is a Baroque style, Roman Catholic church located in Turin, region of Piedmont, Italy. It mirrors the adjacent church of San Carlo and faces the Piazza San Carlo. The arrangement recalls the twin churches of Santa Maria dei Miracoli (1681) and Santa Maria in Montesanto (1679) facing the Piazza del Popolo in Rome.
Irina Lungu is a Russian operatic soprano.
The following outline is provided as an overview of and topical guide to Turin:
Svetla Vassileva is a Bulgarian opera singer (soprano).
This article includes a list of general references, but it lacks sufficient corresponding inline citations .(December 2016) |
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