Ernesto Gastaldi is an Italian screenwriter. Film historian and critic Tim Lucas described Gastaldi as the first Italian screenwriter to specialize in horror and thriller films. Gastaldi worked within several popular genres including pepla, Western and spy films.
Umberto Lenzi was an Italian film director, screenwriter, and novelist.
Carlo Rambaldi was an Italian special effects artist, winner of three Oscars: one Special Achievement Academy Award for Best Visual Effects in 1977 for the 1976 version of King Kong and two Academy Awards for Best Visual Effects in 1980 and 1983 for, respectively, Alien (1979) and E.T. the Extra-Terrestrial (1982). He is most famous for his work in those two last mentioned films, that is for the mechanical head-effects for the creature in Alien and the design of the title character of E.T. the Extra-Terrestrial.
Bruno Mattei was an Italian film director, screenwriter, and editor who directed exploitation films in many genres, including women in prison, nunsploitation, zombie, mondo, cannibal, and Nazisploitation films. Mattei's films often followed popular genre trends of the era. Mattei continued work as a director primarily in the Philippines until his death in 2007, just before he was to enter production on his fifth Zombie film.
Luigi Cozzi is an Italian film director and screenwriter. At a young age, Cozzi became a fan of science fiction and began his career as an overseas correspondent for Western film magazines. After directing his first film The Tunnel Under the World, Cozzi befriended director Dario Argento and began working with him in film and television as well as directing his own features including Hercules as well as continuing work with Argento. In the 2010s, he returned to directing with the film Blood on Méliès' Moon.
Mario Caiano was an Italian film director, screenwriter, producer, art director and second unit director.
Alberto De Martino was an Italian film director and screenwriter. Born in Rome, De Martino started as a child actor and later returned to the cinema where worked as a screenwriter, director and dubbing supervisor. De Martino's films as a director specialised in well-crafted knock-offs of Hollywood hit films. These films were specifically created films in Western, horror and mythology genres which were developed for the international market. The Telegraph stated that his best known of these film was probably The Antichrist. The Antichrist capitalized on the box-office appeal of The Exorcist (1973) and in its first week in the United States earned a greater box office than Jaws.
Piero Regnoli (1921–2001) was an Italian screenwriter and film director.
Duccio Tessari was an Italian film director, screenwriter and actor, considered one of the fathers of Spaghetti Westerns.
Massimo Dallamano, sometimes credited as Max Dillman, Max Dillmann or Jack Dalmas, was an Italian director and director of photography.
Giorgio Ferroni was an Italian film director.
References
Curti, Roberto (22 October 2013). Italian Crime Filmography, 1968-1980. McFarland, 2013. ISBN978-0786469765.
Curti, Roberto (2017). Italian Gothic Horror Films, 1970–1979. McFarland. ISBN978-1476629605.
Gallant, Chris (2000). Art of Darkness: The Cinema of Dario Argento. Fab Press. p.279. ISBN1903254078.
Kinnard, Roy; Crnkovich, Tony (2017). Italian Sword and Sandal Films, 1908-1990. McFarland. ISBN978-1476662916.
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