The list of the A hundred Italian films to be saved (Italian : Cento film italiani da salvare) was created with the aim to report "100 films that have changed the collective memory of the country between 1942 and 1978". [1] Film preservation, or film restoration, describes a series of ongoing efforts among film historians, archivists, museums, cinematheques, and non-profit organizations to rescue decaying film stock and preserve the images they contain. In the widest sense, preservation assures that a movie will continue to exist in as close to its original form as possible. [2]
The project was established in 2008 by the Venice Days festival section of the 65th Venice International Film Festival, in collaboration with Cinecittà Holding and with the support of the Italian Ministry of Cultural Heritage.
The list was edited by Fabio Ferzetti, [3] film critic of the newspaper Il Messaggero , in collaboration with film director Gianni Amelio and the writers and film critics Gian Piero Brunetta, Giovanni De Luna, Gianluca Farinelli, Giovanna Grignaffini, Paolo Mereghetti, Morando Morandini, Domenico Starnone and Sergio Toffetti. [4] [5]
At the end of the list are added the documentaries by Vittorio De Seta shot between 1954 and 1959.
In chronological order: [6]
The directors whose films have been selected are listed.
The cinema of Italy comprises the films made within Italy or by Italian directors. Italy is widely considered one of the birthplaces of art cinema, and the stylistic aspect of Italian film has been one of the most important factors in the history of Italian film. As of 2018, Italian films have won 14 Academy Awards for Best Foreign Language Film as well as 12 Palmes d'Or, one Academy Award for Best Picture and many Golden Lions and Golden Bears.
Vittorio De Sica was an Italian film director and actor, a leading figure in the neorealist movement.
Cesare Zavattini was an Italian screenwriter and one of the first theorists and proponents of the Neorealist movement in Italian cinema.
Italian neorealism, also known as the Golden Age of Italian Cinema, was a national film movement characterized by stories set amongst the poor and the working class. They are filmed on location, frequently with non-professional actors. They primarily address the difficult economic and moral conditions of post-World War II Italy, representing changes in the Italian psyche and conditions of everyday life, including poverty, oppression, injustice and desperation. Italian Neorealist filmmakers used their films to tell stories that explored the contemporary daily life and struggles of Italians in the post-war period. Italian neorealist films have become explanatory discourse for future generations to understand the history of Italy during a specific period through the storytelling of social life in the context, reflecting the documentary and communicative nature of the film. Some people believe that neorealistic films evolved from Soviet montage films. But in reality, compared to Soviet filmmakers describing the people's opposition to class struggle through their films, neorealist films aim to showcase individuals' resistance to reality in a social environment.
Mario Alberto Ettore Monicelli was an Italian film director and screenwriter, one of the masters of the commedia all'italiana. He was nominated six times for an Oscar, and received the Golden Lion for his career.
Michele Placido is an Italian actor, director and screenwriter. He began his career on stage, and first gained mainstream attention through a series of roles in films directed by the likes of Mario Monicelli and Marco Bellocchio, winning the Berlinale's Silver Bear for Best Actor for his performance in the 1979 film Ernesto. He is known internationally for portraying police inspector Corrado Cattani on the crime drama television series La piovra (1984–2001). Placido's directorial debut, Pummarò, was screened Un Certain Regard at the 1990 Cannes Film Festival. Three of his films have competed for the Golden Lion at the Venice Film Festival. He is a five-time Nastro d'Argento and four-time David di Donatello winner. In 2021, Placido was appointed President of the Teatro Comunale in Ferrara.
My Voyage to Italy is a personal documentary by acclaimed Italian-American director Martin Scorsese. The film is a voyage through Italian cinema history, marking influential films for Scorsese and particularly covering the Italian neorealism period.
Piero Piccioni was an Italian film score composer.
Gian Maria Volonté was an Italian actor and activist. He is best known for his roles in four Spaghetti Western films: Ramón Rojo in Sergio Leone's A Fistful of Dollars (1964), El Indio in Leone's For a Few Dollars More (1965), El Chuncho Munoz in Damiano Damiani's A Bullet for the General (1966) and Professor Brad Fletcher in Sergio Sollima's Face to Face (1967).
Walter Annicchiarico, known as Walter Chiari, was an Italian stage and screen actor, mostly in comedy roles.
Giovanna Ralli,, is an Italian stage, film, and television actress.
The Nastro d'Argento for Best Director is a film award bestowed annually as part of the Nastro d'Argento awards since 1946, organized by the Italian National Association of Film Journalists, the national association of Italian film critics.
Furio Scarpelli, also called Scarpelli, was an Italian screenwriter, famous for his collaboration on numerous commedia all'italiana films with Agenore Incrocci, forming the duo Age & Scarpelli.
Pasquale "Pasqualino" De Santis was an Italian cinematographer.
Maria Grazia Buccella is an Italian actress, glamour model and beauty pageant titleholder who was crowned Miss Italia 1959 and represented her country at Miss Universe 1959.
Brunello Rondi was an Italian screenwriter and film director, best known for his frequent script collaborations with Federico Fellini.
Aldo Tonti was an Italian cinematographer.
The Nastro d'Argento is a film award assigned each year, since 1948, by Sindacato Nazionale dei Giornalisti Cinematografici Italiani, the association of Italian film critics.
Mimmo Poli was an Italian film character actor.