The Little World of Don Camillo | |
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Directed by | Julien Duvivier |
Written by | Giovannino Guareschi (novel), Julien Duvivier, Oreste Biancoli, René Barjavel |
Starring | Fernandel, Gino Cervi, Franco Interlenghi, Vera Talchi |
Cinematography | Nicolas Hayer |
Edited by | Maria Rosada |
Music by | Alessandro Cicognini |
Release date |
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Running time | 107 min |
Countries | Italy France |
Languages | Italian, French |
Box office | 13,215,653 admissions (Italy) [1] 12,791,168 admissions (France) [2] |
The Little World of Don Camillo (Italian : Don Camillo; French : Le Petit Monde de don Camillo) is a 1952 Italian-French film directed by Julien Duvivier, starring Fernandel and Gino Cervi. It was the first film in the "Don Camillo" series, which made Fernandel an international star. The film was based on the novel Don Camillo by Italian author Giovannino Guareschi. It was followed in 1953 by The Return of Don Camillo , also directed by Duvivier.
In 2008, the film was included on the Italian Ministry of Cultural Heritage’s 100 Italian films to be saved, a list of 100 films that "have changed the collective memory of the country between 1942 and 1978." [3]
The story starts in a small [albeit unnamed] town, simply known as "a small world", in the Po lowlands of northern Italy, in the early summer of 1946. The town's Communist party led by Peppone has just won the majority of seats within the city council, an event which they exploit for propagandistic purposes – and with some non-vocal, but church bell-assisted protest by the outraged Don Camillo, the spiritual leader of the town's Christian political party –, when an unexpected event puts an instant stop to this arising conflict: Peppone has just added a new member, a son, to his family, and following a personal and pugilistic appeal by Peppone himself (as well as some admonishment from Christ) to a reluctant Don Camillo, the child is baptized in Camillo's church. Similar conflicts arising in the course of the story are settled between Don Camillo and Peppone in a similarly conflicting, but ultimately unified fashion, such as:
An important side story within the film is the Romeo and Juliet -esque relationship between a young girl named Gina Filotti, who has just returned to the town from boarding school as the story begins, and a young man named Mariolino Brusco. Gina and Mariolino's blossoming relationship, however, is off to a bad start: not only that the families of Gina (as Christians) and Mariolino (as Communists) are on ideologically opposite sides, they are also entertaining a long-running private feud. When their cause finds no support with neither Peppone as the mayor, nor with Camillo as a priest, the two lovers decide to commit a double suicide. Fortunately, both opposing parties come to their senses just in time, rescue the two and get the wedding underway. But during the combined wedding and house-warming festivities for the now-finished community hall and kindergarten, Don Camillo takes offense at one of Peppone's better throws at an Aunt Sally stall, which results in a public mass brawl.
Even though Peppone resents Don Camillo's interferences and their after-effects on personal health, he secretly enjoys their amicable quarrels and repeatedly tries his best to persuade the local bishop not to have Camillo replaced. However, with this last misdeed the bishop decides to send Camillo to a different community, and Peppone has threatened Camillo's parish not to say farewell to him as he is about to depart. But to his delightful surprise, Don Camillo does receive a touching goodbye from the people of his town – first from his parish at the train station next town, then from Peppone and his party comrades at the very next station afterward. Before Camillo departs for his new destination, Peppone asks him to come back soon and promises that Camillo's successor will not last long under his attention.
The film was produced by Francinex (Paris) and Rizzoli Amato (Rome). It belongs to a long series of Franco-Italian (or Italo-French) coproductions which provided hundreds of movies to the cinema during 30 years after World War II. In Le Petit Monde de Don Camillo (released in Italy as simply Don Camillo) one of the characteristics is a certain balance between the two countries, since the original author, the place of action, and one of the two stars are Italian, while the director, the screenwriters, and the first star are French. The crew and the rest of the cast are also equally divided between both nations.
During filming, the actors spoke their own language. So there are two originals, one Italian, and one French, in which the actors of the other language are dubbed. [4]
The film was the highest-grossing film in Italy of all-time [5] and is currently the seventh most watched Italian film at the cinema with 13,215,653 admissions. [1]
It was also the highest-grossing film in France of all-time and is currently the sixth most watched French film at the cinema with 12,791,168 admissions and the 17th most watched film in France. [2]
The film had four sequels, thus totaling five films plus one unfinished due to Fernandel's sudden death:
Fernand Joseph Désiré Contandin, better known as Fernandel, was a French comic actor. Born in Marseille, France, to Désirée Bedouin and Denis Contandin, originating in Perosa Argentina, a town located in the province of Turin, Italy, he became a comedy star, first gaining popularity in French vaudeville, operettas, and music-hall revues. His stage name originated from his marriage to Henriette Manse, the sister of his best friend and frequent cinematic collaborator Jean Manse. So attentive was he to his wife that his mother-in-law amusingly referred to him as Fernand d'elle.
Don Camillo and Peppone are the fictional protagonists of a series of works by the Italian writer and journalist Giovannino Guareschi set in what Guareschi refers to as the "small world" of rural Italy after World War II. Most of the Don Camillo stories came out in the weekly magazine Candido, founded by Guareschi with Giovanni Mosca. These "Little World" stories amounted to 347 in total and were put together and published in eight books, only the first three of which were published when Guareschi was still alive.
Giovannino Oliviero Giuseppe Guareschi was an Italian journalist, cartoonist, and humorist whose best known creation is the priest Don Camillo.
Julien Duvivier was a French film director and screenwriter. He was prominent in French cinema in the years 1930–1960. Amongst his most original films, chiefly notable are La Bandera, Pépé le Moko, Little World of Don Camillo, Panic (Panique), Deadlier Than the Male and Marianne de ma jeunesse.
Luigi Cervi, better known as Gino Cervi, was an Italian actor. He was best known for portraying Peppone in a series of comedies based on the character Don Camillo (1952–1965), and police detective Jules Maigret on the television series Le inchieste del commissario Maigret (1964–1972).
Brescello is a comune (municipality) in the Province of Reggio Emilia in the Italian region Emilia-Romagna, located about 80 kilometres (50 mi) northwest of Bologna and about 25 kilometres (16 mi) northwest of Reggio Emilia. As of 31 December 2016, it had a population of 5,621.
Gastone Moschin was an Italian stage, television and film actor.
Rosario "Saro" Urzì was an Italian actor. He is best known for his roles in the films In the Name of the Law (1949), The Railroad Man (1956), Seduced and Abandoned (1964), which earned him a Cannes Film Festival Award for Best Actor, and The Godfather (1972).
Carmine Gallone was an early Italian film director, screenwriter, and film producer, who was also controversial for his works of pro-Fascist propaganda and historical revisionism. Considered one of Italian cinema's leading early directors, he directed over 120 films in his fifty-year career between 1913 and 1963.
Alessandro Cicognini was an Italian composer who is chiefly remembered for his film scores.
Don Camillo in Moscow is a 1965 Italian comedy film directed by Luigi Comencini. It was the fifth film in the Don Camillo series.
Paolo Carlini was an Italian stage, television and film actor. He appeared in 45 films between 1940 and 1979. He is perhaps best-known to international audiences for his supporting role as the hairdresser Mario in Roman Holiday (1953) alongside Audrey Hepburn and Gregory Peck.
Leda Gloria was an Italian film actress. She appeared in 66 films between 1929 and 1965. During the expansion of Italian cinema of the Fascist era of the 1930s and early 1940s she appeared in starring roles, later transitioning into character parts after the Second World War. She appeared in the Don Camillo series of films, playing the wife of Gino Cervi's Giuseppe Bottazzi.
The Man in the Raincoat is a French-Italian comedy-thriller film directed by Julien Duvivier, scripted by the director and René Barjavel, from the 1954 novel Tiger by the Tail by James Hadley Chase. It was released in 1957 and shown at the 7th Berlin International Film Festival in competition for the Golden Bear. It stars Fernandel,, and Bernard Blier.
The World of Don Camillo is a 1983 Italian comedy film directed, produced and starring Terence Hill, and is a remake of Le Petit Monde de Don Camillo (1952). Both were based on the novel Don Camillo by Italian author Giovannino Guareschi.
The Return of Don Camillo is a 1953 French-Italian comedy film directed by Julien Duvivier and starring Fernandel, Gino Cervi and Édouard Delmont. The film's sets were designed by Virgilio Marchi. It was the second of five films featuring Fernandel as the Italian priest Don Camillo and his struggles with Giuseppe 'Peppone' Bottazzi, the Communist Mayor of their rural town.
Don Camillo's Last Round is a 1955 French-Italian comedy film directed by Carmine Gallone and starring Fernandel, Gino Cervi and Leda Gloria. It was the third of five films featuring Fernandel as the Italian priest Don Camillo and his struggles with Giuseppe "Peppone" Bottazzi, the Communist mayor of their rural town. The film had 5,087,231 admissions in France.
Don Camillo: Monsignor is a 1961 French-Italian comedy film directed by Carmine Gallone, starring Fernandel and Gino Cervi. The French title is Don Camillo Monseigneur and the Italian title is Don Camillo monsignore... ma non troppo. It was the fourth of five films featuring Fernandel as the Italian priest Don Camillo and his struggles with Giuseppe 'Peppone' Bottazzi, the Communist mayor of their rural town. In this instalment, Don Camillo has become a monsignor and Peppone a senator.
The Changing of the Guard is a 1962 French-Italian comedy film directed by Giorgio Bianchi and starring Fernandel, Gino Cervi and Milla Sannoner.
The Big Chief is a 1959 French-Italian comedy film directed by Henri Verneuil and starring Fernandel, Gino Cervi and Florence Blot. It is based on the short story The Ransom of Red Chief by O. Henry. It was shot at the Boulogne Studios in Parisl The film's sets were designed by the art director Robert Clavel. It is also known by the alternative title Gangster Boss. The two stars were known for their appearances together in the Don Camillo series of films. The story had previously been adapted for the 1952 American film O. Henry's Full House.