This article needs additional citations for verification .(June 2018) |
Comizi d'amore -Love Meetings- | |
---|---|
Directed by | Pier Paolo Pasolini |
Written by | Pier Paolo Pasolini |
Produced by | Alfredo Bini |
Starring | Pier Paolo Pasolini Alberto Moravia Giuseppe Ungaretti |
Cinematography | Mario Bernardo Tonino Delli Colli |
Edited by | Nino Baragli |
Release date |
|
Running time | 92 min |
Country | Italy |
Language | Italian |
Love Meetings (Italian: Comizi d'amore) is a 1964 feature-length documentary, [1] [2] which was shot by Italian writer and director Pier Paolo Pasolini, who also acts as the interviewer, appearing in many of the film's scenes. It was premiered in Locarno Film Festival on 26 July 1964. [1] In 2008, the film was included on the Italian Ministry of Cultural Heritage’s 100 Italian films to be saved, a list of 100 films that "have changed the collective memory of the country between 1942 and 1978." [3]
Typical for him, Pasolini's subject is sex: he questions representatives from a variety of social brackets on topics such as virginity, prostitution, homosexuality and sex education. The interviews are made in Italy. The overarching themes include sexual ignorance, confusion and conservatism.
The film is divided into four large parts, called "Ricerche" (literally, "searches"), plus a brief prologue, in which Pasolini asks children in a poor area where babies come from (the responses include "flowers," "the stork," "Jesus and God," and "my uncle") and an epilogue, in which Pasolini recites one of his poems about marriage. Also included are conversations with acclaimed author and his friend, Alberto Moravia and psychologist Cesare Musatti, or with poet Giuseppe Ungaretti, or with a group of three women journalists, including Oriana Fallaci. [4]
The film is divided into various parts depending on the topics covered or the various areas of Italy where the interviews were filmed.
Salò, or the 120 Days of Sodom, billed on-screen as Pasolini's 120 Days of Sodom on English-language prints and commonly referred to as simply Salò, is a 1975 political drama art horror film directed and co-written by Pier Paolo Pasolini. The film is a loose adaptation of the 1785 novel The 120 Days of Sodom by Marquis de Sade, updating the story's setting to the World War II era. It was Pasolini's final film, released three weeks after his murder.
The Gospel According to St. Matthew is a 1964 epic biblical drama film in the Italian neorealist style, written and directed by Pier Paolo Pasolini. It is a cinematic rendition of the story of Jesus according to the Gospel of Matthew, from the Nativity through the Resurrection.
Pier Paolo Pasolini was an Italian poet, film director, writer, actor and playwright. He is considered one of the defining public intellectuals in 20th-century Italian history, influential both as an artist and a political figure. He is known for directing the movies from Trilogy of Life.
Teorema, known as Theorem in the United Kingdom, is a 1968 Italian surrealist psychological drama film written and directed by Pier Paolo Pasolini and starring Silvana Mangano, Terence Stamp and Massimo Girotti, with Anne Wiazemsky, Laura Betti, Andrés José Cruz Soublette, Alfonso Gatto and Carlo De Mejo. Pasolini's sixth film, it was the first time he worked primarily with professional actors. In this film, an upper-class Milanese family is introduced to, and then abandoned by, an otherworldly man with a mysterious divine force. Themes include the timelessness of divinity and the spiritual corruption of the bourgeoisie.
Arabian Nights is a 1974 Italian film directed by Pier Paolo Pasolini. Its original Italian title is Il fiore delle mille e una notte, which means The Flower of the One Thousand and One Nights.
Pigsty is a 1969 Italian film written and directed by Pier Paolo Pasolini starring Jean-Pierre Léaud, Marco Ferreri, Ugo Tognazzi, Pierre Clémenti, Alberto Lionello, Franco Citti and Anne Wiazemsky.
Medea is a 1969 Italian film directed by Pier Paolo Pasolini, based on the ancient myth of Medea. The film stars opera singer Maria Callas in her only film role and is largely a faithful portrayal of the myth of Jason and the Argonauts and the events of Euripides' play The Medea.
The Hawks and the Sparrows is a 1966 Italian film directed by Pier Paolo Pasolini. It was entered into the 1966 Cannes Film Festival where a "Special Mention" was made of Totò, for his acting performance.
Dante Ferretti is an Italian production designer, art director, and costume designer.
The Decameron is a 1971 anthology film written and directed by Pier Paolo Pasolini, based on the 14th-century allegory by Giovanni Boccaccio. It is the first film of Pasolini's Trilogy of Life, the others being The Canterbury Tales and Arabian Nights. Each film was an adaptation of a different piece of classical literature focusing on ribald and often irreligious themes. The tales contain abundant nudity, sex, slapstick and scatological humour.
Giovanni "Ninetto" Davoli is an Italian actor who became known through his roles in several of Pier Paolo Pasolini's films.
Alfonso Gatto was an Italian writer. Along with Giuseppe Ungaretti he is one of the foremost Italian poets of the 20th century and a major exponent of hermetic poetry.
Adriano Bolzoni was an Italian journalist, writer and film director.
From a Roman Balcony is a 1960 Italian–French drama film directed by Mauro Bolognini. It is based on several stories by Alberto Moravia, who also co-wrote the screenplay with Pier Paolo Pasolini and Marco Visconti. The Italian theatrical release suffered several censorship problems, including the blocking of screenings, and a criminal complaint against director Bolognini and screenwriters Moravia and Pasolini.
The Hunchback of Rome is a 1960 Italian crime-drama film directed by Carlo Lizzani. It is loosely based on the real life events of Giuseppe Albano, an Italian partisan that was involved in the Roman Resistance against German occupation between 1943 and 1945.
The list of the 100 Italian films to be saved was created with the aim to report "100 films that have changed the collective memory of the country between 1942 and 1978". Film preservation, or film restoration, describes a series of ongoing efforts among film historians, archivists, museums, cinematheques, and non-profit organizations to rescue decaying film stock and preserve the images they contain. In the widest sense, preservation assures that a movie will continue to exist in as close to its original form as possible.
The 25th annual Venice International Film Festival was held from 27 August to 10 September 1964.
Pasolini is a 2014 English-language internationally co-produced drama film directed by Abel Ferrara and written by Maurizio Braucci about the final days of Italian film director Pier Paolo Pasolini. It was selected to compete for the Golden Lion at the 71st Venice International Film Festival. It was also screened in the Special Presentations section of the 2014 Toronto International Film Festival.
Adele Cambria was an Italian journalist, writer and actress.
New Love Meetings is an Italian documentary film made on a Nokia N90, the first feature film shot entirely with a Camera phone. The film was inspired by Pier Paolo Pasolini's documentary Love Meetings and is a modern version of that film.