Bitter Rice is a 1949 Italian film made by Lux Film, written and directed by Giuseppe De Santis. Produced by Dino De Laurentiis, starring Silvana Mangano, Raf Vallone, Doris Dowling and Vittorio Gassman, Bitter Rice was a commercial success in Europe and the United States. It was a product of the Italian neorealism style. The Italian title of the film is based on a pun; since the Italian word riso can mean either "rice" or "laughter", riso amaro can be taken to mean either "bitter laughter" or "bitter rice".
Variety Lights is a 1951 Italian romantic drama film produced, directed and written by Federico Fellini and Alberto Lattuada and starring Peppino De Filippo, Carla Del Poggio, and Giulietta Masina. The film is about a beautiful and ambitious young woman who joins a traveling troupe of third-rate vaudevillians and inadvertently causes jealousy and emotional crises. A collaboration with Alberto Lattuada in production, direction, and writing, Variety Lights launched Fellini's directorial career. Prior to this film, Fellini worked primarily as a screenwriter, most notably working on Roberto Rossellini’s Rome, Open City.
Two Cents Worth of Hope is a 1952 film directed by Renato Castellani. It is the third part of Castellani's Young Love trilogy, following Sotto il sole di Roma (1948) and È primavera...(1950).
Angelina is a 1947 film directed by Luigi Zampa. The star of the film is Anna Magnani, who won Volpi Cup prize for "Best Actress" at the Venice Film Festival. Zampa was nominated for a Golden Lion. The film is in the public domain.
A Hero of Our Times is a 1955 Italian comedy film directed by Mario Monicelli and starring Alberto Sordi. In 2008, the film was included on the Italian Ministry of Cultural Heritage’s 100 Italian films to be saved, a list of 100 films that "have changed the collective memory of the country between 1942 and 1978."
Hands over the City is a 1963 drama film directed by Francesco Rosi. It is a story of political corruption in post-World War II Italy. In 2008, the film was included on the Italian Ministry of Cultural Heritage’s 100 Italian films to be saved, a list of 100 films that "have changed the collective memory of the country between 1942 and 1978."
Path of Hope is a 1950 Italian language drama film directed by Pietro Germi that belongs to the Italian neorealism film movement. It is based on Nino Di Maria's novel Cuori negli abissi. Federico Fellini co-wrote the script. In July 2021, the film was shown in the Cannes Classics section at the 2021 Cannes Film Festival.
Il bell'Antonio is a 1960 Italian-French drama film directed by Mauro Bolognini. The film is based on a novel by Vitaliano Brancati and adapted for the screen by Pier Paolo Pasolini and Gino Visentini. It stars Marcello Mastroianni, Claudia Cardinale and Tomas Milian. The film won the Golden Leopard at the Locarno International Film Festival. In 2008, the film was included on the Italian Ministry of Cultural Heritage’s 100 Italian films to be saved, a list of 100 films that "have changed the collective memory of the country between 1942 and 1978."
Poveri ma belli is a 1957 Italian comedy film directed by Dino Risi.
Toto in Color is a 1952 Italian comedy film, and was the first Italian color film shot with the Ferraniacolor system. The film was directed by Steno and starred the comic actor Totò. In 2008, the film was included on the Italian Ministry of Cultural Heritage’s 100 Italian films to be saved, a list of 100 films that "have changed the collective memory of the country between 1942 and 1978."
The Scientific Cardplayer, also known as The Scopone Game, is a 1973 Italian comedy-drama film directed by Luigi Comencini. The screenplay was written by Rodolfo Sonego. In 2008, the film was included on the Italian Ministry of Cultural Heritage’s 100 Italian films to be saved, a list of 100 films that "have changed the collective memory of the country between 1942 and 1978."
Sunday in August is a 1950 Italian comedy film directed by Luciano Emmer. The film was nominated for a BAFTA. In 2008, the film was included on the Italian Ministry of Cultural Heritage’s 100 Italian films to be saved, a list of 100 films that "have changed the collective memory of the country between 1942 and 1978."
Vittorio Caprioli was an Italian actor, film director and screenwriter. He appeared in 109 films between 1946 and 1990, mostly in French productions.
The Wayward Wife is a 1953 Italian melodrama film directed by Mario Soldati. It was entered into the 1953 Cannes Film Festival. In 2008, the film was included on the Italian Ministry of Cultural Heritage’s 100 Italian films to be saved, a list of 100 films that "have changed the collective memory of the country between 1942 and 1978."
Father's Dilemma is a 1950 Italian comedy film directed by Alessandro Blasetti. It won an award at the Venice Film Festival. In 2008, the film was included on the Italian Ministry of Cultural Heritage’s 100 Italian films to be saved, a list of 100 films that "have changed the collective memory of the country between 1942 and 1978."
The Passaguai Family is a 1951 Italian comedy film written, starring and directed by Aldo Fabrizi. It also featured Peppino De Filippo, Ave Ninchi and Giovanna Ralli. It was followed by a sequel The Passaguai Family Gets Rich in 1952. It follows the misadventures of a lower middle-class family and their friends from Rome when they take a day's outing at the seaside.
Arrangiatevi!, internationally released as You're on Your Own, is a 1959 Italian comedy film directed by Mauro Bolognini.
Leoni al sole is a 1961 Italian comedy drama film. It is the directorial debut of Vittorio Caprioli.
City of Pain is a 1949 Italian drama film directed by Mario Bonnard. It was shown as part of a retrospective "Questi fantasmi: Cinema italiano ritrovato" at the 65th Venice International Film Festival.
The list of the 100 Italian films to be saved was created with the aim to report "100 films that have changed the collective memory of the country between 1942 and 1978". Film preservation, or film restoration, describes a series of ongoing efforts among film historians, archivists, museums, cinematheques, and non-profit organizations to rescue decaying film stock and preserve the images they contain. In the widest sense, preservation assures that a movie will continue to exist in as close to its original form as possible.
