| A Thorn in the Heart | |
|---|---|
 | |
| Directed by | Alberto Lattuada |
| Written by | Piero Chiara Franco Ferrini Alberto Lattuada Enrico Oldoini |
| Cinematography | Luigi Kuveiller |
| Edited by | Ruggero Mastroianni |
| Music by | Armando Trovajoli |
Release date | 1986 |
| Language | Italian |
Una spina nel cuore, internationally released as A Thorn in the Heart, is a 1986 Italian romance- drama film directed by Alberto Lattuada. [1] It is loosely based on the novel with the same title by Piero Chiara. [2]
Mario Alberto Lattuada was an Italian film director.
Miasino is a comune (municipality) in the Province of Novara in the Italian region of Piedmont, located about 100 kilometres (62 mi) northeast of Turin and about 40 kilometres (25 mi) northwest of Novara. As of 31 December 2004, it had a population of 950 and an area of 5.3 square kilometres (2.0 sq mi).
Valerio Zurlini was an Italian stage and film director and screenwriter.
Cuore di cane is a 1976 joint Italian-German comedy film directed by Alberto Lattuada based on a novel Heart of a Dog by Mikhail Bulgakov adapted by Mario Gallo. Screenplay by Alberto Lattuada with Viveca Melander. Composer - Piero Piccioni, editor - Sergio Montanari. Cinematography by Lamberto Caimi. Production companies - Corona Filmproduktion, Filmalpha, distribution by Constantin Film. Runtime - 113 min.
La tempesta is a 1958 Italian drama film directed by Alberto Lattuada. It is based on A History of Pugachev (1834) and the 1836 novel The Captain's Daughter, both by Alexander Pushkin. For this film Lattuada was awarded a David di Donatello for Best Director.
Oh, Serafina! is a 1976 Italian comedy-drama film directed by Alberto Lattuada.
Venga a prendere il caffè da noi, internationally released as Come Have Coffee with Us, is a 1970 Italian comedy film directed by Alberto Lattuada. It is based on the novel La spartizione by Piero Chiara. The film was awarded with two Nastro d'Argento awards, for best screenplay and for best supporting actress.
I dolci inganni is a 1960 Italian drama film directed by Alberto Lattuada. The film tells one day in the life of a young adolescent girl who is discovering her sexuality.
Lettere di una novizia is a 1960 Italian drama film directed by Alberto Lattuada. It is loosely based on the novel with the same title by Guido Piovene. The film was coproduced by France, where it was released with the title La novice.
L'imprevisto, internationally released as The Mishap, is a 1961 Italian crime-drama film directed by Alberto Lattuada. It was coproduced by France, where it was released with the title L'Imprévu.
Don Giovanni in Sicilia, internationally released as Don Juan in Sicily, is a 1967 Italian comedy-drama film directed by Alberto Lattuada. It is loosely based on the novel with the same title by Vitaliano Brancati.
Matchless is a 1967 Italian science fiction-comedy film directed by Alberto Lattuada. It parodies the spy film genre.
Sono stato io is a 1973 Italian comedy-drama film directed by Alberto Lattuada. For his role Giancarlo Giannini was awarded as best actor at the San Sebastián International Film Festival.
The Beach also internationally released as Riviera and The Boarder) is a 1954 French-Italian comedy drama film directed by Alberto Lattuada and starring Martine Carol, Raf Vallone and Mario Carotenuto. In 2008 the film was selected to enter the list of the 100 Italian films to be saved.
Il mulino del Po is a 1949 Italian drama film directed by Alberto Lattuada. It is based on the novel with the same name by Riccardo Bacchelli.
Giacomo the Idealist is a 1943 Italian drama film directed by Alberto Lattuada and starring Massimo Serato, Marina Berti and Andrea Checchi. It represents the directorial debut of Lattuada.
La lupa is a 1953 Italian drama film directed by Alberto Lattuada.
The Nastro d'Argento is a film award assigned each year, since 1948, by Sindacato Nazionale dei Giornalisti Cinematografici Italiani, the association of Italian film critics.
Piero Tellini was an Italian screenwriter and film director.
Calligrafismo is an Italian style of filmmaking relating to some films made in Italy in the first half of the 1940s and endowed with an expressive complexity that isolates them from the general context. Calligrafismo is in a sharp contrast to Telefoni Bianchi-American style comedies and is rather artistic, highly formalistic, expressive in complexity and deals mainly with contemporary literary material, above all the pieces of Italian realism from authors like Corrado Alvaro, Ennio Flaiano, Emilio Cecchi, Francesco Pasinetti, Vitaliano Brancati, Mario Bonfantini and Umberto Barbaro.
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