Massimo Serato was an Italian film actor with a career spanning over 40 years.
Andrea Checchi was a prolific Italian film actor.
At the Edge of the City is a 1953 Italian crime film drama directed by Carlo Lizzani. The film stars Massimo Girotti, Marina Berti and Giulietta Masina. In Rome a young man is falsely accused of killing his girlfriend. It was shot at the Palatino Studios in Rome and on location in the city. The film used neorealist style and was based on a real-life case.
Sunday in August is a 1950 Italian comedy drama film directed by Luciano Emmer and starring Vera Carmi, Marcello Mastroianni, Emilio Cigoli and Massimo Serato. It earned just under 150 million lire at the domestic box office. The film was nominated for a BAFTA. In 2008, the film was included on the Italian Ministry of Cultural Heritage's Hundred Italian films to be saved, a list of 100 films that "have changed the collective memory of the country between 1942 and 1978".
Peppino, le modelle e chella là is a 1957 Italian comedy film directed by Mario Mattoli and starring Gino Bramieri.
Challenge of the Gladiator is a 1965 Italian peplum film directed by Domenico Paolella.
Adriana Benetti was an Italian actress.
Lettere di una novizia is a 1960 Italian drama film directed by Alberto Lattuada. It is loosely based on the novel with the same title by Guido Piovene. The film was coproduced by France, where it was released with the title La novice.
The Earth Cries Out is a 1948 Italian action-drama film directed by Duilio Coletti.
The Beach also internationally released as Riviera and The Boarder) is a 1954 French-Italian comedy drama film directed by Alberto Lattuada and starring Martine Carol, Raf Vallone and Mario Carotenuto. In 2008 the film was selected to enter the list of the 100 Italian films to be saved.
Imperial Venus is a 1962 French-Italian historical film directed by Jean Delannoy and starring Gina Lollobrigida, Stephen Boyd and Raymond Pellegrin. It depicts the life of Pauline Bonaparte, the sister of Napoleon. For her performance Lollobrigida won the David di Donatello for best actress and the Nastro d'Argento for the same category.
The Mill on the Po is a 1949 Italian historical drama film directed by Alberto Lattuada and starring Carla Del Poggio, Jacques Sernas and Mario Besesti. It is based on the third part of the novel of the same name by Riccardo Bacchelli. It premiered at the 1949 Venice Film Festival. The films was produced and distributed by Lux Film, one of Italy's leading companies of the postwar years. Extensive location shooting took place around Lombardy including at Bagnolo San Vito, Porto Mantovano and Curtatone. The films sets were designed by the art director Luigi Gervasi.
La lupa is a 1953 Italian drama film directed by Alberto Lattuada.
The Brothers Karamazov is a 1947 Italian historical drama film directed by Giacomo Gentilomo and starring Fosco Giachetti, Lamberto Picasso and Mariella Lotti. It is based on the 1880 novel of the same title by Fyodor Dostoyevsky. It won two Nastro d'Argento Awards, for best screenplay and for best score. The film's sets were designed by the art director Alberto Boccianti.
Bayonet is a 1936 Italian historical adventure film directed by Ferdinando Maria Poggioli and starring Nerio Bernardi, Leda Gloria and Mimì Aylmer. It portrays the life of Giacomo Casanova.
Un apprezzato professionista di sicuro avvenire is a 1971 Italian drama film written and directed by Giuseppe De Santis. It is his last film.
Pietà per chi cade is a 1954 Italian melodrama film written and directed by Mario Costa and starring Amedeo Nazzari, Antonella Lualdi and Nadia Gray.
Gladiators Seven is a 1964 Italian peplum film directed by Alberto De Martino and starring Tony Russel.
The Black Captain is a 1951 Italian historical adventure film directed by Giorgio Ansoldi and Alberto Pozzetti and starring Steve Barclay, Marina Berti and Paul Muller.
Calligrafismo is an Italian style of filmmaking relating to some films made in Italy in the first half of the 1940s and endowed with an expressive complexity that isolates them from the general context. Calligrafismo is in a sharp contrast to Telefoni Bianchi-American style comedies and is rather artistic, highly formalistic, expressive in complexity and deals mainly with contemporary literary material, above all the pieces of Italian realism from authors like Corrado Alvaro, Ennio Flaiano, Emilio Cecchi, Francesco Pasinetti, Vitaliano Brancati, Mario Bonfantini and Umberto Barbaro.
