La vita agra | |
---|---|
Directed by | Carlo Lizzani |
Written by | Sergio Amidei Luciano Vincenzoni Carlo Lizzani Luciano Bianciardi |
Produced by | E. Nino Krisman |
Starring | Ugo Tognazzi Giovanna Ralli |
Cinematography | Erico Menczer |
Edited by | Franco Fraticelli |
Music by | Piero Piccioni |
Release date |
|
Running time | 100 minutes |
Country | Italy |
Language | Italian |
La vita agra is a 1964 Italian film by director Carlo Lizzani, based on Luciano Bianciardi's novel of the same name.
In 2008, the film was included on the Italian Ministry of Cultural Heritage’s 100 Italian films to be saved, a list of 100 films that "have changed the collective memory of the country between 1942 and 1978." [1]
Luciano Bianciardi, author of the novel, appeared in a small cameo.
Francesco Guccini is an Italian singer, songwriter, actor, and writer. During the five decades of his music career he has recorded 16 studio albums and collections, and 6 live albums. He is also a writer, having published autobiographic and noir novels, and a comics writer. Guccini also worked as actor, soundtrack composer, lexicographer and dialectologist.
La dolce vita is a 1960 satirical comedy-drama film directed by Federico Fellini. It was written by Fellini, Ennio Flaiano, Tullio Pinelli, and Brunello Rondi. The film stars Marcello Mastroianni as Marcello Rubini, a tabloid journalist who, over seven days and nights, journeys through the "sweet life" of Rome in a fruitless search for love and happiness. The screenplay can be divided into a prologue, seven major episodes interrupted by an intermezzo, and an epilogue, according to the most common interpretation.
"Caruso" is a song written by Italian singer-songwriter Lucio Dalla in 1986. It is dedicated to Enrico Caruso, an Italian tenor. Following Lucio Dalla's death, the song entered the Italian Singles Chart, peaking at number two for two consecutive weeks. The single was also certified platinum by the Federation of the Italian Music Industry.
Accattone is a 1961 Italian drama film written and directed by Pier Paolo Pasolini. It was Pasolini's first film as a director and premiered at the Venice Film Festival. In 2008, the film was included on the Italian Ministry of Cultural Heritage’s 100 Italian films to be saved, a list of 100 films that "have changed the collective memory of the country between 1942 and 1978."
Carlo Lizzani was an Italian film director, screenwriter and critic.
Luciano Vincenzoni was an Italian screenwriter, known as the "script doctor". He wrote for some 65 films between 1954 and 2000.
The Great War is a 1959 Italian comedy-drama war film directed by Mario Monicelli. It tells the story of an odd couple of army buddies in World War I; the movie, while played on a comedic register, does not hide from the viewer the horrors and grimness of trench warfare. Starring Alberto Sordi and Vittorio Gassman and produced by Dino De Laurentiis, the film won the Golden Lion at the Venice Film Festival. Its crew also included Danilo Donati (costumes) and Mario Garbuglia.
I mostri is a 1963 commedia all'italiana film by Italian director Dino Risi. It was coproduced with France.
Tullio Kezich was an Italian screenwriter and playwright, best known as the film critic for Corriere della Sera and for his award-winning biography of Italian director Federico Fellini.
Corrado Alvaro was an Italian journalist and writer of novels, short stories, screenplays and plays. He often used the verismo style to describe the hopeless poverty in his native Calabria. His first success was Gente in Aspromonte, which examined the exploitation of rural peasants by greedy landowners in Calabria, and is considered by many critics to be his masterpiece.
Ribolla is a village in southern Tuscany, a frazione of the comune of Roccastrada, in the province of Grosseto. At the time of the 2001 census its population amounted to 2,115.
The Wayward Wife is a 1953 Italian melodrama film directed by Mario Soldati. It was entered into the 1953 Cannes Film Festival. In 2008, the film was included on the Italian Ministry of Cultural Heritage’s 100 Italian films to be saved, a list of 100 films that "have changed the collective memory of the country between 1942 and 1978."
Luciano Bianciardi was an Italian writer, journalist, translator and librarian.
La vita agra, known in English-speaking countries as It's a Hard Life, is a novel by Luciano Bianciardi published in 1962 by Rizzoli. It became a best-seller in Italy and it is considered one of the most important novels in contemporary Italian literature.
The list of the A hundred Italian films to be saved was created with the aim to report "100 films that have changed the collective memory of the country between 1942 and 1978". Film preservation, or film restoration, describes a series of ongoing efforts among film historians, archivists, museums, cinematheques, and non-profit organizations to rescue decaying film stock and preserve the images they contain. In the widest sense, preservation assures that a movie will continue to exist in as close to its original form as possible.
Luciano Caramel was an Italian art critic, curator, and art historian. In the 1980s he was Deputy Director of the Accademia di Belle Arti di Brera in Milan. He taught contemporary art at the Università Cattolica del Sacro Cuore in Milan and at Accademia Albertina in Turin. He was an expert on the work of Medardo Rosso. His publications include Arte in Italia 1945-1960, a university textbook.
Edoardo Albinati is an Italian novelist.
Chiara Gamberale is an Italian writer, television and radio presenter.
The Biblioteca Chelliana is a public library in Grosseto, Italy, founded in 1860 by Giovanni Chelli. In 1865, it became a public library as Biblioteca comunale Chelliana. It currently occupies the Palazzo Mensini built in 1898.
Bianciardi is an Italian family name.
During the Middle Ages and Renaissance period, Bianciardi was in particular an important Florentine noble family that maintained strong ties with the Catholic Church.
Several people have left traces of their lives to date, particularly bankers, knights, landlords and scholars who have had relationships with other well-known personalities, including members of the Visconti, Villani, Aldighieri and Medici families.
In Old Italian, in the late 17th and early 20th centuries, it assumed the synonym of 'whitish' as gallicism of the French word Blanchard, as confirmed by the linguist Carlo Salvioni.
An example of a literary text where it is used as a word is in D'Annunzio's work Le faville del maglio.