| La Celestina P... R... | |
|---|---|
 | |
| Directed by | Carlo Lizzani |
| Starring | |
| Cinematography | Oberdan Troiani |
| Edited by | Mario Serandrei |
| Music by | Piero Umiliani |
Release date |
|
| Language | Italian |
La Celestina P... R... is a 1965 Italian comedy film directed by Carlo Lizzani. [1] It is loosely based on the Medieval novel La Celestina by Fernando de Rojas. [2]
The film marked the film comeback of Assia Noris after a 15 years break; it is also her last film. [3]
Carlo Lizzani was an Italian film director, screenwriter and critic.
The Man Who Smiles is a 1936 Italian "white-telephones" comedy film about an Oedipus Complex, directed by Mario Mattoli. The film stars Vittorio De Sica, Umberto Melnati, Enrico Viarisio, Assia Noris and Paola Borboni. It is based on a play by Aldo De Benedetti.It was shot at the Tirrenia Studios.
Assia Noris was a Russian-Italian film actress. She appeared in over 35 films between 1932 and 1965
Love Story is a 1942 Italian drama film directed by Mario Camerini and starring Assia Noris, Piero Lulli and Carlo Campanini. It is based on the play Life Begins by Mary McDougal Axelson, previously adapted into a 1932 film of the same title and a 1939 film A Child Is Born. Along with A Pistol Shot it marked an attempt to showcase Noris as a dramatic actress, rather than the White Telephone comedies she had become known for. It was screened at the 1942 Venice Film Festival.
Strange Inheritance or The Traveller on All Saints' Day is a 1943 French-Italian mystery film directed by Louis Daquin and starring Assia Noris, Jules Berry, Gabrielle Dorziat and Guillaume de Sax. It is an adaptation of the 1941 novel of the same title by Georges Simenon.
Department Store is a 1939 Italian "white-telephones" comedy film directed by Mario Camerini.
Dora Nelson is a 1939 Italian comedy film directed by Mario Soldati and starring Assia Noris, Carlo Ninchi and Luigi Cimara. It is a remake of the 1935 French film of the same title, which was based on a play by Louis Verneuil. The film was shot at Cinecittà in Rome, with several real employees of the studio appearing as themselves. It belongs to the movies of the calligrafismo style.
A Pistol Shot is a 1942 Italian historical drama film directed by Renato Castellani and starring Assia Noris, Fosco Giachetti, and Antonio Centa. The film was shot at the Palatino Studios in Rome with sets designed by the art director Gino Brosio. It belongs to the movies of the calligrafismo style. The film is an adaptation of Alexandr Pushkin's short story The Shot (Pushkin), published in 1831.
Three Lucky Fools is a 1933 French-Italian comedy film directed by Mario Bonnard and starring Tito Schipa, Eduardo De Filippo, and Fred Pasquali. It marked the film debut of Assia Noris, who went on to be a leading Italian star.
A Woman Between Two Worlds is a 1936 Italian white telephone drama film directed by Goffredo Alessandrini and starring Isa Miranda, Assia Noris and Giulio Donadio. The film's sets were designed by art director Hans Ledersteger. It is the Italian version of the German film The Love of the Maharaja. The film largely takes place in a grand hotel setting.
What a Distinguished Family is a 1945 Italian "white-telephones" comedy film directed by Mario Bonnard and starring Gino Cervi, Assia Noris and Aroldo Tieri.
Honeymoon is a 1941 Italian film directed by Giacomo Gentilomo and starring Assia Noris, Aldo Fiorelli and Luigi Cimara. It was made at the Pisorno Studios in Tirrenia.
The Ten Commandments is a 1945 Italian drama film directed by Giorgio Walter Chili. It features an ensemble of Italian actors in episodes based on the Ten Commandments.
The House of Shame is a 1938 Italian "white-telephones" comedy film directed by Max Neufeld and starring Amedeo Nazzari, Assia Noris and Alida Valli.
The Wedding March is a 1934 Italian comedy film directed by Mario Bonnard and starring Tullio Carminati, Cesare Bettarini, and Assia Noris. The film's sets were designed by the art director Gastone Medin. A French-language version titled La marche nuptiale with Madeleine Renaud was also released in 1935.
Giallo is a 1933 Italian comedy thriller film directed by Mario Camerini and starring Assia Noris, Sandro Ruffini and Elio Steiner. It is based on the 1928 play The Man Who Changed His Name by Edgar Wallace in which a young wife begins to fear that her husband may in fact be an escaped murderer.
I Want to Live with Letizia is a 1938 Italian "white-telephones" comedy film directed by Camillo Mastrocinque and starring Assia Noris, Gino Cervi and Umberto Melnati.
Heartbeat is a 1939 Italian "white-telephones" comedy film directed by Mario Camerini and starring Assia Noris, John Lodge and Rubi D'Alma. It remade in France as Beating Heart in 1940, and then again in Hollywood as a 1946 film of the same title starring Ginger Rogers and Basil Rathbone.
A Romantic Adventure is a 1940 Italian historical drama film directed by Mario Camerini and starring Assia Noris, Gino Cervi and Leonardo Cortese. It is inspired by the 1883 short story The Romantic Adventures Of A Milkmaid by Thomas Hardy. Produced when the two countries were at war, the setting was shifted from the English countryside of the late nineteenth century to Piedmont in the 1830s.
One Hundred Thousand Dollars is a 1940 Italian "white-telephones" comedy film directed by Mario Camerini and starring Assia Noris, Amedeo Nazzari and Lauro Gazzolo.
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