Poor, But Handsome | |
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Directed by | Dino Risi |
Written by | Dino Risi Pasquale Festa Campanile Massimo Franciosa |
Produced by | Silvio Clementelli |
Starring | Marisa Allasio Maurizio Arena Renato Salvatori |
Cinematography | Tonino Delli Colli |
Music by | Giorgio Fabor Piero Piccioni |
Release date |
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Running time | 101 min. |
Language | Italian |
Poor, But Handsome (Italian : Poveri ma belli) is a 1957 Italian comedy film directed by Dino Risi.
There have been two sequels, also directed by Risi and starring Marisa Allasio, Maurizio Arena and Renato Salvatori: Pretty But Poor in 1957 and Poor Millionaires in 1959 (the latter not featuring Allasio, who by then had retired from acting).
In 2008, the film was included on the Italian Ministry of Cultural Heritage’s 100 Italian films to be saved, a list of 100 films that "have changed the collective memory of the country between 1942 and 1978." [1]
Romolo (Maurizio Arena) and Salvatore (Renato Salvatori) are two young men that are neighbors and friends. They live in Piazza Navona in Rome. They are poor but handsome, and both fall in love with the beautiful Giovanna (Marisa Allasio).
After having briefly flirted in quick succession with both friends (a situation which severely strains their feelings of comradeship), Giovanna realizes she's still in love with Ugo, her previous boyfriend, and returns with him. Romolo and Salvatore, their friendship recovered, ultimately get simultaneously engaged with each other's sister.
Vittorio De Sica was an Italian film director and actor, a leading figure in the neorealist movement.
Renato Salvatori was an Italian actor.
Commedia all'italiana, or Italian-style comedy, is an Italian film genre born in Italy in the 1950s and developed in the 1960s and 1970s. It is widely considered to have started with Mario Monicelli's Big Deal on Madonna Street in 1958, and derives its name from the title of Pietro Germi's Divorce Italian Style (1961). According to most of the critics, La Terrazza (1980) by Ettore Scola is the last work considered part of the commedia all'italiana.
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Poor Millionaires is a 1959 Italian comedy film directed by Dino Risi. It is the final chapter in the trilogy started with Poveri ma belli.
The list of the A hundred Italian films to be saved was created with the aim to report "100 films that have changed the collective memory of the country between 1942 and 1978". Film preservation, or film restoration, describes a series of ongoing efforts among film historians, archivists, museums, cinematheques, and non-profit organizations to rescue decaying film stock and preserve the images they contain. In the widest sense, preservation assures that a movie will continue to exist in as close to its original form as possible.
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