The White Sheik

Last updated
The White Sheik
Sceicbia.jpg
Theatrical release poster
Directed by Federico Fellini
Screenplay byFederico Fellini
Tullio Pinelli
Ennio Flaiano
Story by Michelangelo Antonioni
Federico Fellini
Tullio Pinelli
Produced by Luigi Rovere
Starring Alberto Sordi
Leopoldo Trieste
Brunella Bovo
Giulietta Masina
Cinematography Arturo Gallea
Edited by Rolando Benedetti
Music by Nino Rota
Production
company
Release dates
  • 6 September 1952 (1952-09-06)(VFF)
  • 20 September 1952 (1952-09-20)(Italy)
  • 25 April 1956 (1956-04-25)(U.S.)
Running time
83 minutes
CountryItaly
Language Italian
Box office$50,850 [1]

The White Sheik (Italian : Lo sceicco bianco) is a 1952 Italian romantic comedy film directed by Federico Fellini and starring Alberto Sordi, Leopoldo Trieste, Brunella Bovo and Giulietta Masina. Written by Fellini, Tullio Pinelli, Ennio Flaiano and Michelangelo Antonioni, the film is about a man who brings his new bride to Rome for their honeymoon, to have an audience with the Pope, and to present his wife to his family. When the young woman sneaks away to find the hero of her romance novels, the man is forced to spend hour after hour making excuses to his eager family who want to meet his missing bride. [2] The White Sheik was filmed on location in Fregene, Rome, Spoleto and Vatican City. [3]

Contents

In 2008, the film was included on the Italian Ministry of Cultural Heritage’s 100 Italian films to be saved, a list of 100 films that "have changed the collective memory of the country between 1942 and 1978." [4]

Plot

Two young newlyweds from a provincial town, Wanda (Brunella Bovo) and Ivan Cavalli (Leopoldo Trieste), arrive in Rome for their honeymoon. Wanda is obsessed with the "White Sheik" (Alberto Sordi), the Rudolph Valentino-like hero of a soap opera photo strip and sneaks off to find him, leaving her conventional, petit bourgeois husband in a quandary as he tries to hide his wife's disappearance from his strait-laced relatives who are waiting to go with them to visit the Pope.

Cast

Production

The White Sheik was Fellini's first solo effort as a director. He had previously co-directed Variety Lights in 1950 with Alberto Lattuada.

Originally the treatment for The White Sheik was written by Michelangelo Antonioni. [6] Carlo Ponti commissioned Fellini and Tullio Pinelli to develop the treatment. It was satirical in nature, targeting the trashy fotoromanzi comic strips that were extremely popular in Italy when the film was made. [7]

The male lead, Leopoldo Trieste, a playwright who did not consider himself an actor, reluctantly auditioned for Fellini. During the audition Fellini asked him to compose a sonnet that the lead character would have written to his wife. The poem which begins "She is graceful, sweet and teeny..." was included in the film. [8]

Appearing briefly as the prostitute Cabiria, Giulietta Masina would later return to this role in Nights of Cabiria . Her short scene inspired Fellini to write the screenplay and also convinced producers that Giulietta was ready for the leading role. [9]

Reception

Italian film critic Giulio Cesare Castello, writing for Cinema V, argued that Fellini's past as a successful strip cartoonist made him a natural choice as the film's director: "Fellini was undoubtedly the best qualified and for two reasons: firstly, his experience as a strip cartoonist and consequently his familiarity with the secrets and intrigues of the world he was about to bring to the screen; secondly, his gift for sarcastic comment and delight in satirizing tradition... The result is unusual and stimulating but derives more from the failure to establish a basic mood or tone rather than from any direct intention. Fellini should find this tone in future works if he is to avoid the discontinuity we found here." [10]

Soundtrack

Nino Rota scored the film.

Related Research Articles

<span class="mw-page-title-main">Federico Fellini</span> Italian filmmaker (1920–1993)

Federico Fellini was an Italian filmmaker. He is known for his distinctive style, which blends fantasy and baroque images with earthiness. He is recognized as one of the greatest and most influential filmmakers of all time. His films have ranked highly in critical polls such as that of Cahiers du Cinéma and Sight & Sound, which lists his 1963 film 8+12 as the 10th-greatest film.

<i>8½</i> 1963 film by Federico Fellini

8+12 is an Italian 1963 surrealist comedy-drama film directed and co-written by Federico Fellini. The metafictional narrative centers on Guido Anselmi, played by Marcello Mastroianni, a famous Italian film director who suffers from stifled creativity as he attempts to direct an epic science fiction film. Claudia Cardinale, Anouk Aimée, Sandra Milo, Rossella Falk, Barbara Steele, and Eddra Gale portray the various women in Guido's life. The film is shot in black and white by cinematographer Gianni Di Venanzo and features a soundtrack by Nino Rota, with costume and set designs by Piero Gherardi.

<i>Juliet of the Spirits</i> 1965 film by Federico Fellini

Juliet of the Spirits is a 1965 fantasy comedy-drama film directed by Federico Fellini and starring Giulietta Masina, Sandra Milo, Mario Pisu, Valentina Cortese, and Valeska Gert. The film is about the visions, memories, and mysticism that help a middle-aged woman find the strength to leave her philandering husband. The film uses "caricatural types and dream situations to represent a psychic landscape." It was Fellini's first feature-length color film, but followed his use of color in "The Temptation of Doctor Antonio" episode in the portmanteau film Boccaccio '70 (1962).

<i>Nights of Cabiria</i> 1957 film by Federico Fellini

Nights of Cabiria is a 1957 drama film co-written and directed by Federico Fellini. It stars Giulietta Masina as Cabiria, a prostitute living in Rome. The cast also features François Périer and Amedeo Nazzari. The film is based on a story by Fellini, who expanded into a screenplay along with his co-writers Ennio Flaiano, Tullio Pinelli and Pier Paolo Pasolini.

<span class="mw-page-title-main">Giulietta Masina</span> Italian actress (1921–1994)

Giulia Anna "Giulietta" Masina was an Italian film actress best known for her performances as Gelsomina in La Strada (1954) and Cabiria in Nights of Cabiria (1957), for which she won the Cannes Film Festival Award for Best Actress at the 1957 Cannes Film Festival.

<i>My Voyage to Italy</i> 1999 film directed by Martin Scorsese

My Voyage to Italy is a personal documentary by acclaimed Italian-American director Martin Scorsese. The film is a voyage through Italian cinema history, marking influential films for Scorsese and particularly covering the Italian neorealism period.

<i>La Strada</i> 1954 Italian drama film directed by Federico Fellini

La strada is a 1954 Italian drama film directed by Federico Fellini and co-written by Fellini, Tullio Pinelli and Ennio Flaiano. The film tells the story of Gelsomina, a simple-minded young woman bought from her mother by Zampanò, a brutish strongman who takes her with him on the road.

<i>I Vitelloni</i> 1953 Italian comedy-drama film directed by Federico Fellini

I vitelloni is a 1953 Italian comedy drama film directed by Federico Fellini from a screenplay written by himself, Ennio Flaiano and Tullio Pinelli. It stars Franco Interlenghi, Alberto Sordi, Franco Fabrizi, Leopoldo Trieste, and Riccardo Fellini as five young Italian men at crucial turning points in their small town lives. Recognized as a pivotal work in the director's artistic evolution, the film has distinct autobiographical elements that mirror important societal changes in 1950s Italy.

<i>Love in the City</i> (1953 film) 1953 Italian film

Love in the City is a 1953 Italian anthology film composed of six segments, each with its own director. The segments and filmmakers are: Paid Love, Attempted Suicide, Paradise for Three Hours, Marriage Agency, Story of Caterina, and Italians Stare.

<i>Il bidone</i> 1955 Italian film

Il bidone[il biˈdoːne]a.k.a.The Swindle is a 1955 Italian drama film directed by Federico Fellini starring Broderick Crawford, Richard Basehart and Giulietta Masina.

The Nastro d'Argento for Best Director is a film award bestowed annually as part of the Nastro d'Argento awards since 1946, organized by the Italian National Association of Film Journalists, the national association of Italian film critics.

<span class="mw-page-title-main">1957 Cannes Film Festival</span>

The 10th Cannes Film Festival was held from 2 to 17 May 1957.

<i>Without Pity</i> (1948 film) 1948 film by Alberto Lattuada

Without Pity is a 1948 Italian film directed by Alberto Lattuada from a script by the director himself, Federico Fellini and Tullio Pinelli, from an original story by Ettore Margadonna.

<i>Cameriera bella presenza offresi...</i> 1951 Italian film

Cameriera bella presenza offresi... (Housemaid) is a 1951 Italian film directed by Giorgio Pastina. Federico Fellini was one of its scriptwriters. The film marked the comeback of Elsa Merlini after a nine years hiatus.

<i>Fortunella</i> (film) 1958 Italian film

Fortunella is a 1958 Italian comedy film directed by Eduardo De Filippo, with script by Federico Fellini.

<span class="mw-page-title-main">Brunello Rondi</span> Italian film director and screenwriter

Brunello Rondi was a prolific Italian screen writer and film director best known for his frequent script collaborations with Federico Fellini.

<span class="mw-page-title-main">100 film italiani da salvare</span> List of the best 100 Italian films

The list of the 100 Italian films to be saved was created with the aim to report "100 films that have changed the collective memory of the country between 1942 and 1978". Film preservation, or film restoration, describes a series of ongoing efforts among film historians, archivists, museums, cinematheques, and non-profit organizations to rescue decaying film stock and preserve the images they contain. In the widest sense, preservation assures that a movie will continue to exist in as close to its original form as possible.

<span class="mw-page-title-main">Brunella Bovo</span> Italian actress

Brunella Bovo was an Italian film actress.

<i>Permette? Alberto Sordi</i> 2020 Italian film

Permette? Alberto Sordi is a 2020 Italian film directed by Luca Manfredi. The film narrates the twenty years of Alberto Sordi's life, from 1937 to 1957, from his beginnings to his celebrity, retracing his friendships, loves and his career; the film is one of the initiatives planned for the centenary of the birth of the Roman actor.

<i>Via Padova 46</i> 1953 film

Via Padova 46 is a 1953 Italian comedy film directed by Giorgio Bianchi and starring Peppino De Filippo, Alberto Sordi, Giulietta Masina and Arlette Poirier.

References

  1. "The White Sheik (2019 re-release)". Box Office Mojo . IMDb. Archived from the original on November 4, 2021. Retrieved March 20, 2020.
  2. "The White Sheik". Internet Movie Database. Archived from the original on 31 October 2011. Retrieved 21 April 2012.
  3. "Filming locations for The White Sheik". Internet Movie Database. Archived from the original on 15 March 2016. Retrieved 21 April 2012.
  4. "Ecco i cento film italiani da salvare Corriere della Sera". www.corriere.it. Retrieved 2021-03-11.
  5. "Full cast and crew for The White Sheik". Internet Movie Database. Archived from the original on 22 June 2009. Retrieved 21 April 2012.
  6. Chandler, Charlotte (March 2012). "My Dinners with Federico and Michelangelo". Vanity Fair. Archived from the original on 14 July 2015. Retrieved 16 August 2015.
  7. Hancock, Joseph H., Toni Johnson-Woods and Vicki Karaminas (2013). Fashion in Popular Culture: Literature, Media and Contemporary Studies. Chicago: Intellect Books. p. 249. ISBN   978-1841507163. Archived from the original on 2021-11-04. Retrieved 2015-08-16.
  8. Trieste, Leopoldo. "Lo Sceicco Bianco - Fellini - Interviste". allreadable.com. Archived from the original on 4 March 2016. Retrieved 16 August 2015.
  9. Smith, Geoffrey Nowell (1996). The Companion to Italian Cinema. London: Cassell. p. 79. ISBN   0304341975.
  10. Castello's review first published in Cinema V (Milan) December 15, 1952. Cited in Claudio Fava and Aldo Vigano, The Films of Federico Fellini, New York: Citadel Press (1985), p. 65.

Further reading

  • Aristarco, Guido. Lo sceicco bianco, in: "Cinema Nuovo", n° 1, Novembre 1952. (in Italian)
  • Burke, Frank M. "Variety Lights, The White Sheik, and Italian Neorealism". In Film Criticism, Winter 1978, Volume 3, no. 2, p. 53-66.