At the Edge of the City is a 1953 Italian crime film drama directed by Carlo Lizzani. The film stars Massimo Girotti, Marina Berti and Giulietta Masina. In Rome a young man is falsely accused of killing his girlfriend. It was shot at the Palatino Studios in Rome and on location in the city. The film used neorealist style and was based on a real-life case.
The Captain's Daughter is a 1947 Italian historical adventure film directed by Mario Camerini and starring Irasema Dilián, Amedeo Nazzari and Vittorio Gassman. It was one of a number of ambitious historical epics made in the wake of the successful 1946 film The Black Eagle. The film's sets were designed by the art director Piero Filippone. It was entered into the 1947 Cannes Film Festival. It is based on the 1836 novel of the same name by Alexander Pushkin, which is set in Russia during the reign of Catherine II. It takes place during the Cossack Rebellion.
Love Story is a 1942 Italian drama film directed by Mario Camerini and starring Assia Noris, Piero Lulli and Carlo Campanini. It is based on the play Life Begins by Mary McDougal Axelson, previously adapted into a 1932 film of the same title and a 1939 film A Child Is Born. Along with A Pistol Shot it marked an attempt to showcase Noris as a dramatic actress, rather than the White Telephone comedies she had become known for. It was screened at the 1942 Venice Film Festival.
Les Miserables is a 1948 Italian drama film directed by Riccardo Freda. It is based on the Victor Hugo's 1862 novel Les Misérables and stars Gino Cervi as Jean Valjean, Valentina Cortese as Fantine and Cosette, and Hans Hinrich as Javert. After the financial success of Freda's previous film The Black Eagle, Freda worked a deal with Lux Film and began developing an adaptation of Les Misérables with Mario Monicelli, Vittorio Nino Novarese and Stefano Vanzina. The film was shot entirely in Rome.
Folco Lulli was an Italian partisan and film actor. He appeared in more than 100 films between 1946 and 1970. He was the elder brother of actor Piero Lulli.
Nobody's Children is a 1951 French-Italian melodrama film directed by Raffaello Matarazzo and starring Amedeo Nazzari, Yvonne Sanson and Françoise Rosay. It is one of a series of melodramas co-starring Nazzari and Sanson, which were very popular at the box office. The owner of a marble quarry falls in love with the daughter with one of his employees, and they have a baby together. However his mother attempts to sabotage the relationship with tragic consequences.
Who is Without Sin is a 1952 Italian melodrama film by Raffaello Matarazzo and starring Yvonne Sanson, Amedeo Nazzari and Françoise Rosay. It is an adaptation of the novel Geneviève by Alphonse de Lamartine. It was part of a series of romantic melodramas that Nazzari and Sanson appeared in during the 1950s.
Falsehood is a 1952 Italian melodrama film directed by Ubaldo Maria Del Colle and starring Yvonne Sanson, Irène Galter and Alberto Farnese. It was shot at the Titanus Studios in Rome. The film's sets were designed by the art director Ottavio Scotti.
The River Girl is a 1955 French-Italian melodrama film directed by Mario Soldati and starring Sophia Loren, Gérard Oury and Rik Battaglia.
Sheba and the Gladiator or Sign of the Gladiator is a 1959 historical drama film loosely pertaining to the Palmyrene Empire and its re-annexation back into the Roman Empire.
The Shortest Day is a 1963 Italian comedy film. It is a parody of the war movie The Longest Day and stars the popular duo Franco and Ciccio in the leading roles. Dozens of other well-known actors, from both European and American cinema, agreed to appear in the movie in cameo roles for free to avert the bankruptcy of the production company, Titanus.
Aldebaran is a 1935 Italian drama film directed by Alessandro Blasetti and starring Gino Cervi, Evi Maltagliati and Gianfranco Giachetti. The film was a naval melodrama, an attempt by Blasetti to make a more commercial film following the difficulties encountered with the propagandist The Old Guard (1934).
Don Cesare di Bazan is a 1942 Italian historical adventure film directed by Riccardo Freda and starring Gino Cervi, Anneliese Uhlig and Paolo Stoppa. The film is set during the Catalan Revolt of the Seventeenth century. It is based on a play by Philippe Dumanoir and Adolphe d'Ennery. It marked the directoral debut of Freda who went on to be a leading commercial Italian filmmaker.
Cardinal Messias is a 1939 Italian historical drama film directed by Goffredo Alessandrini and starring Camillo Pilotto, Enrico Glori and Mario Ferrari. The film was awarded the Mussolini Cup at the 1939 Venice film festival. It portrays the life of Guglielmo Massaia, a nineteenth-century Italian known for his missionary work in the Ethiopian Empire.
Red Shirts is a 1952 French-Italian historical drama film directed by Goffredo Alessandrini and Francesco Rosi and starring Anna Magnani, Raf Vallone and Alain Cuny. The title refers to the historical Redshirts. It is also known as Anita Garibaldi. The film portrays the life of Anita Garibaldi (1821–1849), the wife of Italian unification leader Giuseppe Garibaldi.
Princess Tarakanova is a 1938 French-Italian historical film directed by Fyodor Otsep and Mario Soldati and starring Annie Vernay, Pierre Richard-Willm and Roger Karl. It portrays the life of the 18th century pretender to the Russian throne Princess Tarakanova. The story has been turned into films a number of times including a 1930 film, Tarakanova.
The Joker King is a 1935 Italian historical comedy film directed by Enrico Guazzoni and starring Luisa Ferida, Armando Falconi and Luigi Cimara.
What a Distinguished Family is a 1945 Italian "white-telephones" comedy film directed by Mario Bonnard and starring Gino Cervi, Assia Noris and Aroldo Tieri.
Two Million for a Smile is a 1939 Italian "white-telephones" comedy film directed by Carlo Borghesio and Mario Soldati and starring Enrico Viarisio, Giuseppe Porelli and Elsa De Giorgi.
