The cinema of Italy comprises the films made within Italy or by Italian directors. Since its beginning, Italian cinema has influenced film movements worldwide. Italy is one of the birthplaces of art cinema and the stylistic aspect of film has been one of the most important factors in the history of Italian film. As of 2018, Italian films have won 14 Academy Awards for Best Foreign Language Film as well as 12 Palmes d'Or, one Academy Award for Best Picture and many Golden Lions and Golden Bears.
Rome-Paris-Rome is a 1951 French-Italian comedy film directed by Luigi Zampa and starring Aldo Fabrizi, Sophie Desmarets and Peppino De Filippo. It was shot at the Farnesina Studios in Rome and on location in Paris. The film's sets were designed by the art director Enrico Ciampi.
Renato Castellani was an Italian film director and screenwriter.
Corrado Farina was an Italian film director, screenwriter, and novelist. He directed two feature films in the 1970s, many documentaries and commercials, and he published nine novels and an autobiography.
Lieutenant Giorgio is a 1952 Italian historical melodrama film directed by Raffaello Matarazzo and starring Massimo Girotti, Milly Vitale and Paul Muller. It was shot at the Ponti-De Laurentiis Studios in Rome and on location around San Giovanni in Fiore in Calabria. The film's sets were designed by the art director Piero Filippone.
The Trojan Horse is a 1961 Italian peplum film set in the tenth and final year of the Trojan War. The film focuses primarily on the exploits of the Trojan hero Aeneas during this time. The film was directed by Giorgio Ferroni and stars Steve Reeves as Aeneas and John Drew Barrymore as Odysseus.
The musicarello is a film subgenre which emerged in Italy and which is characterised by the presence in main roles of young singers, already famous among their peers, and their new record album. In the films there are almost always tender and chaste love stories accompanied by the desire to have fun and dance without thoughts. Musicarelli reflect the desire and need for emancipation of young Italians, highlighting some generational frictions. The genre began in the late 1950s, and had its peak of production in the 1960s.
Mavie Bardanzellu was a Sardinian-born Italian stage and film actress.
La cuccagna, internationally released as A Girl... and a Million, is a 1962 Italian drama film directed by Luciano Salce.
Naked Violence is a 1969 Italian giallo-drama film directed by Fernando Di Leo and based on the novel I ragazzi del massacro written by Giorgio Scerbanenco.
Tragic Ceremony is a 1972 horror film directed by Riccardo Freda and starring Camille Keaton, Tony Isbert, Máximo Valverde and Irina Demick in her final movie before her death in 2004. Its plot follows a group of young people who find themselves haunted in the hours after witnessing a black mass while lodging at a remote estate during a rainstorm.
100 Horsemen is a 1964 Italian-Spanish-West German historical-adventure film directed by Vittorio Cottafavi.
W la foca is a 1982 commedia sexy all'italiana directed by Nando Cicero.
Salvatore Piscicelli was an Italian director, screenwriter and film critic.
New Moon is a 1955 Italian musical crime melodrama film directed by Luigi Capuano.
The Ship of Condemned Women is a 1953 Italian historical adventure-melodrama film written and directed by Raffaello Matarazzo and starring Kerima, May Britt and Ettore Manni. It is loosely based on the novel Histoire de 130 femmes by Léon Gozlan. It was shot in Gevacolor. The film's sets were designed by the art director Piero Filippone.
The Pacifist is a 1970 Italian-French-German drama film directed by Miklós Jancsó.
Piero Zuffi was an Italian set designer and painter.
Calligrafismo is an Italian style of filmmaking relating to some films made in Italy in the first half of the 1940s and endowed with an expressive complexity that isolates them from the general context. Calligrafismo is in a sharp contrast to Telefoni Bianchi-American style comedies and is rather artistic, highly formalistic, expressive in complexity, and deals mainly with contemporary literary material, above all the pieces of Italian realism from authors such as Corrado Alvaro, Ennio Flaiano, Emilio Cecchi, Francesco Pasinetti, Vitaliano Brancati, Mario Bonfantini, and Umberto Barbaro.
Gian Piero Brunetta is an Italian film critic, film historian, and academic.
