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Roma | |
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Directed by | Federico Fellini |
Screenplay by |
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Story by |
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Produced by | Turi Vasile |
Starring | Peter Gonzales |
Cinematography | Giuseppe Rotunno |
Edited by | Ruggero Mastroianni |
Music by | Nino Rota |
Production companies |
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Distributed by |
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Release dates |
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Running time | 128 minutes |
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Budget | over $3 million [1] |
Box office | ITL869.9 million |
Roma (also known as Fellini's Roma or Federico Fellini's Roma) is a 1972 semi-autobiographical comedy-drama film depicting director Federico Fellini's move from his native Rimini to Rome as a youth. The film was directed by Fellini from a screenplay by himself and Bernardino Zapponi. It is a homage to the city, shown in a series of loosely connected episodes set during both Rome's past and present. The plot is minimal, and the only "character" to develop significantly is Rome herself. Peter Gonzales plays the young Fellini, and the film features mainly newcomers in the cast.
Federico Fellini recounts his youth in Rome. The film opens up with a long traffic jam to the city. Once there, scenes are shown depicting Rome during the Fascist regime in the 1930s as well as in the 1970s.
A young Fellini moves into a vivacious guesthouse inhabited by unusual people (including a Benito Mussolini lookalike) and run by a sick obese woman. He visits two brothels—one being dilapitated and overcrowded and the other one more stylish and luxurious—and seemingly falls in love with a prostitute working in the latter one. Other attractions in Rome are shown, including a cheap vaudeville theatre, streets, tunnels, and an ancient catacomb with frescos that get ruined by fresh air soon after the excavators discover it.
The most famous scene depicts an elderly solitary noblewoman holding an extravagant liturgical fashion show for a Cardinal and other guests with priests and nuns parading in all kinds of bizarre costumes. The film eventually concludes with a group of young motorcyclists riding into the city and a melancholic shot of actress Anna Magnani, whom the film crew met in the street during shooting and who would die some months afterwards.
Uncredited
Fellini repeatedly contrasts Roman life during wartime Fascist Italy with life in the early 1970s. The wartime scenes emphasize the congregation of neighbors in Rome's public places, such as street restaurants, a variety show, and a bomb shelter. With the exception of hippies and a conversational scene with Fellini bemoaning the loss of Roman life with radical students, the analogous congregations of the 1970s are between automobiles and motorcycles. Fellini makes a comparison between the parade of prostitutes at wartime brothels and a fantasy runway fashion show featuring clerical garb and a papal audience.
The plot (such as it is) centers on two journeys to Rome by the director. The first is as a young man in the late 1930s and early 1940s. The second is as the director of a film crew creating a film about Rome. The film alternates between these two narratives.
During editing, a scene with Alberto Sordi was cut because it was considered too immoral and cruel. Sordi played a rich man sitting at a bar watching some poor children playing ball. A poor man, blind, sick and lame, comes to cross the street, preventing the rich man from viewing the scene. Alberto Sordi, annoyed, begins shouting insults at the blind man: "Get out of the way, you ugly old man! Get out!".[ citation needed ]
The film was screened at the 1972 Cannes Film Festival but was not entered into the main competition. [2] The film was also selected as the Italian entry for the Best Foreign Language Film at the 45th Academy Awards but was not accepted as a nominee. [3] The film is currently available on DVD and Blu-ray through The Criterion Collection. [4]
On the review aggregator website Rotten Tomatoes, Roma holds an approval rating of 67% based on 19 reviews, with an average score of 6.6/10. [5]
Roger Ebert of the Chicago Sun-Times gave the film four stars out of four; praising Fellini's direction in the film he wrote, "Fellini isn't just giving us a lot of flashy scenes, he's building a narrative that has a city for its protagonist instead of a single character." [6] Ebert ranked the film 9th in his 10 Best Films of 1972 list. [7]
Federico Fellini was an Italian film director and screenwriter. He is known for his distinctive style, which blends fantasy and baroque images with earthiness. He is recognized as one of the greatest and most influential filmmakers of all time. His films have ranked highly in critical polls such as that of Cahiers du Cinéma and Sight & Sound, which lists his 1963 film 8+1⁄2 as the 10th-greatest film.
Alberto Sordi was an Italian actor, comedian, voice dubber, director, singer, composer and screenwriter.
Anna Maria Magnani was an Italian actress. She was known for her explosive acting and earthy, realistic portrayals of characters.
Amarcord is a 1973 comedy-drama film directed by Federico Fellini, a semi-autobiographical tale about Titta, an adolescent boy growing up among an eccentric cast of characters in the village of Borgo San Giuliano in 1930s Fascist Italy. The film's title is a univerbation of the Romagnol phrase a m'arcôrd. The title then became a neologism of the Italian language, with the meaning of "nostalgic revocation". The central role of Titta is based on Fellini's childhood friend from Rimini, Luigi Titta Benzi. Benzi became a lawyer and remained in close contact with Fellini throughout his life.
8½ is a 1963 comedy drama film co-written and directed by Federico Fellini. The metafictional narrative centers on Guido Anselmi, a famous Italian film director who suffers from stifled creativity as he attempts to direct an epic science fiction film. Claudia Cardinale, Anouk Aimée, Sandra Milo, Rossella Falk, Barbara Steele, and Eddra Gale portray the various women in Guido's life. The film was shot in black and white by cinematographer Gianni Di Venanzo and features a score by Nino Rota, with costume and set designs by Piero Gherardi.
Malèna is a 2000 erotic drama film written and directed by Giuseppe Tornatore from a story by Luciano Vincenzoni. It stars Monica Bellucci and Giuseppe Sulfaro. The film won the Grand Prix at the 2001 Cabourg Film Festival. At the 73rd Academy Awards, the film was nominated for Best Cinematography and Best Original Score.
La dolce vita is a 1960 satirical comedy-drama film directed by Federico Fellini. It was written by Fellini, Ennio Flaiano, Tullio Pinelli, and Brunello Rondi. The film stars Marcello Mastroianni as Marcello Rubini, a tabloid journalist who, over seven days and nights, journeys through the "sweet life" of Rome in a fruitless search for love and happiness. The screenplay can be divided into a prologue, seven major episodes interrupted by an intermezzo, and an epilogue, according to the most common interpretation.
Juliet of the Spirits is a 1965 fantasy comedy-drama film directed by Federico Fellini and starring Giulietta Masina, Sandra Milo, Mario Pisu, Valentina Cortese, and Valeska Gert. The film is about the visions, memories, and mysticism that help a middle-aged woman find the strength to leave her philandering husband. The film uses "caricatural types and dream situations to represent a psychic landscape". It was Fellini's first feature-length color film, but followed his use of color in "The Temptation of Doctor Antonio" episode in the portmanteau film, Boccaccio '70 (1962).
Nights of Cabiria is a 1957 drama film co-written and directed by Federico Fellini. It stars Giulietta Masina as Cabiria, a prostitute living in Rome. The cast also features François Périer and Amedeo Nazzari. The film is based on a story by Fellini, who expanded it into a screenplay along with his co-writers Ennio Flaiano, Tullio Pinelli and Pier Paolo Pasolini.
Giulia Anna "Giulietta" Masina was an Italian film actress best known for her performances as Gelsomina in La Strada (1954) and Cabiria in Nights of Cabiria (1957), for which she won the Cannes Film Festival Award for Best Actress at the 1957 Cannes Film Festival.
Rome, Open City, also released as Open City, is a 1945 Italian neorealist war drama film directed by Roberto Rossellini and co-written by Sergio Amidei, Celeste Negarville and Federico Fellini. Set in Rome in 1944, the film follows a diverse group of characters coping under the Nazi occupation, and centers on a Resistance fighter trying to escape the city with the help of a Catholic priest. The title refers to the status of Rome as an open city following its declaration as such on 14 August 1943. The film is the first in Rosselini's "Neorealist Trilogy", followed by Paisan (1946) and Germany, Year Zero (1948).
La strada is a 1954 Italian drama film directed by Federico Fellini and co-written by Fellini, Tullio Pinelli and Ennio Flaiano. The film tells the story of Gelsomina, a simple-minded young woman bought from her mother by Zampanò, a brutish strongman who takes her with him on the road.
The White Sheik is a 1952 Italian romantic comedy film directed by Federico Fellini and starring Alberto Sordi, Leopoldo Trieste, Brunella Bovo and Giulietta Masina. Written by Fellini, Tullio Pinelli, Ennio Flaiano and Michelangelo Antonioni, the film is about a man who brings his new bride to Rome for their honeymoon, to have an audience with the Pope, and to present his wife to his family. When the young woman sneaks away to find the hero of her romance photonovels, the man is forced to spend hour after hour making excuses to his eager family who want to meet his missing bride. The White Sheik was filmed on location in Fregene, Rome, Spoleto and Vatican City.
I vitelloni is a 1953 Italian comedy drama film directed by Federico Fellini from a screenplay written by himself, Ennio Flaiano and Tullio Pinelli. It stars Franco Interlenghi, Alberto Sordi, Franco Fabrizi, Leopoldo Trieste, and Riccardo Fellini as five young Italian men at crucial turning points in their small town lives. Recognized as a pivotal work in the director's artistic evolution, the film has distinct autobiographical elements that mirror important societal changes in 1950s Italy.
And the Ship Sails On is a 1983 Italian film directed and co-written by Federico Fellini. It depicts the events on board a luxury liner filled with the friends of a deceased opera singer who have gathered to mourn her. The film was selected as the Italian entry for the Best Foreign Language Film at the 56th Academy Awards, but was not accepted as a nominee.
Intervista is a 1987 Italian film directed by Federico Fellini.
Fellini Satyricon, or simply Satyricon, is a 1969 Italian film written and directed by Federico Fellini and loosely based on Petronius's work Satyricon, written during the reign of Emperor Nero and set in Imperial Rome. The film is divided into nine episodes, following Encolpius and his friend Ascyltus as they try to win the heart of a young boy named Gitón within a surreal and dreamlike Roman landscape.
Fellini's Casanova is a 1976 Italian film directed by Federico Fellini from a screenplay he co-wrote with Bernardino Zapponi, adapted from the autobiography of 18th-century Venetian adventurer and writer Giacomo Casanova, played by Donald Sutherland. The film depicts Casanova's life as a journey into sexual abandonment, and his relationship with the "love of his life" Henriette. The narrative presents Casanova's adventures in a detached, methodical fashion, as the respect for which he yearns is constantly undermined by his more basic urges.
People of Rome is a 2003 Italian comedy mockumentary film directed by Ettore Scola. It is close to Federico Fellini's Roma.
The Great Beauty is a 2013 art drama film co-written and directed by Paolo Sorrentino. Filming took place in Rome starting on 9 August 2012. It premiered at the 2013 Cannes Film Festival where it was screened in competition for the Palme d'Or. It was shown at the 2013 Toronto International Film Festival, the 2013 Tallinn Black Nights Film Festival, and at the 2013 Reykjavik European Film Festival.