The cinema of Italy comprises the films made within Italy or by Italian directors. Italy is one of the birthplaces of art cinema and the stylistic aspect of film has been one of the most important factors in the history of Italian film. As of 2018, Italian films have won 14 Academy Awards for Best Foreign Language Film as well as 12 Palmes d'Or, one Academy Award for Best Picture and many Golden Lions and Golden Bears.
The Venice Film Festival or Venice International Film Festival is an annual film festival held in Venice, Italy. It is the world's oldest film festival and one of the "Big Five" International film festivals worldwide, which include the Big Three European Film Festivals, alongside the Toronto Film Festival in Canada and the Sundance Film Festival in the United States. The Festivals are internationally acclaimed for giving creators the artistic freedom to express themselves through film. In 1951, FIAPF formally accredited the festival.
Italian neorealism, also known as the Golden Age, was a national film movement characterized by stories set amongst the poor and the working class. They are filmed on location, frequently with non-professional actors. They primarily address the difficult economic and moral conditions of post-World War II Italy, representing changes in the Italian psyche and conditions of everyday life, including poverty, oppression, injustice and desperation.
Valentina Cortese, sometimes credited as Valentina Cortesa, was an Italian film and theatre actress. In her 50 years spanning career, she appeared in films of Italian and international directors like Michelangelo Antonioni, Federico Fellini, Franco Zeffirelli, François Truffaut, Joseph L. Mankiewicz and others.
Rossano Brazzi was an Italian actor. He moved to Hollywood in 1948 and was propelled to international fame with his role in the English-language film Three Coins in the Fountain (1954), followed by the leading male role in David Lean's Summertime (1955), opposite Katharine Hepburn. In 1958, he played the lead as Frenchman Emile De Becque in the Rodgers and Hammerstein musical South Pacific. His other notable English-language films include The Barefoot Contessa (1954), The Story of Esther Costello (1957), opposite Joan Crawford, Count Your Blessings (1959), Light in the Piazza (1962), and The Italian Job (1969).
Telefoni Bianchi films, also called deco films, were made by the Italian film industry in the 1930s and the 1940s in imitation of American comedies of the time in a sharp contrast to the other important style of the era, calligrafismo, which was highly artistic. The cinema of Telefoni Bianchi was born from the success of the Italian film comedy of the early 1930s; it was a lighter version, cleansed of any intellectualism or veiled social criticism.
Guido Brignone was an Italian film director and actor. He was the father of actress Lilla Brignone and younger brother of actress Mercedes Brignone.
Sergio Amidei was an Italian screenwriter and an important figure in Italy's neorealist movement.
A list of some notable films produced in the Cinema of Italy ordered by year and decade of release For an alphabetical list of articles on Italian films see Category:Italian films.
Luigi Zampa was an Italian film director.
Mario Soldati was an Italian writer and film director. In 1954, he won the Strega Prize for Lettere da Capri. He directed several works adapted from novels, and worked with leading Italian actresses, such as Sophia Loren and Gina Lollobrigida.
Goffredo Alessandrini was an Italian scriptwriter and film director. He also acted, edited, and produced some films.
Carlo Ludovico Bragaglia was an Italian film director whose career spanned from the 1930s to the mid-1960s. He mainly directed adventure pictures and popular comedies, including some starring Totò. His 1942 film Non ti pago! was shown as part of a retrospective on Italian comedy at the 67th Venice International Film Festival.
Amedeo Nazzari was an Italian actor. Nazzari was one of the leading figures of Italian classic cinema, often considered a local variant of the Australian–American star Errol Flynn. Although he emerged as a star during the Fascist era, Nazzari's popularity continued well into the post-war years.
Fosco Giachetti was an Italian actor.
Mario Mattoli was an Italian film director and screenwriter. He directed 86 films between 1934 and 1966.
Renato Castellani was an Italian film director and screenwriter.
We the Living is a two-part 1942 Italian romantic war drama film, based on Ayn Rand's 1936 novel of the same name. It was originally released as two films, Noi vivi and Addio Kira. It was directed by Goffredo Alessandrini and produced by Scalera Film, and stars Alida Valli as Kira Argounova, Rossano Brazzi as Leo Kovalensky, and Fosco Giachetti as Andrei Taganov.
The Società Italiana Cines is a film company specializing in production and distribution of films. The company was founded on 1 April 1906.
Calligrafismo is an Italian style of filmmaking relating to some films made in Italy in the first half of the 1940s and endowed with an expressive complexity that isolates them from the general context. Calligrafismo is in a sharp contrast to Telefoni Bianchi-American style comedies and is rather artistic, highly formalistic, expressive in complexity and deals mainly with contemporary literary material, above all the pieces of Italian realism from authors like Corrado Alvaro, Ennio Flaiano, Emilio Cecchi, Francesco Pasinetti, Vitaliano Brancati, Mario Bonfantini and Umberto Barbaro.
