Amedeo Nazzari was an Italian actor. Nazzari was one of the leading figures of Italian classic cinema, often considered a local variant of the Australian–American star Errol Flynn. Although he emerged as a star during the Fascist era, Nazzari's popularity continued well into the post-war years.
Fosco Giachetti was an Italian actor.
Assia Noris was a Russian-Italian film actress. She appeared in over 35 films between 1932 and 1965
Light in the Darkness is a 1941 Italian drama film directed by Mario Mattoli and starring Fosco Giachetti, Alida Valli and Clara Calamai. The film's sets were designed by the art director Ottavio Scotti. It was shot at the Palatino Studios in Rome.
Life Begins Anew is a 1945 Italian melodrama film directed by Mario Mattoli and starring Alida Valli, Fosco Giachetti and Eduardo De Filippo. It was the third most popular Italian film during 1945-46 after Roberto Rossellini's Rome, Open City and Partenza ore 7, a comedy always directed by Mattoli.
Renato Castellani was an Italian film director and screenwriter.
Love Story is a 1942 Italian drama film directed by Mario Camerini and starring Assia Noris, Piero Lulli and Carlo Campanini. It is based on the play Life Begins by Mary McDougal Axelson, previously adapted into a 1932 film of the same title and a 1939 film A Child Is Born. Along with A Pistol Shot it marked an attempt to showcase Noris as a dramatic actress, rather than the White Telephone comedies she had become known for. It was screened at the 1942 Venice Film Festival.
Adriana Benetti was an Italian actress.
Bengasi is a 1942 Italian war film directed by Augusto Genina and starring Fosco Giachetti, Maria von Tasnady and Amedeo Nazzari. The film was shot at Cinecittà in Rome. The film was a propaganda work, designed to support the Fascist regime of Benito Mussolini. It portrays Allied atrocities in "Bengasi Italiana", such as the murder of a peasant by a group of drunken Australian soldiers.
Dora Nelson is a 1939 Italian comedy film directed by Mario Soldati and starring Assia Noris, Carlo Ninchi and Luigi Cimara. It is a remake of the 1935 French film of the same title, which was based on a play by Louis Verneuil. The film was shot at Cinecittà in Rome, with several real employees of the studio appearing as themselves. It belongs to the movies of the calligrafismo style.
Headlights in the Fog is a 1942 Italian drama film directed by Gianni Franciolini and starring Fosco Giachetti, Luisa Ferida and Antonio Centa. The film's art direction was by Camillo Del Signore. It was made at the Palatino Studios in Rome and on location in Piedmont and Liguria.
The Daughter of the Green Pirate is a 1940 Italian adventure film directed by Enrico Guazzoni and starring Doris Duranti, Fosco Giachetti and Camillo Pilotto. It was shot partly at the Pisorno Studios in Tirrenia with sets designed by the art director Piero Filippone. The film was based on a novel by Emilio Salgari.
Blood Wedding is a 1941 Italian drama film directed by Goffredo Alessandrini and starring Beatrice Mancini, Fosco Giachetti and Luisa Ferida. It is set in 19th century South America, and features an arranged marriage. The film is based on the novel Immacolata by Lina Pietravalle.
The Secret Lover is a 1941 Italian drama film directed by Carmine Gallone and starring Alida Valli, Fosco Giachetti and Vivi Gioi. It was made at Cinecittà in Rome.
The Sinner is a 1940 Italian drama film directed by Amleto Palermi and starring Paola Barbara, Vittorio De Sica, and Fosco Giachetti.
A Living Statue is a 1943 Italian drama film directed by Camillo Mastrocinque and starring Laura Solari, Fosco Giachetti and Camillo Pilotto.
Yellow Hell is a 1942 Italian drama film directed by Géza von Radványi and starring Fosco Giachetti, Maria von Tasnady and Pál Jávor. It was shot at the Cinecitta Studios in Rome.
A Little Wife is a 1943 Italian "white-telephones" drama film directed by Giorgio Bianchi and starring Fosco Giachetti, Assia Noris and Clara Calamai.
But It's Nothing Serious is a 1936 Italian "white-telephones" romantic comedy film directed by Mario Camerini and starring Vittorio De Sica, Elisa Cegani and Assia Noris. It is based on a play by Luigi Pirandello. Two years later Camerini remade it as a German film The Man Who Couldn't Say No.
One Hundred Thousand Dollars is a 1940 Italian "white-telephones" comedy film directed by Mario Camerini and starring Assia Noris, Amedeo Nazzari and Lauro Gazzolo.
