Cinema of the United Arab Emirates | |
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No. of screens | 333 (2024) [1] |
• Per capita | 3.3 per 100,000 (2024) [1] |
Number of admissions (2024) [2] | |
Total | 72,000,000 |
Gross box office (2024) [3] | |
Total | $730 million |
Cinema of the United Arab Emirates began with a number of feature films that were broadcast on national television during the late 1980s.
The history of cinema in the United Arab Emirates dates back to the mid-20th century, with early screenings taking place in makeshift outdoor venues. One of the first known cinemas was Sharjah Paramount, established around 1945. This open-air theater screened feature films and documentaries, with audiences seated on kerosene drums filled with sand. Similar developments took place in Dubai, where Al Watan Cinema, the city’s first movie theater, was established in 1953 in Nasser Square (now Baniyas Square). These early cinemas primarily catered to expatriate and local audiences, screening a mix of Indian, British, American, Egyptian, and Lebanese films. The presence of Indian cinema was particularly strong, reflecting the demographic makeup of the region at the time. [4]
By the 1960s and 1970s, the popularity of cinema had grown significantly, leading to the establishment of more formalized cinema halls. These included standalone theaters in key urban areas, offering a wider selection of films. However, access to cinemas remained somewhat limited outside major cities, with film screenings often taking place in makeshift venues or through community-organized events.
A significant transformation in the UAE’s cinema landscape occurred in the late 1990s, as standalone cinemas began to decline in favor of multiplexes located within shopping malls. This shift was driven by the country’s rapid urbanization and the emergence of malls as entertainment hubs that combined retail, dining, and leisure activities. The introduction of multiplexes provided audiences with a more modern and immersive cinematic experience, aligning with global industry trends.
The growth of multiplexes also coincided with technological advancements, such as the introduction of digital projection and IMAX screens, which contributed to an enhanced viewing experience. The expansion of major cinema chains, including VOX Cinemas and Reel Cinemas, reinforced the transition toward large-scale commercial cinema complexes. By the early 2000s, the traditional independent cinema halls that had once defined the UAE’s film culture had largely disappeared. [5]
During the 2020s, the UAE has intensified its efforts to position itself as a regional hub for film production and exhibition. A major initiative in this regard was the Abu Dhabi Film Commission’s 2024 decision to increase its production rebate to a minimum of 35%. This incentive aims to attract international productions to the UAE by offering financial benefits for filmmakers who choose to shoot in the country. The move was expected to bolster the local film industry and encourage investment in infrastructure and talent development. [6]
Additionally, IMAX Corporation announced plans in 2024 to expand its presence in the UAE and Saudi Arabia, with up to 67 new cinema locations in the region. This expansion reflects the growing demand for premium cinematic experiences, as well as the UAE’s commitment to maintaining its status as a key entertainment market in the Middle East. The ongoing investment in film infrastructure, combined with an increasing number of local and international productions, underscores the UAE’s ambitions to develop a globally recognized film industry. [6]
The UAE is one of the largest cinema markets in the Middle East, accounting for 30% of total regional box office revenues. This dominance is attributed to continuous investments in cinema infrastructure and strong partnerships with major global film studios. In the first eight months of 2024 alone, the UAE's cinema sector generated AED 517 million in revenue and attracted approximately 11 million cinema visits. The country now hosts 702 screens across 72 locations nationwide, reinforcing its status as a key player in the region’s entertainment industry. [7]
In 2002, the Emirates Film Competition was formed thus influencing a generation of Emirati filmmakers to explore the short film format. The competition was merged onto Abu Dhabi Film Festival, which would eventually be shut down along with the Gulf Film Festival. However, the Dubai International Film Festival was founded in 2004 and continues its run till date. In April 2018, it was announced that the 15th edition of the festival would be postponed to 2019, re-launching as a bi-annual festival after running annually for 14 years [8]
In 2005, The Dream became the first Emirati film to be distributed in cinemas across the UAE. The UAE then began to attract South Asian films and television serials, mainly Bollywood and Lollywood productions.
In addition, the UAE has a film studio (Dubai Studio City) which has been built to cultivate film making in the region. The Dubai Film and TV Commission, (DTFC) which was established in line with Executive Council Decision 16 of 2012, is the sole authority that issues film shooting permits in Dubai. In Abu Dhabi, the Abu Dhabi Film Commission issues shooting permits to production companies that hold a valid media zone authority trade license. [9]
In 2008, Majid Abdulrazak became the first Emirati filmmaker to adapt a book into a film based on Wilfred Thesiger's Arabian Sands .
In 2009, the second edition of the Gulf Film Festival saw the premiere of two Emirati feature films for the first time. The Circle, by filmmaker and actor Nawaf Al-Janahi, told the story of Ibrahim, a poet and journalist who captures a thief and finds himself changing lives with him. Director and novelist Saleh Karama also showcased his first feature, Henna, in which the title character's mother is sick, and her frequent fits have led to a divorce; fatherless Henna has to find a way to relate to her new father-figure, a Bedouin relative who arrives from the desert with his camels to visit the family.
The sixth edition of the Dubai International Film Festival in 2009 featured further screenings of The Circle and the premiere of the multilingual City of Life by Emirati director Ali F. Mostafa, which went on to achieve general release in UAE cinemas in the following year.
Nawaf Al-Janahi's film Sea Shadow was released on 17 November 2011. [10] It came out on DVD on 25 September 2013.
The first Emirati Science Fiction feature-length film called Aerials was released on 16 June 2016. [11] [12] Directed by S.A.Zaidi and produced by Ghanem Ghubash, Aerials was released in UAE simultaneously with Independence Day 2 as a contrast of both being alien invasion films. [13]
The UAE also has its own independent cinemas such as The Scene Club and Cinema Akil, founded in 2007 and 2014 respectively. Cinema Akil became the first permanent independent cinema house in September 2018. [14]
Abu Dhabi's Environment Agency's Year of Zayed environmental documentary Zayed's Antarctic Lights which chronicled the adventure of the agency's Team Zayed to Antarctica, where they sent a message to the world in solar lights, won a Bronze World Medal at the New York TV & Film Awards. [15]
Abu Dhabi's Environment Agency's 2021 environmental documentary Wild Abu Dhabi: The Turtles of Al Dhafra which showcases the turtles of Al Dhafra and the agency's conservation programme, won a finalist award in the 2021 New York Festivals TV and Film Awards. [16] [17]
Year | Title | Director | Actors | Genre | Notability |
---|---|---|---|---|---|
1988 | Aber Sabeel | Ali Al Abdool | Aisha Abdulrahman, Bilal Abdullah | Drama | First Emirati film |
1990 | Alteen Alakheer | Jassim Jaber | TV film | ||
1996 | Makan Fil Qalb | Mohammed Najib | Mohammed Al Amri, Moza Al Mazrooei, Sameera Ahmad | War, Drama | |
2002 | The Time Machine | Simon Wells | Guy Pearce, Samantha Mumba, Orlando Jones, Mark Addy, Jeremy Irons | Post-apocalyptic, Science fiction | Co-production with the U.S. |
2005 | The Dream | Hani Al Shaibani | Nawaf Al Janahi, Ali Al Jabri, Abdulla Hassan Ahmed | Drama | First Emirati film to release across UAE |
2006 | Tarab Fashion | Mohamed Daham | Hassan Ballam, Mayssa Maghrebi | Comedy | |
2006 | Haneen | Mohammad Al-Traifi | Fatima Abdulrahim, Moza AlMazrooei, Yalda | Drama | |
2006 | Eqaab | Majid Abdulrazak | Majid Albulrazak, Haifa Hussain, Mohammad Al Janahi | Drama | |
2008 | Arabian Sands | Majid Abdulrazak | Abdullah Al Tararwah, Ali Tamimi, Majid Abdulrazak, Murad Fakhri Baluchi | Biographical, Adventure | Based on the book of the same name |
2009 | The Circle | Nawaf Al Janahi | Abdulmohsin Al Nimer, Ali Al Jabri, Nawaf Al Janahi | Crime, Drama | |
2009 | Henna | Saleh Karama | Gazelle, Ayisha Hammed, Salem Obaid Al Raihi | Drama | |
2009 | The Return of Umm Al Duwais | Juma Al Sahli | Sameera Ahmad, Sogha | Horror | TV film |
2010 | City of Life | Ali F. Mostafa | Habib Ghuloom, Saoud Al Kaabi | Drama | |
2011 | Sea Shadow | Nawaf Al Janahi | Neven Madi, Omar Almulla | Drama | |
2013 | Bani Adam | Majid Abdulrazak | Abdulla Abdulaziz, Alaa Shaker | Drama | |
2013 | Hob Malaki | Jamal Salem | Habib Ghuloom, Mansoor Al Feeli, Huda Salah | Romance | |
2013 | Djinn | Tobe Hooper | Abdulla Al Junaibi, Saoud Al Kaabi | Horror | |
2014 | Grandmother's Farm | Ahmed Zain | Saeed Al Sharyani, Khalid Alnuaimi, Yaser Al Neyadi | Horror, Comedy | |
2014 | From A to B | Ali F. Mostafa | Fahad Albutairi, Shadi Alfons | Drama, Comedy | |
2014 | Sundress | Saeed Salmeen Al Murry | Habib Ghuloom, Marrai Alhalyan, Neven Madi, Ahmad Abdullah, Sophia Jawad | Drama | |
2014 | Abood Kandaishan | Fadel AlMheiri | Abdulrahman Al Nakhi, Sawsan Saad | Comedy | |
2014 | Dolphins | Waleed Al Shehhi | Reem Erhama, Khalid Ameen | Adventure, Drama | |
2015 | Zinzana | Majid Alansari | Ali Suliman, Saleh Bakri | Thriller | |
2015 | Going to Heaven | Saeed Salmeen Al Murry | Jumaa Al Zaabi, Fatima Al Taei | Drama | |
2015 | Grandmother's Farm 2 | Ahmed Zain | Saeed Al Sharyani, Khalid Alnuaimi, Yaser Al Neyadi | Horror, Comedy | |
2015 | Abdullah | Humaid Al Suwaidi | Mansoor Al Feeli, Mohammed Al Hammadi, Fatima Al Taei, Alaa Shaker | Drama | |
2016 | Dhay Fe Abu Dhabi | Rakan | Hassan Hosny, Ahmed Saleh | Comedy | |
2016 | Aerials | S A Zaidi | Saga Alyasery, Mansoor Al Feeli | Sci-Fi | First Emirati sci-fi film |
2016 | Hajwala | Ali Bin Muttar, Ibrahim Bin Mohammed | Anwar Aljabri, Sawsan Saad | Action | |
2016 | A Drop of Blood | Nasser Al Tamimi | Habib Ghuloom, Amal Mohammed | Horror | |
2016 | Bilal: A New Breed of Hero | Ayman Jamal, Khurram Alavi | Adewale Akinnuoye-Agbaje, Jacob Latimore, Andre Robinson, Ian McShane | Animation | |
2017 | The Worthy | Ali F. Mostafa | Ali Suliman, Habib Ghuloom | Action, Thriller | |
2017 | Kart Ahmar | Nasser Al Tamimi | Bilal Abdulla, Badria Ahmed | Sports | |
2017 | Dhay Fe Thailand | Rakan | Hassan Hosny, Ahmed Saleh | Comedy | |
2017 | A Tale of Shadows | Tariq Alkazim | Almer Agmyren, Dijana Divjak, Chuka Ekweogwu | Thriller | |
2017 | Lisa | Ahmed Zain | Ayman Khadim, Nasser Al Dhanhani, Ali Al Shehhi | Comedy | |
2017 | Only Men Go to the Grave | Abdulla Al Kaabi | Abdelreza Nasari, Hebe Sabah, Awatif Salman, Saleema Yaqoub | Drama | Iraqi-language film |
2018 | Awar Qalb | Jamal Salem | Abdulla Zaid, Juma Ali, Neven Madi, Marwa Rateb | Comedy | |
2018 | Fan of Amoory | Saeed Salmeen Al-Murry | Jumaa Al Zaabi, Mansoor Al Feeli, Alaa Shaker | Sports | |
2018 | Wesalna Wela B'adna | Aisha Al Zaabi | Ahmed Abdulrazaq, Fatima Al Hosani, Mariam Sultan | Comedy | |
2018 | Our Argentinian Maid | Hamed Saleh | Ahmed Ahdy, Ahmed Al-Rekabi, Abdelrahman Al-Zaraoni | Comedy | |
2018 | Camera | Abdulla Al Junaibi | Humaid Alawadi, Yaser Alneyadi, Omar Almulla | Thriller | |
2018 | Freej Al Taibeen | Ahmed Zain | Ali Al Shehhi, Huda Alghanim, Khaled Al Nuaimi | Comedy | |
2018 | Until Midnight | Tariq Al Kazim | Ahmed Khamis Ali, Chuka Ekweogwu | Thriller | |
2018 | Hajwala 2 | Ibrahim bin Mohamed | Hussain Al Hosani, Ali Abdulla Al Marzooqi, Abdulla Al Youssif | Action | |
2018 | Shabab Sheyab | Yasir Al-Yasiri | Saad Al Faraj, Mansoor Al Feeli, Marie Al Halyan | Comedy | |
2018 | 11 Days | Sudheer Konderi | Habib Ghuloom, Ahmed Al Hashimi | Family | |
2018 | Back to the Wild | Veronia Iocono | Razan Khalifa Al Mubarak, Shaikha Al Dhaheri | Environmental Documentary | |
2018 | Zayed's Antarctic Lights | Winston Cowie | Mariam Al Qassimi, Rashed Al Zaabi, Winston Cowie, Razan Khalifa Al Mubarak, Jane Goodall, Robert Swan. | Environmental Documentary | Bronze World Medal New York Festivals TV & Film Awards |
2019 | Safar Edtirari | Nasser Al Tamimi | Habib Ghuloom, Badria Talbah, Fay Sharqawi, Issa Arab | Comedy | |
2019 | Ali and Alia | Hussain Al Ansari | Khalifa Al Bahri, Neven Madi, Sawsan Saad | Drama, Romance | |
2019 | Rashid & Rajab | Mohammed Saeed Harib | Marwan Abdulla, Shadi Alfons | Comedy | |
2019 | Catsaway | Fadel Al Mheiri | Animation | ||
2019 | Our Sea. Our Heritage | Winston Cowie | Razan Khalifa Al Mubarak, Shaikha Al Dhaheri | Environmental documentary | |
2021 | Wild Abu Dhabi: The Turtles of Al Dhafra | Winston Cowie | H.E Dr Shaikha Al Dhaheri, Hind Al Ameri, Maitha Mohamed Al Hameli, Ibrahim Bugla, Ahmed Esmaeil Al Hashmi | Environmental Documentary | 2021 Finalist - New York Festivals TV and Film Awards |
2024 | Late Night with the Devil | Colin and Cameron Cairnes | David Dastmalchian, Laura Gordon, Ian Bliss, Fayssal Bazzi, Ingrid Torelli, Rhys Auteri, Georgina Haig, Josh Quong Tart | Horror [18] | |
TBA | A Tale of Shadows: Illusions | Tariq Alkazim | Chuka Ekweogwu,Robert Cristian Trif | Suspense Drama | Feature film (pre-production) |